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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4D5ABF it is the complementary color #20B2A5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4D5ABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4D5ABF shade: #E44D55BF, #F55F68BF, #FF717BBF, #FF838EBF and #FF95A1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4D5ABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4D5ABF shade: #DF4D5ABF, #CE3B47BF, #BD2934BF, #AC1721BF and #9B050EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4D5ABF shade: #E04D5A and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4D5ABF shade: #E04D5A, #E04D82, #E04DA9, #E04DD1 and #C74DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4D5ABF shade matches the following richer shades: #E04D5A and #F13C4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4D5ABF shade: #E04D5A, #CF5E68, #BE6F76, #AD8084 and #9C9192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4D5ABF shade: #E04DAA, #E04D83, #E04D5C, #E0664D and #E08D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4D5ABF shade: #BA212E, #D92A3A, #E04D5A, #E6707B and #EC939B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4D5ABF shade: #DF4D5A, #D1E04D and #4D96E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4D5ABF shade: #DF4D5A, #5CE04D and #4D5CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4D5ABF shade: #DF4D5A, #D1E04D, #4DE0D1 and #5C4DE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4D5ABF shade: #DF4D5A, #A5E04D, #4DE0D1 and #884DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 45 / 9

HEX #DF4D5ABF

RGBA 223 77 90 0.75

HSLA 354.66, 0.7%, 0.59%, 0.75

LABA 53.74, 57.53, 24.29, 0.75

 

Complementary color

CMYK 62 / 0 / 5 / 23

HEX #20B2A5BF

RGBA 32 178 165 0.75

HSLA 174.66, 0.7%, 0.41%, 0.75

LABA 65.64, -38.95, -3.78, 0.75

 

CMYK 0 / 50 / 47 / 8

HEX #E44D55BF

RGBA 228 77 85 0.75

HSLA 356.82, 0.74%, 0.6%, 0.75

LABA 54.51, 58.81, 28.37, 0.75

 

CMYK 0 / 46 / 43 / 3

HEX #F55F68BF

RGBA 245 95 104 0.75

HSLA 356.4, 0.88%, 0.67%, 0.75

LABA 60.42, 58.1, 25.6, 0.75

 

CMYK 0 / 42 / 39 / 0

HEX #FF717BBF

RGBA 255 113 123 0.75

HSLA 355.77, 1%, 0.72%, 0.75

LABA 65.36, 54.88, 21.64, 0.75

 

CMYK 0 / 36 / 33 / 0

HEX #FF838EBF

RGBA 255 131 142 0.75

HSLA 354.68, 1%, 0.76%, 0.75

LABA 69.07, 48.03, 16.04, 0.75

 

CMYK 0 / 31 / 28 / 0

HEX #FF95A1BF

RGBA 255 149 161 0.75

HSLA 353.21, 1%, 0.79%, 0.75

LABA 73.11, 41.04, 11.13, 0.75

 

CMYK 0 / 49 / 45 / 9

HEX #DF4D5ABF

RGBA 223 77 90 0.75

HSLA 354.66, 0.7%, 0.59%, 0.75

LABA 53.74, 57.53, 24.29, 0.75

 

CMYK 0 / 54 / 49 / 14

HEX #CE3B47BF

RGBA 206 59 71 0.75

HSLA 355.1, 0.6%, 0.52%, 0.75

LABA 47.89, 57.94, 27.44, 0.75

 

CMYK 0 / 59 / 54 / 19

HEX #BD2934BF

RGBA 189 41 52 0.75

HSLA 355.54, 0.64%, 0.45%, 0.75

LABA 42.24, 57.83, 31.2, 0.75

 

CMYK 0 / 65 / 61 / 24

HEX #AC1721BF

RGBA 172 23 33 0.75

HSLA 355.97, 0.76%, 0.38%, 0.75

LABA 36.92, 56.87, 35.6, 0.75

 

CMYK 0 / 73 / 68 / 29

HEX #9B050EBF

RGBA 155 5 14 0.75

HSLA 356.4, 0.94%, 0.31%, 0.75

LABA 32.05, 54.72, 40.04, 0.75

 

CMYK 0 / 66 / 60 / 12

HEX #E04D5A

RGB 224 77 90

HSL 354.69, 0.7%, 0.59%

LAB 53.91, 57.85, 24.54

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 0 / 66 / 60 / 12

HEX #E04D5A

RGB 224 77 90

HSL 354.69, 0.7%, 0.59%

LAB 53.91, 57.85, 24.54

 

CMYK 0 / 66 / 42 / 12

HEX #E04D82

RGB 224 77 130

HSL 338.37, 0.7%, 0.59%

LAB 54.83, 61.16, 2.08

 

CMYK 0 / 66 / 25 / 12

HEX #E04DA9

RGB 224 77 169

HSL 322.45, 0.7%, 0.59%

LAB 56.11, 65.61, -18.96

 

CMYK 0 / 66 / 7 / 12

HEX #E04DD1

RGB 224 77 209

HSL 306.12, 0.7%, 0.59%

LAB 57.81, 71.28, -39.34

 

CMYK 11 / 66 / 0 / 12

HEX #C74DE0

RGB 199 77 224

HSL 289.8, 0.7%, 0.59%

LAB 54.9, 68.04, -52.68

 

CMYK 0 / 66 / 60 / 12

HEX #E04D5A

RGB 224 77 90

HSL 354.69, 0.7%, 0.59%

LAB 53.91, 57.85, 24.54

 

CMYK 0 / 75 / 68 / 5

HEX #F13C4C

RGB 241 60 76

HSL 354.7, 0.87%, 0.59%

LAB 54.51, 68.26, 34.1

 

CMYK 0 / 66 / 60 / 12

HEX #E04D5A

RGB 224 77 90

HSL 354.69, 0.7%, 0.59%

LAB 53.91, 57.85, 24.54

 

CMYK 0 / 55 / 50 / 19

HEX #CF5E68

RGB 207 94 104

HSL 354.69, 0.54%, 0.59%

LAB 54.31, 45.61, 16.36

 

CMYK 0 / 42 / 38 / 25

HEX #BE6F76

RGB 190 111 118

HSL 354.68, 0.38%, 0.59%

LAB 55.71, 32.06, 9.74

 

CMYK 0 / 26 / 24 / 32

HEX #AD8084

RGB 173 128 132

HSL 354.67, 0.22%, 0.59%

LAB 58.03, 17.98, 4.66

 

CMYK 0 / 7 / 6 / 39

HEX #9C9192

RGB 156 145 146

HSL 354.55, 0.05%, 0.59%

LAB 61.13, 4.25, 0.93

 

CMYK 0 / 66 / 24 / 12

HEX #E04DAA

RGB 224 77 170

HSL 322.04, 0.7%, 0.59%

LAB 56.15, 65.74, -19.48

 

CMYK 0 / 66 / 42 / 12

HEX #E04D83

RGB 224 77 131

HSL 337.96, 0.7%, 0.59%

LAB 54.86, 61.26, 1.53

 

CMYK 0 / 66 / 59 / 12

HEX #E04D5C

RGB 224 77 92

HSL 353.88, 0.7%, 0.59%

LAB 53.95, 57.98, 23.41

 

CMYK 0 / 54 / 66 / 12

HEX #E0664D

RGB 224 102 77

HSL 10.2, 0.7%, 0.59%

LAB 57.93, 45.87, 37

 

CMYK 0 / 37 / 66 / 12

HEX #E08D4D

RGB 224 141 77

HSL 26.12, 0.7%, 0.59%

LAB 66.08, 25.83, 46.53

 

CMYK 0 / 82 / 75 / 27

HEX #BA212E

RGB 186 33 46

HSL 354.9, 0.7%, 0.43%

LAB 40.77, 58.92, 32.96

 

CMYK 0 / 81 / 73 / 15

HEX #D92A3A

RGB 217 42 58

HSL 354.51, 0.7%, 0.51%

LAB 47.9, 65.8, 35.63

 

CMYK 0 / 66 / 60 / 12

HEX #E04D5A

RGB 224 77 90

HSL 354.69, 0.7%, 0.59%

LAB 53.91, 57.85, 24.54

 

CMYK 0 / 51 / 47 / 10

HEX #E6707B

RGB 230 112 123

HSL 354.41, 0.7%, 0.67%

LAB 61.52, 46.72, 15.79

 

CMYK 0 / 38 / 34 / 7

HEX #EC939B

RGB 236 147 155

HSL 354.61, 0.7%, 0.75%

LAB 70.22, 34.5, 10.04

 

CMYK 0 / 65 / 60 / 13

HEX #DF4D5A

RGB 223 77 90

HSL 354.66, 0.7%, 0.59%

LAB 53.74, 57.53, 24.29

 

CMYK 7 / 0 / 66 / 12

HEX #D1E04D

RGB 209 224 77

HSL 66.12, 0.7%, 0.59%

LAB 85.71, -23.54, 67.3

 

CMYK 66 / 33 / 0 / 12

HEX #4D96E0

RGB 77 150 224

HSL 210.2, 0.7%, 0.59%

LAB 60.58, 0.3, -44.3

 

CMYK 0 / 65 / 60 / 13

HEX #DF4D5A

RGB 223 77 90

HSL 354.66, 0.7%, 0.59%

LAB 53.74, 57.53, 24.29

 

CMYK 59 / 0 / 66 / 12

HEX #5CE04D

RGB 92 224 77

HSL 113.88, 0.7%, 0.59%

LAB 79.68, -63.12, 59.11

 

CMYK 66 / 59 / 0 / 12

HEX #4D5CE0

RGB 77 92 224

HSL 233.88, 0.7%, 0.59%

LAB 45.1, 35.72, -69.11

 

CMYK 0 / 65 / 60 / 13

HEX #DF4D5A

RGB 223 77 90

HSL 354.66, 0.7%, 0.59%

LAB 53.74, 57.53, 24.29

 

CMYK 7 / 0 / 66 / 12

HEX #D1E04D

RGB 209 224 77

HSL 66.12, 0.7%, 0.59%

LAB 85.71, -23.54, 67.3

 

CMYK 66 / 0 / 7 / 12

HEX #4DE0D1

RGB 77 224 209

HSL 173.88, 0.7%, 0.59%

LAB 81.56, -42.04, -4.1

 

CMYK 59 / 66 / 0 / 12

HEX #5C4DE0

RGB 92 77 224

HSL 246.12, 0.7%, 0.59%

LAB 42.71, 46.9, -72.97

 

CMYK 0 / 65 / 60 / 13

HEX #DF4D5A

RGB 223 77 90

HSL 354.66, 0.7%, 0.59%

LAB 53.74, 57.53, 24.29

 

CMYK 26 / 0 / 66 / 12

HEX #A5E04D

RGB 165 224 77

HSL 84.08, 0.7%, 0.59%

LAB 82.83, -40.64, 63.42

 

CMYK 66 / 0 / 7 / 12

HEX #4DE0D1

RGB 77 224 209

HSL 173.88, 0.7%, 0.59%

LAB 81.56, -42.04, -4.1

 

CMYK 39 / 66 / 0 / 12

HEX #884DE0

RGB 136 77 224

HSL 264.08, 0.7%, 0.59%

LAB 46.87, 54.65, -66.01

 

Description

Color code: HEX #DF4D5ABF | qconv.com Color code: HEX #DF4D5ABF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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