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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF45E2 it is the complementary color #20BA1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF45E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF45E2 shade: #E445DD, #F557F0, #FF69FF, #FF7BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF45E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF45E2 shade: #DF45E2, #CE33CF, #BD21BC, #AC0FA9 and #9B0096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF45E2 shade: #DF45E2, #E245BA, #E24590, #E24566 and #E24545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF45E2 shade: #DF45E2, #B445E2, #8A45E2, #6045E2 and #4545E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF45E2 shade matches the following richer shades: #DF45E2 and #EF34F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF45E2 shade: #DF45E2, #CE57D0, #BD68BF, #AD79AE and #9C8B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF45E2 shade: #8945E2, #B345E2, #DC45E2, #E245BD and #E24593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF45E2 shade: #B51CB8, #D822DC, #DF45E2, #E569E7 and #EB8DED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF45E2 shade: #DF45E2, #E25F45 and #45E29E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF45E2 shade: #DF45E2, #E2DC45 and #45E2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF45E2 shade: #DF45E2, #E25F45, #4AE245 and #45C8E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF45E2 shade: #DF45E2, #E28E45, #4AE245 and #4599E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

Complementary color

CMYK 83 / 0 / 84 / 27

HEX #20BA1D

RGB 32 186 29

HSL 118.85, 0.73%, 0.42%

LAB 66.15, -64.96, 61.33

 

CMYK 0 / 70 / 3 / 11

HEX #E445DD

RGB 228 69 221

HSL 302.64, 0.75%, 0.58%

LAB 58.01, 76.87, -45.78

 

CMYK 0 / 64 / 2 / 4

HEX #F557F0

RGB 245 87 240

HSL 301.9, 0.89%, 0.65%

LAB 63.77, 77.3, -47.14

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 75 / 0 / 19

HEX #CE33CF

RGB 206 51 207

HSL 299.62, 0.62%, 0.51%

LAB 51.83, 75.64, -47.83

 

CMYK 0 / 83 / 1 / 26

HEX #BD21BC

RGB 189 33 188

HSL 300.38, 0.7%, 0.44%

LAB 46.36, 73.91, -45.71

 

CMYK 0 / 91 / 2 / 33

HEX #AC0FA9

RGB 172 15 169

HSL 301.15, 0.84%, 0.37%

LAB 41.18, 71.08, -42.92

 

CMYK 0 / 100 / 3 / 39

HEX #9B0096

RGB 155 0 150

HSL 301.94, 1%, 0.3%

LAB 36.31, 66.99, -39.4

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 69 / 18 / 11

HEX #E245BA

RGB 226 69 186

HSL 315.29, 0.73%, 0.58%

LAB 56.06, 71.31, -28.87

 

CMYK 0 / 69 / 36 / 11

HEX #E24590

RGB 226 69 144

HSL 331.34, 0.73%, 0.58%

LAB 54.49, 66.2, -6.68

 

CMYK 0 / 69 / 55 / 11

HEX #E24566

RGB 226 69 102

HSL 347.39, 0.73%, 0.58%

LAB 53.37, 62.4, 16.75

 

CMYK 0 / 69 / 69 / 11

HEX #E24545

RGB 226 69 69

HSL 0, 0.73%, 0.58%

LAB 52.79, 60.39, 35.42

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 20 / 69 / 0 / 11

HEX #B445E2

RGB 180 69 226

HSL 282.42, 0.73%, 0.58%

LAB 51.21, 67.58, -59.86

 

CMYK 39 / 69 / 0 / 11

HEX #8A45E2

RGB 138 69 226

HSL 266.37, 0.73%, 0.58%

LAB 45.84, 59.42, -68.81

 

CMYK 58 / 69 / 0 / 11

HEX #6045E2

RGB 96 69 226

HSL 250.32, 0.73%, 0.58%

LAB 41.59, 52.51, -75.94

 

CMYK 69 / 69 / 0 / 11

HEX #4545E2

RGB 69 69 226

HSL 240, 0.73%, 0.58%

LAB 39.6, 49.11, -79.27

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 2 / 79 / 0 / 5

HEX #EF34F3

RGB 239 52 243

HSL 298.74, 0.89%, 0.58%

LAB 59.23, 87.28, -56.07

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 1 / 58 / 0 / 18

HEX #CE57D0

RGB 206 87 208

HSL 299.01, 0.56%, 0.58%

LAB 56.58, 62.63, -40.89

 

CMYK 1 / 46 / 0 / 25

HEX #BD68BF

RGB 189 104 191

HSL 298.62, 0.4%, 0.58%

LAB 56.57, 46.76, -31.37

 

CMYK 1 / 30 / 0 / 32

HEX #AD79AE

RGB 173 121 174

HSL 298.87, 0.25%, 0.58%

LAB 57.67, 29.24, -20.08

 

CMYK 0 / 11 / 0 / 39

HEX #9C8B9C

RGB 156 139 156

HSL 300, 0.08%, 0.58%

LAB 59.83, 9.54, -6.68

 

CMYK 39 / 69 / 0 / 11

HEX #8945E2

RGB 137 69 226

HSL 265.99, 0.73%, 0.58%

LAB 45.72, 59.24, -69.01

 

CMYK 21 / 69 / 0 / 11

HEX #B345E2

RGB 179 69 226

HSL 282.04, 0.73%, 0.58%

LAB 51.07, 67.38, -60.09

 

CMYK 3 / 69 / 0 / 11

HEX #DC45E2

RGB 220 69 226

HSL 297.71, 0.73%, 0.58%

LAB 57.04, 75.94, -50.21

 

CMYK 0 / 69 / 16 / 11

HEX #E245BD

RGB 226 69 189

HSL 314.14, 0.73%, 0.58%

LAB 56.19, 71.72, -30.4

 

CMYK 0 / 69 / 35 / 11

HEX #E24593

RGB 226 69 147

HSL 330.19, 0.73%, 0.58%

LAB 54.59, 66.53, -8.31

 

CMYK 2 / 85 / 0 / 28

HEX #B51CB8

RGB 181 28 184

HSL 298.85, 0.74%, 0.42%

LAB 44.4, 72.85, -46.58

 

CMYK 2 / 85 / 0 / 14

HEX #D822DC

RGB 216 34 220

HSL 298.71, 0.73%, 0.5%

LAB 52.85, 83.49, -53.53

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 1 / 55 / 0 / 9

HEX #E569E7

RGB 229 105 231

HSL 299.05, 0.72%, 0.66%

LAB 63.78, 64.51, -42.28

 

CMYK 1 / 41 / 0 / 7

HEX #EB8DED

RGB 235 141 237

HSL 298.75, 0.73%, 0.74%

LAB 71.44, 49.81, -33.6

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 58 / 69 / 11

HEX #E25F45

RGB 226 95 69

HSL 9.94, 0.73%, 0.58%

LAB 56.86, 49.47, 40.19

 

CMYK 69 / 0 / 30 / 11

HEX #45E29E

RGB 69 226 158

HSL 154.01, 0.73%, 0.58%

LAB 80.81, -56.11, 21.7

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 3 / 69 / 11

HEX #E2DC45

RGB 226 220 69

HSL 57.71, 0.73%, 0.58%

LAB 85.9, -15.04, 70.91

 

CMYK 69 / 0 / 3 / 11

HEX #45E2DC

RGB 69 226 220

HSL 177.71, 0.73%, 0.58%

LAB 82.28, -41.09, -8.89

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 58 / 69 / 11

HEX #E25F45

RGB 226 95 69

HSL 9.94, 0.73%, 0.58%

LAB 56.86, 49.47, 40.19

 

CMYK 67 / 0 / 69 / 11

HEX #4AE245

RGB 74 226 69

HSL 118.09, 0.73%, 0.58%

LAB 79.77, -68.29, 62.17

 

CMYK 69 / 12 / 0 / 11

HEX #45C8E2

RGB 69 200 226

HSL 189.94, 0.73%, 0.58%

LAB 74.87, -27.12, -23.27

 

CMYK 1 / 69 / 0 / 11

HEX #DF45E2

RGB 223 69 226

HSL 298.85, 0.73%, 0.58%

LAB 57.5, 76.58, -49.46

 

CMYK 0 / 37 / 69 / 11

HEX #E28E45

RGB 226 142 69

HSL 27.9, 0.73%, 0.58%

LAB 66.48, 25.67, 50.93

 

CMYK 67 / 0 / 69 / 11

HEX #4AE245

RGB 74 226 69

HSL 118.09, 0.73%, 0.58%

LAB 79.77, -68.29, 62.17

 

CMYK 69 / 32 / 0 / 11

HEX #4599E2

RGB 69 153 226

HSL 207.9, 0.73%, 0.58%

LAB 61.25, -2, -44.37

 

Description

Color code: HEX #DF45E2 | qconv.com Color code: HEX #DF45E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 69 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 69 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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