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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4D35BF it is the complementary color #20B2CABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4D35BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4D35BF shade: #E44D30BF, #F55F43BF, #FF7156BF, #FF8369BF and #FF957CBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4D35BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4D35BF shade: #DF4D35BF, #CE3B22BF, #BD290FBF, #AC1700BF and #9B0500BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4D35BF shade: #DF4C34 and #DF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4D35BF shade: #DF4C34, #DF7A34, #DFA934, #DFD734 and #BADF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4D35BF shade matches the following richer shades: #DF4C34 and #F23F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4D35BF shade: #DF4C34, #CC5A47, #B9675A, #A6756D and #938380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4D35BF shade: #DF3479, #DF344B, #DF4B34, #DF7934 and #DFA634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4D35BF shade: #A72E1A, #CB3820, #DF4C34, #E56C58 and #EA8B7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4D35BF shade: #DF4D35, #A6DF34 and #3462DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4D35BF shade: #DF4D35, #34DF4B and #4B34DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4D35BF shade: #DF4D35, #A6DF34, #34C8DF and #6D34DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4D35BF shade: #DF4D35, #73DF34, #34C8DF and #A134DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 57 / 9

HEX #DF4D35BF

RGBA 223 77 53 0.75

HSLA 8.47, 0.73%, 0.54%, 0.75

LABA 53.23, 55.6, 44.57, 0.75

 

Complementary color

CMYK 63 / 9 / 0 / 16

HEX #20B2CABF

RGBA 32 178 202 0.75

HSLA 188.47, 0.73%, 0.46%, 0.75

LABA 66.83, -27.64, -22.48, 0.75

 

CMYK 0 / 50 / 59 / 8

HEX #E44D30BF

RGBA 228 77 48 0.75

HSLA 9.67, 0.77%, 0.54%, 0.75

LABA 54.04, 57.09, 48.24, 0.75

 

CMYK 0 / 46 / 54 / 3

HEX #F55F43BF

RGBA 245 95 67 0.75

HSLA 9.44, 0.9%, 0.61%, 0.75

LABA 59.89, 56.01, 45.5, 0.75

 

CMYK 0 / 42 / 50 / 0

HEX #FF7156BF

RGBA 255 113 86 0.75

HSLA 9.59, 1%, 0.67%, 0.75

LABA 64.76, 52.35, 41.41, 0.75

 

CMYK 0 / 36 / 44 / 0

HEX #FF8369BF

RGBA 255 131 105 0.75

HSLA 10.4, 1%, 0.71%, 0.75

LABA 68.4, 44.91, 35.62, 0.75

 

CMYK 0 / 31 / 39 / 0

HEX #FF957CBF

RGBA 255 149 124 0.75

HSLA 11.45, 1%, 0.74%, 0.75

LABA 72.37, 37.33, 30.43, 0.75

 

CMYK 0 / 49 / 57 / 9

HEX #DF4D35BF

RGBA 223 77 53 0.75

HSLA 8.47, 0.73%, 0.54%, 0.75

LABA 53.23, 55.6, 44.57, 0.75

 

CMYK 0 / 54 / 63 / 14

HEX #CE3B22BF

RGBA 206 59 34 0.75

HSLA 8.72, 0.72%, 0.47%, 0.75

LABA 47.45, 56.43, 47.47, 0.75

 

CMYK 0 / 59 / 69 / 19

HEX #BD290FBF

RGBA 189 41 15 0.75

HSLA 8.97, 0.85%, 0.4%, 0.75

LABA 41.91, 56.77, 49.85, 0.75

 

CMYK 0 / 65 / 75 / 24

HEX #AC1700BF

RGBA 172 23 0 0.75

HSLA 8.02, 1%, 0.34%, 0.75

LABA 36.71, 56.26, 50.45, 0.75

 

CMYK 0 / 73 / 75 / 29

HEX #9B0500BF

RGBA 155 5 0 0.75

HSLA 1.94, 1%, 0.3%, 0.75

LABA 31.98, 54.52, 45.83, 0.75

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C34

RGB 223 76 52

HSL 8.42, 0.73%, 0.54%

LAB 53.06, 55.97, 44.92

 

CMYK 0 / 77 / 77 / 13

HEX #DF3434

RGB 223 52 52

HSL 0, 0.73%, 0.54%

LAB 49.97, 64.5, 41.66

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C34

RGB 223 76 52

HSL 8.42, 0.73%, 0.54%

LAB 53.06, 55.97, 44.92

 

CMYK 0 / 45 / 77 / 13

HEX #DF7A34

RGB 223 122 52

HSL 24.56, 0.73%, 0.54%

LAB 61.53, 34.2, 53.52

 

CMYK 0 / 24 / 77 / 13

HEX #DFA934

RGB 223 169 52

HSL 41.05, 0.73%, 0.54%

LAB 72.44, 9.2, 64.03

 

CMYK 0 / 4 / 77 / 13

HEX #DFD734

RGB 223 215 52

HSL 57.19, 0.73%, 0.54%

LAB 84.24, -14.55, 74.89

 

CMYK 17 / 0 / 77 / 13

HEX #BADF34

RGB 186 223 52

HSL 72.98, 0.73%, 0.54%

LAB 83.69, -33.57, 73.37

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C34

RGB 223 76 52

HSL 8.42, 0.73%, 0.54%

LAB 53.06, 55.97, 44.92

 

CMYK 0 / 74 / 86 / 5

HEX #F23F21

RGB 242 63 33

HSL 8.61, 0.89%, 0.54%

LAB 54.6, 66.2, 56.64

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C34

RGB 223 76 52

HSL 8.42, 0.73%, 0.54%

LAB 53.06, 55.97, 44.92

 

CMYK 0 / 56 / 65 / 20

HEX #CC5A47

RGB 204 90 71

HSL 8.57, 0.57%, 0.54%

LAB 52.51, 43.96, 33.08

 

CMYK 0 / 44 / 51 / 27

HEX #B9675A

RGB 185 103 90

HSL 8.21, 0.4%, 0.54%

LAB 52.68, 31.45, 21.8

 

CMYK 0 / 30 / 34 / 35

HEX #A6756D

RGB 166 117 109

HSL 8.42, 0.24%, 0.54%

LAB 53.96, 18.17, 12.1

 

CMYK 0 / 11 / 13 / 42

HEX #938380

RGB 147 131 128

HSL 9.47, 0.08%, 0.54%

LAB 56.08, 5.53, 3.83

 

CMYK 0 / 77 / 46 / 13

HEX #DF3479

RGB 223 52 121

HSL 335.79, 0.73%, 0.54%

LAB 51.3, 68.69, 2.32

 

CMYK 0 / 77 / 66 / 13

HEX #DF344B

RGB 223 52 75

HSL 351.93, 0.73%, 0.54%

LAB 50.28, 65.49, 28.72

 

CMYK 0 / 66 / 77 / 13

HEX #DF4B34

RGB 223 75 52

HSL 8.07, 0.73%, 0.54%

LAB 52.91, 56.38, 44.77

 

CMYK 0 / 46 / 77 / 13

HEX #DF7934

RGB 223 121 52

HSL 24.21, 0.73%, 0.54%

LAB 61.32, 34.72, 53.31

 

CMYK 0 / 26 / 77 / 13

HEX #DFA634

RGB 223 166 52

HSL 40, 0.73%, 0.54%

LAB 71.7, 10.79, 63.33

 

CMYK 0 / 72 / 84 / 35

HEX #A72E1A

RGB 167 46 26

HSL 8.51, 0.73%, 0.38%

LAB 38.28, 48.31, 40.35

 

CMYK 0 / 72 / 84 / 20

HEX #CB3820

RGB 203 56 32

HSL 8.42, 0.73%, 0.46%

LAB 46.48, 56.5, 47.35

 

CMYK 0 / 66 / 77 / 13

HEX #DF4C34

RGB 223 76 52

HSL 8.42, 0.73%, 0.54%

LAB 53.06, 55.97, 44.92

 

CMYK 0 / 53 / 62 / 10

HEX #E56C58

RGB 229 108 88

HSL 8.51, 0.73%, 0.62%

LAB 59.97, 45.48, 33.58

 

CMYK 0 / 41 / 47 / 8

HEX #EA8B7B

RGB 234 139 123

HSL 8.65, 0.73%, 0.7%

LAB 67.57, 34.45, 24.13

 

CMYK 0 / 65 / 76 / 13

HEX #DF4D35

RGB 223 77 53

HSL 8.47, 0.73%, 0.54%

LAB 53.23, 55.6, 44.57

 

CMYK 26 / 0 / 77 / 13

HEX #A6DF34

RGB 166 223 52

HSL 80, 0.73%, 0.54%

LAB 82.45, -41.31, 71.78

 

CMYK 77 / 56 / 0 / 13

HEX #3462DF

RGB 52 98 223

HSL 223.86, 0.73%, 0.54%

LAB 45.35, 28.44, -68.19

 

CMYK 0 / 65 / 76 / 13

HEX #DF4D35

RGB 223 77 53

HSL 8.47, 0.73%, 0.54%

LAB 53.23, 55.6, 44.57

 

CMYK 77 / 0 / 66 / 13

HEX #34DF4B

RGB 52 223 75

HSL 128.07, 0.73%, 0.54%

LAB 78.47, -70.3, 58.34

 

CMYK 66 / 77 / 0 / 13

HEX #4B34DF

RGB 75 52 223

HSL 248.07, 0.73%, 0.54%

LAB 36.52, 57.8, -82.63

 

CMYK 0 / 65 / 76 / 13

HEX #DF4D35

RGB 223 77 53

HSL 8.47, 0.73%, 0.54%

LAB 53.23, 55.6, 44.57

 

CMYK 26 / 0 / 77 / 13

HEX #A6DF34

RGB 166 223 52

HSL 80, 0.73%, 0.54%

LAB 82.45, -41.31, 71.78

 

CMYK 77 / 10 / 0 / 13

HEX #34C8DF

RGB 52 200 223

HSL 188.07, 0.73%, 0.54%

LAB 74.42, -30.05, -22.35

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 0 / 65 / 76 / 13

HEX #DF4D35

RGB 223 77 53

HSL 8.47, 0.73%, 0.54%

LAB 53.23, 55.6, 44.57

 

CMYK 48 / 0 / 77 / 13

HEX #73DF34

RGB 115 223 52

HSL 97.89, 0.73%, 0.54%

LAB 79.99, -58.55, 68.59

 

CMYK 77 / 10 / 0 / 13

HEX #34C8DF

RGB 52 200 223

HSL 188.07, 0.73%, 0.54%

LAB 74.42, -30.05, -22.35

 

CMYK 28 / 77 / 0 / 13

HEX #A134DF

RGB 161 52 223

HSL 278.25, 0.73%, 0.54%

LAB 46.12, 69.78, -66.51

 

Description

Color code: HEX #DF4D35BF | qconv.com Color code: HEX #DF4D35BF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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