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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4A8D it is the complementary color #20B572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4A8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4A8D shade: #E44A88, #F55C9B, #FF6EAE, #FF80C1 and #FF92D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4A8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4A8D shade: #DF4A8D, #CE387A, #BD2667, #AC1454 and #9B0241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4A8D shade: #DE488C, #DE4863 and #DE4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4A8D shade: #DE488C, #DE48B4, #DE48DD, #B848DE and #8F48DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4A8D shade matches the following richer shades: #DE488C and #F0378A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4A8D shade: #DE488C, #CD5A8E, #BC6B8F, #AA7C91 and #998E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4A8D shade: #DE48DC, #DE48B4, #DE488C, #DE4864 and #DE5548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4A8D shade: #B51F63, #D82676, #DE488C, #E56CA2 and #EB8FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4A8D shade: #DF4A8D, #DEB948 and #48C8DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4A8D shade: #DF4A8D, #8CDE48 and #488CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4A8D shade: #DF4A8D, #DEB948, #48DE9B and #486EDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4A8D shade: #DF4A8D, #D7DE48, #48DE9B and #5048DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

Complementary color

CMYK 82 / 0 / 37 / 29

HEX #20B572

RGB 32 181 114

HSL 153.02, 0.7%, 0.42%

LAB 65.41, -52.74, 23.85

 

CMYK 0 / 68 / 40 / 11

HEX #E44A88

RGB 228 74 136

HSL 335.84, 0.74%, 0.59%

LAB 55.25, 64.09, -0.79

 

CMYK 0 / 62 / 37 / 4

HEX #F55C9B

RGB 245 92 155

HSL 335.29, 0.88%, 0.66%

LAB 61.16, 63.91, -2.9

 

CMYK 0 / 57 / 32 / 0

HEX #FF6EAE

RGB 255 110 174

HSL 333.52, 1%, 0.72%

LAB 66.11, 61.35, -6.31

 

CMYK 0 / 50 / 24 / 0

HEX #FF80C1

RGB 255 128 193

HSL 329.29, 1%, 0.75%

LAB 69.86, 55.44, -11.43

 

CMYK 0 / 43 / 17 / 0

HEX #FF92D4

RGB 255 146 212

HSL 323.67, 1%, 0.79%

LAB 73.91, 49.31, -15.87

 

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

CMYK 0 / 73 / 41 / 19

HEX #CE387A

RGB 206 56 122

HSL 333.6, 0.6%, 0.51%

LAB 48.7, 62.97, -2.43

 

CMYK 0 / 80 / 46 / 26

HEX #BD2667

RGB 189 38 103

HSL 334.17, 0.67%, 0.45%

LAB 43.04, 62.11, 0.6

 

CMYK 0 / 88 / 51 / 33

HEX #AC1454

RGB 172 20 84

HSL 334.74, 0.79%, 0.38%

LAB 37.68, 60.26, 4.46

 

CMYK 0 / 99 / 58 / 39

HEX #9B0241

RGB 155 2 65

HSL 335.29, 0.97%, 0.31%

LAB 32.69, 57.27, 9.28

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 68 / 55 / 13

HEX #DE4863

RGB 222 72 99

HSL 349.2, 0.69%, 0.58%

LAB 53.02, 59.83, 17.96

 

CMYK 0 / 68 / 68 / 13

HEX #DE4848

RGB 222 72 72

HSL 0, 0.69%, 0.58%

LAB 52.54, 58.13, 33.24

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 68 / 19 / 13

HEX #DE48B4

RGB 222 72 180

HSL 316.8, 0.69%, 0.58%

LAB 55.54, 68.43, -26.25

 

CMYK 0 / 68 / 0 / 13

HEX #DE48DD

RGB 222 72 221

HSL 300.4, 0.69%, 0.58%

LAB 57.45, 74.53, -46.72

 

CMYK 17 / 68 / 0 / 13

HEX #B848DE

RGB 184 72 222

HSL 284.8, 0.69%, 0.58%

LAB 51.95, 66.42, -56.38

 

CMYK 36 / 68 / 0 / 13

HEX #8F48DE

RGB 143 72 222

HSL 268.4, 0.69%, 0.58%

LAB 46.64, 57.98, -65.21

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 77 / 43 / 6

HEX #F0378A

RGB 240 55 138

HSL 333.08, 0.86%, 0.58%

LAB 55.17, 73.74, -1.84

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 56 / 31 / 20

HEX #CD5A8E

RGB 205 90 142

HSL 332.87, 0.53%, 0.58%

LAB 54.29, 50.99, -6.16

 

CMYK 0 / 43 / 24 / 26

HEX #BC6B8F

RGB 188 107 143

HSL 333.33, 0.38%, 0.58%

LAB 55.27, 36.82, -5.55

 

CMYK 0 / 27 / 15 / 33

HEX #AA7C91

RGB 170 124 145

HSL 332.61, 0.21%, 0.58%

LAB 57.08, 21.2, -4.27

 

CMYK 0 / 7 / 4 / 40

HEX #998E93

RGB 153 142 147

HSL 332.73, 0.05%, 0.58%

LAB 60.09, 5.01, -1.18

 

CMYK 0 / 68 / 1 / 13

HEX #DE48DC

RGB 222 72 220

HSL 300.8, 0.69%, 0.58%

LAB 57.4, 74.37, -46.24

 

CMYK 0 / 68 / 19 / 13

HEX #DE48B4

RGB 222 72 180

HSL 316.8, 0.69%, 0.58%

LAB 55.54, 68.43, -26.25

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 68 / 55 / 13

HEX #DE4864

RGB 222 72 100

HSL 348.8, 0.69%, 0.58%

LAB 53.04, 59.91, 17.39

 

CMYK 0 / 62 / 68 / 13

HEX #DE5548

RGB 222 85 72

HSL 5.2, 0.69%, 0.58%

LAB 54.55, 52.73, 35.65

 

CMYK 0 / 83 / 45 / 29

HEX #B51F63

RGB 181 31 99

HSL 332.8, 0.71%, 0.42%

LAB 40.74, 61.47, -0.43

 

CMYK 0 / 82 / 45 / 15

HEX #D82676

RGB 216 38 118

HSL 333.03, 0.7%, 0.5%

LAB 48.63, 70.29, 0.11

 

CMYK 0 / 68 / 37 / 13

HEX #DE488C

RGB 222 72 140

HSL 332.8, 0.69%, 0.58%

LAB 54.09, 63.55, -4.98

 

CMYK 0 / 53 / 29 / 10

HEX #E56CA2

RGB 229 108 162

HSL 333.22, 0.7%, 0.66%

LAB 61.65, 52.68, -6.49

 

CMYK 0 / 39 / 22 / 8

HEX #EB8FB8

RGB 235 143 184

HSL 333.26, 0.7%, 0.74%

LAB 70.01, 40.11, -6.45

 

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

CMYK 0 / 17 / 68 / 13

HEX #DEB948

RGB 222 185 72

HSL 45.2, 0.69%, 0.58%

LAB 76.49, 1.26, 60.11

 

CMYK 68 / 10 / 0 / 13

HEX #48C8DE

RGB 72 200 222

HSL 188.8, 0.69%, 0.58%

LAB 74.8, -27.91, -21.2

 

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

CMYK 37 / 0 / 68 / 13

HEX #8CDE48

RGB 140 222 72

HSL 92.8, 0.69%, 0.58%

LAB 80.9, -48.98, 62.92

 

CMYK 68 / 37 / 0 / 13

HEX #488CDE

RGB 72 140 222

HSL 212.8, 0.69%, 0.58%

LAB 57.47, 4.68, -48.12

 

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

CMYK 0 / 17 / 68 / 13

HEX #DEB948

RGB 222 185 72

HSL 45.2, 0.69%, 0.58%

LAB 76.49, 1.26, 60.11

 

CMYK 68 / 0 / 30 / 13

HEX #48DE9B

RGB 72 222 155

HSL 153.2, 0.69%, 0.58%

LAB 79.61, -54.71, 21.61

 

CMYK 68 / 50 / 0 / 13

HEX #486EDE

RGB 72 110 222

HSL 224.8, 0.69%, 0.58%

LAB 49.26, 23.06, -61.26

 

CMYK 0 / 67 / 37 / 13

HEX #DF4A8D

RGB 223 74 141

HSL 333.02, 0.7%, 0.58%

LAB 54.56, 63.18, -4.85

 

CMYK 3 / 0 / 68 / 13

HEX #D7DE48

RGB 215 222 72

HSL 62.8, 0.69%, 0.58%

LAB 85.58, -20.41, 69.21

 

CMYK 68 / 0 / 30 / 13

HEX #48DE9B

RGB 72 222 155

HSL 153.2, 0.69%, 0.58%

LAB 79.61, -54.71, 21.61

 

CMYK 64 / 68 / 0 / 13

HEX #5048DE

RGB 80 72 222

HSL 243.2, 0.69%, 0.58%

LAB 40.6, 47.43, -75.33

 

Description

Color code: HEX #DF4A8D | qconv.com Color code: HEX #DF4A8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 74 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 74 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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