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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4B023F it is the complementary color #20B4FD3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4B023F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4B023F shade: #E44B003F, #F55D103F, #FF6F233F, #FF81363F and #FF93493F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4B023F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4B023F shade: #DF4B023F, #CE39003F, #BD27003F, #AC15003F and #9B03003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4B023F shade: #DE4B02, #DE1002 and #DE0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4B023F shade: #DE4B02, #DE8602, #DEC102, #C0DE02 and #84DE02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4B023F shade matches the following richer shades: #DE4B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4B023F shade: #DE4B02, #CC5114, #BA5727, #A85D39 and #96644B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4B023F shade: #DE0232, #DE0D02, #DE4802, #DE8302 and #DEBD02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4B023F shade: #8C2F01, #B53D02, #DE4B02, #FD5C0D and #FD7836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4B023F shade: #DF4B02, #6DDE02 and #0215DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4B023F shade: #DF4B02, #02DE48 and #4802DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4B023F shade: #DF4B02, #6DDE02, #0299DE and #7402DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4B023F shade: #DF4B02, #2BDE02, #0299DE and #B602DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 25 / 3

HEX #DF4B023F

RGBA 223 75 2 0.25

HSLA 19.82, 0.98%, 0.44%, 0.25

LABA 52.65, 55.38, 62.91, 0.25

 

Complementary color

CMYK 22 / 7 / 0 / 0

HEX #20B4FD3F

RGBA 32 180 253 0.25

HSLA 199.82, 0.98%, 0.56%, 0.25

LABA 69.5, -11.36, -46.23, 0.25

 

CMYK 0 / 17 / 25 / 3

HEX #E44B003F

RGBA 228 75 0 0.25

HSLA 19.74, 1%, 0.45%, 0.25

LABA 53.52, 57.05, 64.29, 0.25

 

CMYK 0 / 16 / 23 / 1

HEX #F55D103F

RGBA 245 93 16 0.25

HSLA 20.17, 0.92%, 0.51%, 0.25

LABA 59.23, 55.55, 65.76, 0.25

 

CMYK 0 / 14 / 22 / 0

HEX #FF6F233F

RGBA 255 111 35 0.25

HSLA 20.73, 1%, 0.57%, 0.25

LABA 63.96, 51.38, 64.28, 0.25

 

CMYK 0 / 12 / 20 / 0

HEX #FF81363F

RGBA 255 129 54 0.25

HSLA 22.39, 1%, 0.61%, 0.25

LABA 67.45, 43.29, 59.92, 0.25

 

CMYK 0 / 11 / 18 / 0

HEX #FF93493F

RGBA 255 147 73 0.25

HSLA 24.4, 1%, 0.64%, 0.25

LABA 71.29, 34.98, 55.3, 0.25

 

CMYK 0 / 17 / 25 / 3

HEX #DF4B023F

RGBA 223 75 2 0.25

HSLA 19.82, 0.98%, 0.44%, 0.25

LABA 52.65, 55.38, 62.91, 0.25

 

CMYK 0 / 18 / 25 / 5

HEX #CE39003F

RGBA 206 57 0 0.25

HSLA 16.6, 1%, 0.4%, 0.25

LABA 47.04, 56.63, 58.91, 0.25

 

CMYK 0 / 20 / 25 / 6

HEX #BD27003F

RGBA 189 39 0 0.25

HSLA 12.38, 1%, 0.37%, 0.25

LABA 41.64, 57.19, 54.58, 0.25

 

CMYK 0 / 22 / 25 / 8

HEX #AC15003F

RGBA 172 21 0 0.25

HSLA 7.33, 1%, 0.34%, 0.25

LABA 36.57, 56.67, 50.38, 0.25

 

CMYK 0 / 25 / 25 / 10

HEX #9B03003F

RGBA 155 3 0 0.25

HSLA 1.16, 1%, 0.3%, 0.25

LABA 31.88, 54.8, 45.77, 0.25

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 93 / 99 / 13

HEX #DE1002

RGB 222 16 2

HSL 3.82, 0.98%, 0.44%

LAB 46.85, 70.74, 60.11

 

CMYK 0 / 99 / 99 / 13

HEX #DE0202

RGB 222 2 2

HSL 0, 0.98%, 0.44%

LAB 46.42, 71.99, 59.94

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 40 / 99 / 13

HEX #DE8602

RGB 222 134 2

HSL 36, 0.98%, 0.44%

LAB 63.82, 26.4, 69.47

 

CMYK 0 / 13 / 99 / 13

HEX #DEC102

RGB 222 193 2

HSL 52.09, 0.98%, 0.44%

LAB 78.27, -4.86, 79.39

 

CMYK 14 / 0 / 99 / 13

HEX #C0DE02

RGB 192 222 2

HSL 68.18, 0.98%, 0.44%

LAB 83.68, -31.84, 82.29

 

CMYK 41 / 0 / 99 / 13

HEX #84DE02

RGB 132 222 2

HSL 84.55, 0.98%, 0.44%

LAB 80.27, -54.36, 78.18

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 60 / 90 / 20

HEX #CC5114

RGB 204 81 20

HSL 19.89, 0.82%, 0.44%

LAB 50.42, 46.28, 55.41

 

CMYK 0 / 53 / 79 / 27

HEX #BA5727

RGB 186 87 39

HSL 19.59, 0.65%, 0.44%

LAB 48.76, 36.99, 45.11

 

CMYK 0 / 45 / 66 / 34

HEX #A85D39

RGB 168 93 57

HSL 19.46, 0.49%, 0.44%

LAB 47.56, 27.36, 33.69

 

CMYK 0 / 33 / 50 / 41

HEX #96644B

RGB 150 100 75

HSL 20, 0.33%, 0.44%

LAB 47.11, 17.23, 22.36

 

CMYK 0 / 99 / 77 / 13

HEX #DE0232

RGB 222 2 50

HSL 346.91, 0.98%, 0.44%

LAB 46.72, 72.82, 39.25

 

CMYK 0 / 94 / 99 / 13

HEX #DE0D02

RGB 222 13 2

HSL 3, 0.98%, 0.44%

LAB 46.74, 71.05, 60.06

 

CMYK 0 / 68 / 99 / 13

HEX #DE4802

RGB 222 72 2

HSL 19.09, 0.98%, 0.44%

LAB 52.03, 56.25, 62.49

 

CMYK 0 / 41 / 99 / 13

HEX #DE8302

RGB 222 131 2

HSL 35.18, 0.98%, 0.44%

LAB 63.15, 27.99, 69.03

 

CMYK 0 / 15 / 99 / 13

HEX #DEBD02

RGB 222 189 2

HSL 51, 0.98%, 0.44%

LAB 77.24, -2.8, 78.65

 

CMYK 0 / 66 / 99 / 45

HEX #8C2F01

RGB 140 47 1

HSL 19.86, 0.99%, 0.28%

LAB 33.16, 37.8, 44.67

 

CMYK 0 / 66 / 99 / 29

HEX #B53D02

RGB 181 61 2

HSL 19.78, 0.98%, 0.36%

LAB 43.01, 46.64, 53.74

 

CMYK 0 / 66 / 99 / 13

HEX #DE4B02

RGB 222 75 2

HSL 19.91, 0.98%, 0.44%

LAB 52.47, 55.04, 62.72

 

CMYK 0 / 64 / 95 / 1

HEX #FD5C0D

RGB 253 92 13

HSL 19.75, 0.98%, 0.52%

LAB 60.4, 58.68, 67.8

 

CMYK 0 / 53 / 79 / 1

HEX #FD7836

RGB 253 120 54

HSL 19.9, 0.98%, 0.6%

LAB 65.42, 46.91, 57.89

 

CMYK 0 / 66 / 99 / 13

HEX #DF4B02

RGB 223 75 2

HSL 19.82, 0.98%, 0.44%

LAB 52.65, 55.38, 62.91

 

CMYK 51 / 0 / 99 / 13

HEX #6DDE02

RGB 109 222 2

HSL 90.82, 0.98%, 0.44%

LAB 79.33, -61.48, 77.04

 

CMYK 99 / 91 / 0 / 13

HEX #0215DE

RGB 2 21 222

HSL 234.82, 0.98%, 0.44%

LAB 28.96, 66.93, -94.7

 

CMYK 0 / 66 / 99 / 13

HEX #DF4B02

RGB 223 75 2

HSL 19.82, 0.98%, 0.44%

LAB 52.65, 55.38, 62.91

 

CMYK 99 / 0 / 68 / 13

HEX #02DE48

RGB 2 222 72

HSL 139.09, 0.98%, 0.44%

LAB 77.71, -73.97, 58.58

 

CMYK 68 / 99 / 0 / 13

HEX #4802DE

RGB 72 2 222

HSL 259.09, 0.98%, 0.44%

LAB 31.1, 72.35, -91.04

 

CMYK 0 / 66 / 99 / 13

HEX #DF4B02

RGB 223 75 2

HSL 19.82, 0.98%, 0.44%

LAB 52.65, 55.38, 62.91

 

CMYK 51 / 0 / 99 / 13

HEX #6DDE02

RGB 109 222 2

HSL 90.82, 0.98%, 0.44%

LAB 79.33, -61.48, 77.04

 

CMYK 99 / 31 / 0 / 13

HEX #0299DE

RGB 2 153 222

HSL 198.82, 0.98%, 0.44%

LAB 59.95, -8.73, -44.28

 

CMYK 48 / 99 / 0 / 13

HEX #7402DE

RGB 116 2 222

HSL 271.09, 0.98%, 0.44%

LAB 36.04, 75.09, -82.7

 

CMYK 0 / 66 / 99 / 13

HEX #DF4B02

RGB 223 75 2

HSL 19.82, 0.98%, 0.44%

LAB 52.65, 55.38, 62.91

 

CMYK 81 / 0 / 99 / 13

HEX #2BDE02

RGB 43 222 2

HSL 108.82, 0.98%, 0.44%

LAB 77.73, -74.82, 75.1

 

CMYK 99 / 31 / 0 / 13

HEX #0299DE

RGB 2 153 222

HSL 198.82, 0.98%, 0.44%

LAB 59.95, -8.73, -44.28

 

CMYK 18 / 99 / 0 / 13

HEX #B602DE

RGB 182 2 222

HSL 289.09, 0.98%, 0.44%

LAB 45.99, 82.43, -66.01

 

Description

Color code: HEX #DF4B023F | qconv.com Color code: HEX #DF4B023F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 75 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 75 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 25 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 25% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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