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Color name
HEX #DF423D3F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF423D3F it is the complementary color #20BDC23F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #DF423D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF423D3F shade: #E442383F, #F5544B3F, #FF665E3F, #FF78713F and #FF8A843F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #DF423D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF423D3F shade: #DF423D3F, #CE302A3F, #BD1E173F, #AC0C043F and #9B00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF423D3F shade: #E0433E and #E03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF423D3F shade: #E0433E, #E06F3E, #E09A3E, #E0C63E and #CEE03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF423D3F shade matches the following richer shades: #E0433E and #F2322C

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF423D3F shade: #E0433E, #CD5450, #BB6562, #A97674 and #978787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF423D3F shade: #E03E91, #E03E66, #E0413E, #E06C3E and #E0973E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF423D3F shade: #AF211C, #D22822, #E0433E, #E56661 and #EB8885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF423D3F shade: #DF423D, #BDE03E and #3E7CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF423D3F shade: #DF423D, #3EE041 and #413EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF423D3F shade: #DF423D, #BDE03E, #3EDDE0 and #613EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF423D3F shade: #DF423D, #8CE03E, #3EDDE0 and #913EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 18 / 3

RGBA 223 66 61 0.25

HSLA 1.85, 0.72%, 0.56%, 0.25

LABA 51.75, 60.19, 38.61, 0.25

Complementary color

CMYK 21 / 1 / 0 / 6

RGBA 32 189 194 0.25

HSLA 181.85, 0.72%, 0.44%, 0.25

LABA 69.89, -35.45, -13.45, 0.25

Lighter colors

CMYK 0 / 18 / 19 / 3

RGBA 228 66 56 0.25

HSLA 3.49, 0.76%, 0.56%, 0.25

LABA 52.59, 61.55, 42.56, 0.25

CMYK 0 / 16 / 17 / 1

RGBA 245 84 75 0.25

HSLA 3.18, 0.89%, 0.63%, 0.25

LABA 58.28, 60.94, 39.35, 0.25

CMYK 0 / 15 / 16 / 0

RGBA 255 102 94 0.25

HSLA 2.98, 1%, 0.68%, 0.25

LABA 62.99, 57.75, 34.87, 0.25

CMYK 0 / 13 / 14 / 0

RGBA 255 120 113 0.25

HSLA 2.96, 1%, 0.72%, 0.25

LABA 66.43, 50.82, 28.69, 0.25

CMYK 0 / 11 / 12 / 0

RGBA 255 138 132 0.25

HSLA 2.93, 1%, 0.76%, 0.25

LABA 70.25, 43.61, 23.22, 0.25

Darker colors

CMYK 0 / 18 / 18 / 3

RGBA 223 66 61 0.25

HSLA 1.85, 0.72%, 0.56%, 0.25

LABA 51.75, 60.19, 38.61, 0.25

CMYK 0 / 19 / 20 / 5

RGBA 206 48 42 0.25

HSLA 2.2, 0.66%, 0.49%, 0.25

LABA 46.18, 60.37, 42.17, 0.25

CMYK 0 / 21 / 22 / 6

RGBA 189 30 23 0.25

HSLA 2.53, 0.78%, 0.42%, 0.25

LABA 40.91, 59.84, 45.78, 0.25

CMYK 0 / 23 / 24 / 8

RGBA 172 12 4 0.25

HSLA 2.86, 0.95%, 0.35%, 0.25

LABA 36.07, 58.21, 48.52, 0.25

CMYK 0 / 25 / 25 / 10

RGBA 155 0 0 0.25

HSLA 0, 1%, 0.3%, 0.25

LABA 31.74, 55.23, 45.67, 0.25

Warmer colors

CMYK 0 / 70 / 72 / 12

HSL 1.85, 0.72%, 0.56%

LAB 52.07, 60.18, 38.46

CMYK 0 / 72 / 72 / 12

HSL 0, 0.72%, 0.56%

LAB 51.43, 61.96, 37.72

Colder colors

CMYK 0 / 70 / 72 / 12

HSL 1.85, 0.72%, 0.56%

LAB 52.07, 60.18, 38.46

CMYK 0 / 50 / 72 / 12

HSL 18.15, 0.72%, 0.56%

LAB 59.49, 40.65, 46.7

CMYK 0 / 31 / 72 / 12

HSL 34.07, 0.72%, 0.56%

LAB 68.97, 18.07, 56.66

CMYK 0 / 12 / 72 / 12

HSL 50.37, 0.72%, 0.56%

LAB 79.94, -5.13, 67.58

CMYK 8 / 0 / 72 / 12

HSL 66.67, 0.72%, 0.56%

LAB 85.39, -25.55, 72.32

Richer colors

CMYK 0 / 70 / 72 / 12

HSL 1.85, 0.72%, 0.56%

LAB 52.07, 60.18, 38.46

CMYK 0 / 79 / 82 / 5

HSL 1.82, 0.88%, 0.56%

LAB 53.32, 70.24, 50.43

Paler colors

CMYK 0 / 70 / 72 / 12

HSL 1.85, 0.72%, 0.56%

LAB 52.07, 60.18, 38.46

CMYK 0 / 59 / 61 / 20

HSL 1.92, 0.56%, 0.56%

LAB 51.72, 47.75, 26.95

CMYK 0 / 46 / 48 / 27

HSL 2.02, 0.4%, 0.56%

LAB 52.68, 34.07, 17.18

CMYK 0 / 30 / 31 / 34

RGB 169 118 116

HSL 2.26, 0.24%, 0.56%

LAB 54.71, 19.75, 9.14

CMYK 0 / 11 / 11 / 41

RGB 151 135 135

HSL 0, 0.07%, 0.56%

LAB 57.71, 6.03, 2.19

Analogue colors

CMYK 0 / 72 / 35 / 12

HSL 329.26, 0.72%, 0.56%

LAB 53.32, 68.18, -9.06

CMYK 0 / 72 / 54 / 12

HSL 345.19, 0.72%, 0.56%

LAB 52.12, 64.28, 14.98

CMYK 0 / 71 / 72 / 12

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

CMYK 0 / 52 / 72 / 12

HSL 17.04, 0.72%, 0.56%

LAB 58.9, 42.15, 46.06

CMYK 0 / 33 / 72 / 12

HSL 32.96, 0.72%, 0.56%

LAB 68.26, 19.67, 55.94

Monochromatic colors

CMYK 0 / 81 / 84 / 31

HSL 2.04, 0.72%, 0.4%

LAB 38.35, 55.15, 39.97

CMYK 0 / 81 / 84 / 18

HSL 2.05, 0.72%, 0.48%

LAB 46.09, 63.58, 46.53

CMYK 0 / 70 / 72 / 12

HSL 1.85, 0.72%, 0.56%

LAB 52.07, 60.18, 38.46

CMYK 0 / 55 / 58 / 10

HSL 2.27, 0.72%, 0.64%

LAB 59, 48.99, 27.27

CMYK 0 / 42 / 43 / 8

RGB 235 136 133

HSL 1.76, 0.72%, 0.72%

LAB 67.25, 37.39, 18.14

Partial complementary colors

CMYK 0 / 70 / 73 / 13

HSL 1.85, 0.72%, 0.56%

LAB 51.75, 60.19, 38.61

CMYK 16 / 0 / 72 / 12

HSL 72.96, 0.72%, 0.56%

LAB 84.21, -32.38, 70.78

CMYK 72 / 45 / 0 / 12

HSL 217.04, 0.72%, 0.56%

LAB 52.75, 13.63, -56.78

Triadic colors

CMYK 0 / 70 / 73 / 13

HSL 1.85, 0.72%, 0.56%

LAB 51.75, 60.19, 38.61

CMYK 72 / 0 / 71 / 12

HSL 121.11, 0.72%, 0.56%

LAB 78.88, -70.06, 62.63

CMYK 71 / 72 / 0 / 12

HSL 241.11, 0.72%, 0.56%

LAB 37.75, 51.97, -81.18

Rectangular (tetradic) colors

CMYK 0 / 70 / 73 / 13

HSL 1.85, 0.72%, 0.56%

LAB 51.75, 60.19, 38.61

CMYK 16 / 0 / 72 / 12

HSL 72.96, 0.72%, 0.56%

LAB 84.21, -32.38, 70.78

CMYK 72 / 1 / 0 / 12

HSL 181.11, 0.72%, 0.56%

LAB 80.8, -38.56, -13.24

CMYK 57 / 72 / 0 / 12

HSL 252.96, 0.72%, 0.56%

LAB 40.19, 55.71, -77.08

Square colors

CMYK 0 / 70 / 73 / 13

HSL 1.85, 0.72%, 0.56%

LAB 51.75, 60.19, 38.61

CMYK 38 / 0 / 72 / 12

HSL 91.11, 0.72%, 0.56%

LAB 81.42, -50.48, 67.09

CMYK 72 / 1 / 0 / 12

HSL 181.11, 0.72%, 0.56%

LAB 80.8, -38.56, -13.24

CMYK 35 / 72 / 0 / 12

HSL 270.74, 0.72%, 0.56%

LAB 45.42, 63.33, -68.32

Description

Color code: HEX #DF423D3F | qconv.com

Color code: HEX #DF423D3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 66 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 18 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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