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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4D9D it is the complementary color #20B262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4D9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4D9D shade: #E44D98, #F55FAB, #FF71BE, #FF83D1 and #FF95E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4D9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4D9D shade: #DF4D9D, #CE3B8A, #BD2977, #AC1764 and #9B0551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4D9D shade: #E04D9D, #E04D76, #E04D4F and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4D9D shade: #E04D9D, #E04DC5, #D34DE0, #AB4DE0 and #844DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4D9D shade matches the following richer shades: #E04D9D and #F13C9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4D9D shade: #E04D9D, #CF5E9C, #BE6F9A, #AD8099 and #9C9197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4D9D shade: #D34DE0, #E04DC5, #E04D9E, #E04D77 and #E04D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4D9D shade: #BA2175, #D92A8A, #E04D9D, #E670B1 and #EC93C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4D9D shade: #DF4D9D, #E0AC4D and #4DD8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4D9D shade: #DF4D9D, #9EE04D and #4D9EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4D9D shade: #DF4D9D, #E0AC4D, #4DE08F and #4D80E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4D9D shade: #DF4D9D, #E0D84D, #4DE08F and #4D55E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

Complementary color

CMYK 82 / 0 / 45 / 30

HEX #20B262

RGB 32 178 98

HSL 147.12, 0.7%, 0.41%

LAB 64.18, -54.71, 30.67

 

CMYK 0 / 66 / 33 / 11

HEX #E44D98

RGB 228 77 152

HSL 330.2, 0.74%, 0.6%

LAB 56.16, 64.66, -8.88

 

CMYK 0 / 61 / 30 / 4

HEX #F55FAB

RGB 245 95 171

HSL 329.6, 0.88%, 0.67%

LAB 62.11, 64.49, -10.72

 

CMYK 0 / 56 / 25 / 0

HEX #FF71BE

RGB 255 113 190

HSL 327.46, 1%, 0.72%

LAB 67.12, 61.99, -13.86

 

CMYK 0 / 49 / 18 / 0

HEX #FF83D1

RGB 255 131 209

HSL 322.26, 1%, 0.76%

LAB 70.94, 56.24, -18.72

 

CMYK 0 / 42 / 11 / 0

HEX #FF95E4

RGB 255 149 228

HSL 315.28, 1%, 0.79%

LAB 75.05, 50.29, -22.93

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 0 / 71 / 33 / 19

HEX #CE3B8A

RGB 206 59 138

HSL 327.76, 0.6%, 0.52%

LAB 49.6, 63.65, -10.77

 

CMYK 0 / 78 / 37 / 26

HEX #BD2977

RGB 189 41 119

HSL 328.38, 0.64%, 0.45%

LAB 43.85, 62.84, -8.14

 

CMYK 0 / 87 / 42 / 33

HEX #AC1764

RGB 172 23 100

HSL 328.99, 0.76%, 0.38%

LAB 38.38, 61.09, -4.75

 

CMYK 0 / 97 / 48 / 39

HEX #9B0551

RGB 155 5 81

HSL 329.6, 0.94%, 0.31%

LAB 33.29, 58.09, -0.4

 

CMYK 0 / 66 / 30 / 12

HEX #E04D9D

RGB 224 77 157

HSL 327.35, 0.7%, 0.59%

LAB 55.67, 64.12, -12.6

 

CMYK 0 / 66 / 47 / 12

HEX #E04D76

RGB 224 77 118

HSL 343.27, 0.7%, 0.59%

LAB 54.51, 60.03, 8.76

 

CMYK 0 / 66 / 65 / 12

HEX #E04D4F

RGB 224 77 79

HSL 359.18, 0.7%, 0.59%

LAB 53.73, 57.17, 30.73

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 0 / 66 / 30 / 12

HEX #E04D9D

RGB 224 77 157

HSL 327.35, 0.7%, 0.59%

LAB 55.67, 64.12, -12.6

 

CMYK 0 / 66 / 12 / 12

HEX #E04DC5

RGB 224 77 197

HSL 311.02, 0.7%, 0.59%

LAB 57.26, 69.48, -33.36

 

CMYK 6 / 66 / 0 / 12

HEX #D34DE0

RGB 211 77 224

HSL 294.69, 0.7%, 0.59%

LAB 56.62, 70.72, -49.83

 

CMYK 24 / 66 / 0 / 12

HEX #AB4DE0

RGB 171 77 224

HSL 278.37, 0.7%, 0.59%

LAB 51.09, 61.89, -58.99

 

CMYK 41 / 66 / 0 / 12

HEX #844DE0

RGB 132 77 224

HSL 262.45, 0.7%, 0.59%

LAB 46.44, 53.87, -66.74

 

CMYK 0 / 66 / 30 / 12

HEX #E04D9D

RGB 224 77 157

HSL 327.35, 0.7%, 0.59%

LAB 55.67, 64.12, -12.6

 

CMYK 0 / 75 / 34 / 5

HEX #F13C9F

RGB 241 60 159

HSL 327.18, 0.87%, 0.59%

LAB 56.52, 74.63, -12.22

 

CMYK 0 / 66 / 30 / 12

HEX #E04D9D

RGB 224 77 157

HSL 327.35, 0.7%, 0.59%

LAB 55.67, 64.12, -12.6

 

CMYK 0 / 55 / 25 / 19

HEX #CF5E9C

RGB 207 94 156

HSL 327.08, 0.54%, 0.59%

LAB 55.76, 51.58, -12.15

 

CMYK 0 / 42 / 19 / 25

HEX #BE6F9A

RGB 190 111 154

HSL 327.34, 0.38%, 0.59%

LAB 56.73, 37.04, -9.76

 

CMYK 0 / 26 / 12 / 32

HEX #AD8099

RGB 173 128 153

HSL 326.67, 0.22%, 0.59%

LAB 58.62, 21.42, -6.57

 

CMYK 0 / 7 / 3 / 39

HEX #9C9197

RGB 156 145 151

HSL 327.27, 0.05%, 0.59%

LAB 61.27, 5.18, -1.71

 

CMYK 6 / 66 / 0 / 12

HEX #D34DE0

RGB 211 77 224

HSL 294.69, 0.7%, 0.59%

LAB 56.62, 70.72, -49.83

 

CMYK 0 / 66 / 12 / 12

HEX #E04DC5

RGB 224 77 197

HSL 311.02, 0.7%, 0.59%

LAB 57.26, 69.48, -33.36

 

CMYK 0 / 66 / 29 / 12

HEX #E04D9E

RGB 224 77 158

HSL 326.94, 0.7%, 0.59%

LAB 55.71, 64.24, -13.14

 

CMYK 0 / 66 / 47 / 12

HEX #E04D77

RGB 224 77 119

HSL 342.86, 0.7%, 0.59%

LAB 54.54, 60.12, 8.2

 

CMYK 0 / 66 / 64 / 12

HEX #E04D50

RGB 224 77 80

HSL 358.78, 0.7%, 0.59%

LAB 53.74, 57.22, 30.17

 

CMYK 0 / 82 / 37 / 27

HEX #BA2175

RGB 186 33 117

HSL 327.06, 0.7%, 0.43%

LAB 42.48, 63.99, -9.02

 

CMYK 0 / 81 / 36 / 15

HEX #D92A8A

RGB 217 42 138

HSL 327.09, 0.7%, 0.51%

LAB 49.79, 71.47, -10.29

 

CMYK 0 / 66 / 30 / 12

HEX #E04D9D

RGB 224 77 157

HSL 327.35, 0.7%, 0.59%

LAB 55.67, 64.12, -12.6

 

CMYK 0 / 51 / 23 / 10

HEX #E670B1

RGB 230 112 177

HSL 326.95, 0.7%, 0.67%

LAB 63, 53.08, -13.04

 

CMYK 0 / 38 / 17 / 7

HEX #EC93C4

RGB 236 147 196

HSL 326.97, 0.7%, 0.75%

LAB 71.34, 40.16, -11.13

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 0 / 23 / 66 / 12

HEX #E0AC4D

RGB 224 172 77

HSL 38.78, 0.7%, 0.59%

LAB 73.47, 9.26, 54.76

 

CMYK 66 / 4 / 0 / 12

HEX #4DD8E0

RGB 77 216 224

HSL 183.27, 0.7%, 0.59%

LAB 79.65, -34.29, -14.93

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 29 / 0 / 66 / 12

HEX #9EE04D

RGB 158 224 77

HSL 86.94, 0.7%, 0.59%

LAB 82.44, -43.19, 62.89

 

CMYK 66 / 29 / 0 / 12

HEX #4D9EE0

RGB 77 158 224

HSL 206.94, 0.7%, 0.59%

LAB 62.86, -4.29, -40.73

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 0 / 23 / 66 / 12

HEX #E0AC4D

RGB 224 172 77

HSL 38.78, 0.7%, 0.59%

LAB 73.47, 9.26, 54.76

 

CMYK 66 / 0 / 36 / 12

HEX #4DE08F

RGB 77 224 143

HSL 146.94, 0.7%, 0.59%

LAB 80.11, -56.99, 28.52

 

CMYK 66 / 43 / 0 / 12

HEX #4D80E0

RGB 77 128 224

HSL 219.18, 0.7%, 0.59%

LAB 54.45, 13.4, -54.04

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 0 / 4 / 66 / 12

HEX #E0D84D

RGB 224 216 77

HSL 56.73, 0.7%, 0.59%

LAB 84.74, -13.47, 66.68

 

CMYK 66 / 0 / 36 / 12

HEX #4DE08F

RGB 77 224 143

HSL 146.94, 0.7%, 0.59%

LAB 80.11, -56.99, 28.52

 

CMYK 66 / 62 / 0 / 12

HEX #4D55E0

RGB 77 85 224

HSL 236.73, 0.7%, 0.59%

LAB 43.44, 40, -71.82

 

Description

Color code: HEX #DF4D9D | qconv.com Color code: HEX #DF4D9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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