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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF44CC it is the complementary color #20BB33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF44CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF44CC shade: #E444C7, #F556DA, #FF68ED, #FF7AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF44CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF44CC shade: #DF44CC, #CE32B9, #BD20A6, #AC0E93 and #9B0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF44CC shade: #DF43CC, #DF43A2, #DF4378, #DF434E and #DF4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF44CC shade: #DF43CC, #C843DF, #9E43DF, #7443DF and #4A43DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF44CC shade matches the following richer shades: #DF43CC and #F132DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF44CC shade: #DF43CC, #CD55BF, #BC67B1, #AA79A4 and #988A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF44CC shade: #9E43DF, #C843DF, #DF43CD, #DF43A4 and #DF437A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF44CC shade: #B21EA0, #D524C0, #DF43CC, #E567D6 and #EB8ADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF44CC shade: #DF44CC, #DF7543 and #43DFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF44CC shade: #DF44CC, #CDDF43 and #43CDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF44CC shade: #DF44CC, #DF7543, #43DF56 and #43AEDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF44CC shade: #DF44CC, #DFA443, #43DF56 and #437FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

Complementary color

CMYK 83 / 0 / 73 / 27

HEX #20BB33

RGB 32 187 51

HSL 127.35, 0.71%, 0.43%

LAB 66.59, -63.81, 54.95

 

CMYK 0 / 70 / 13 / 11

HEX #E444C7

RGB 228 68 199

HSL 310.88, 0.75%, 0.58%

LAB 56.83, 73.94, -35.12

 

CMYK 0 / 65 / 11 / 4

HEX #F556DA

RGB 245 86 218

HSL 310.19, 0.89%, 0.65%

LAB 62.62, 74.32, -36.66

 

CMYK 0 / 59 / 7 / 0

HEX #FF68ED

RGB 255 104 237

HSL 307.15, 1%, 0.7%

LAB 67.48, 72.57, -39.55

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

CMYK 0 / 76 / 10 / 19

HEX #CE32B9

RGB 206 50 185

HSL 308.08, 0.61%, 0.5%

LAB 50.58, 72.61, -37.09

 

CMYK 0 / 83 / 12 / 26

HEX #BD20A6

RGB 189 32 166

HSL 308.79, 0.71%, 0.43%

LAB 45.09, 70.9, -34.74

 

CMYK 0 / 92 / 15 / 33

HEX #AC0E93

RGB 172 14 147

HSL 309.49, 0.85%, 0.36%

LAB 39.9, 68.06, -31.68

 

CMYK 0 / 100 / 17 / 39

HEX #9B0080

RGB 155 0 128

HSL 310.45, 1%, 0.3%

LAB 35.06, 63.91, -27.8

 

CMYK 0 / 70 / 9 / 13

HEX #DF43CC

RGB 223 67 204

HSL 307.31, 0.71%, 0.57%

LAB 56.15, 73.85, -39.1

 

CMYK 0 / 70 / 27 / 13

HEX #DF43A2

RGB 223 67 162

HSL 323.46, 0.71%, 0.57%

LAB 54.36, 68.16, -17.55

 

CMYK 0 / 70 / 46 / 13

HEX #DF4378

RGB 223 67 120

HSL 339.62, 0.71%, 0.57%

LAB 53.01, 63.72, 5.4

 

CMYK 0 / 70 / 65 / 13

HEX #DF434E

RGB 223 67 78

HSL 355.77, 0.71%, 0.57%

LAB 52.12, 60.66, 29.26

 

CMYK 0 / 70 / 70 / 13

HEX #DF4343

RGB 223 67 67

HSL 0, 0.71%, 0.57%

LAB 51.96, 60.09, 35.45

 

CMYK 0 / 70 / 9 / 13

HEX #DF43CC

RGB 223 67 204

HSL 307.31, 0.71%, 0.57%

LAB 56.15, 73.85, -39.1

 

CMYK 10 / 70 / 0 / 13

HEX #C843DF

RGB 200 67 223

HSL 291.15, 0.71%, 0.57%

LAB 53.62, 71.91, -54.14

 

CMYK 29 / 70 / 0 / 13

HEX #9E43DF

RGB 158 67 223

HSL 275, 0.71%, 0.57%

LAB 47.77, 63.4, -63.87

 

CMYK 48 / 70 / 0 / 13

HEX #7443DF

RGB 116 67 223

HSL 258.85, 0.71%, 0.57%

LAB 42.85, 55.79, -72.09

 

CMYK 67 / 70 / 0 / 13

HEX #4A43DF

RGB 74 67 223

HSL 242.69, 0.71%, 0.57%

LAB 39.24, 49.84, -78.15

 

CMYK 0 / 70 / 9 / 13

HEX #DF43CC

RGB 223 67 204

HSL 307.31, 0.71%, 0.57%

LAB 56.15, 73.85, -39.1

 

CMYK 0 / 79 / 10 / 5

HEX #F132DA

RGB 241 50 218

HSL 307.23, 0.87%, 0.57%

LAB 58.08, 84.51, -43.83

 

CMYK 0 / 70 / 9 / 13

HEX #DF43CC

RGB 223 67 204

HSL 307.31, 0.71%, 0.57%

LAB 56.15, 73.85, -39.1

 

CMYK 0 / 59 / 7 / 20

HEX #CD55BF

RGB 205 85 191

HSL 307, 0.55%, 0.57%

LAB 55.32, 60.39, -33.15

 

CMYK 0 / 45 / 6 / 26

HEX #BC67B1

RGB 188 103 177

HSL 307.76, 0.39%, 0.57%

LAB 55.65, 44.44, -24.75

 

CMYK 0 / 29 / 4 / 33

HEX #AA79A4

RGB 170 121 164

HSL 307.35, 0.22%, 0.57%

LAB 56.98, 26.31, -15.41

 

CMYK 0 / 9 / 1 / 40

HEX #988A97

RGB 152 138 151

HSL 304.29, 0.06%, 0.57%

LAB 59.05, 7.68, -5.01

 

CMYK 29 / 70 / 0 / 13

HEX #9E43DF

RGB 158 67 223

HSL 275, 0.71%, 0.57%

LAB 47.77, 63.4, -63.87

 

CMYK 10 / 70 / 0 / 13

HEX #C843DF

RGB 200 67 223

HSL 291.15, 0.71%, 0.57%

LAB 53.62, 71.91, -54.14

 

CMYK 0 / 70 / 8 / 13

HEX #DF43CD

RGB 223 67 205

HSL 306.92, 0.71%, 0.57%

LAB 56.2, 74, -39.6

 

CMYK 0 / 70 / 26 / 13

HEX #DF43A4

RGB 223 67 164

HSL 322.69, 0.71%, 0.57%

LAB 54.43, 68.41, -18.61

 

CMYK 0 / 70 / 45 / 13

HEX #DF437A

RGB 223 67 122

HSL 338.85, 0.71%, 0.57%

LAB 53.07, 63.9, 4.28

 

CMYK 0 / 83 / 10 / 30

HEX #B21EA0

RGB 178 30 160

HSL 307.3, 0.71%, 0.41%

LAB 42.66, 68.24, -35.11

 

CMYK 0 / 83 / 10 / 16

HEX #D524C0

RGB 213 36 192

HSL 307.12, 0.71%, 0.49%

LAB 50.94, 78.48, -40.52

 

CMYK 0 / 70 / 9 / 13

HEX #DF43CC

RGB 223 67 204

HSL 307.31, 0.71%, 0.57%

LAB 56.15, 73.85, -39.1

 

CMYK 0 / 55 / 7 / 10

HEX #E567D6

RGB 229 103 214

HSL 307.14, 0.71%, 0.65%

LAB 62.69, 62.57, -34.48

 

CMYK 0 / 41 / 5 / 8

HEX #EB8ADF

RGB 235 138 223

HSL 307.42, 0.71%, 0.73%

LAB 70.29, 48.88, -27.67

 

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

CMYK 0 / 48 / 70 / 13

HEX #DF7543

RGB 223 117 67

HSL 19.23, 0.71%, 0.57%

LAB 60.62, 37.46, 45.37

 

CMYK 70 / 0 / 20 / 13

HEX #43DFB3

RGB 67 223 179

HSL 163.08, 0.71%, 0.57%

LAB 80.31, -50.56, 9.96

 

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

CMYK 8 / 0 / 70 / 13

HEX #CDDF43

RGB 205 223 67

HSL 66.92, 0.71%, 0.57%

LAB 85.08, -25.23, 70.27

 

CMYK 70 / 8 / 0 / 13

HEX #43CDDF

RGB 67 205 223

HSL 186.92, 0.71%, 0.57%

LAB 76.18, -30.73, -19.65

 

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

CMYK 0 / 48 / 70 / 13

HEX #DF7543

RGB 223 117 67

HSL 19.23, 0.71%, 0.57%

LAB 60.62, 37.46, 45.37

 

CMYK 70 / 0 / 61 / 13

HEX #43DF56

RGB 67 223 86

HSL 127.31, 0.71%, 0.57%

LAB 78.83, -66.89, 54.25

 

CMYK 70 / 22 / 0 / 13

HEX #43AEDF

RGB 67 174 223

HSL 198.85, 0.71%, 0.57%

LAB 67.12, -14.96, -33.55

 

CMYK 0 / 70 / 9 / 13

HEX #DF44CC

RGB 223 68 204

HSL 307.35, 0.71%, 0.57%

LAB 56.27, 73.51, -38.92

 

CMYK 0 / 26 / 70 / 13

HEX #DFA443

RGB 223 164 67

HSL 37.31, 0.71%, 0.57%

LAB 71.31, 12.54, 56.87

 

CMYK 70 / 0 / 61 / 13

HEX #43DF56

RGB 67 223 86

HSL 127.31, 0.71%, 0.57%

LAB 78.83, -66.89, 54.25

 

CMYK 70 / 43 / 0 / 13

HEX #437FDF

RGB 67 127 223

HSL 216.92, 0.71%, 0.57%

LAB 53.71, 12.12, -54.68

 

Description

Color code: HEX #DF44CC | qconv.com Color code: HEX #DF44CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 68 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 68 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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