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Color name
HEX #DF403D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF403D it is the complementary color #20BFC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF403D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF403D shade: #E44038, #F5524B, #FF645E, #FF7671 and #FF8884

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF403D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF403D shade: #DF403D, #CE2E2A, #BD1C17, #AC0A04 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF403D shade: #E0413E and #E03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF403D shade: #E0413E, #E06D3E, #E0983E, #E0C43E and #D0E03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF403D shade matches the following richer shades: #E0413E and #F2302C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF403D shade: #E0413E, #CD5250, #BB6462, #A97574 and #978787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF403D shade: #E03E91, #E03E66, #E0413E, #E06C3E and #E0973E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF403D shade: #AF1F1C, #D22522, #E0413E, #E56461 and #EB8785

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF403D shade: #DF403D, #BDE03E and #3E7CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF403D shade: #DF403D, #3EE041 and #413EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF403D shade: #DF403D, #BDE03E, #3EDDE0 and #613EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF403D shade: #DF403D, #8CE03E, #3EDDE0 and #913EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

Complementary color

CMYK 84 / 2 / 0 / 24

HEX #20BFC2

RGB 32 191 194

HSL 181.11, 0.72%, 0.44%

LAB 70.5, -36.38, -12.54

 

CMYK 0 / 72 / 75 / 11

HEX #E44038

RGB 228 64 56

HSL 2.79, 0.76%, 0.56%

LAB 52.34, 62.25, 42.28

 

CMYK 0 / 67 / 69 / 4

HEX #F5524B

RGB 245 82 75

HSL 2.47, 0.89%, 0.63%

LAB 57.99, 61.73, 39.01

 

CMYK 0 / 61 / 63 / 0

HEX #FF645E

RGB 255 100 94

HSL 2.24, 1%, 0.68%

LAB 62.66, 58.61, 34.47

 

CMYK 0 / 54 / 56 / 0

HEX #FF7671

RGB 255 118 113

HSL 2.11, 1%, 0.72%

LAB 66.07, 51.77, 28.21

 

CMYK 0 / 47 / 48 / 0

HEX #FF8884

RGB 255 136 132

HSL 1.95, 1%, 0.76%

LAB 69.85, 44.61, 22.68

 

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

CMYK 0 / 78 / 80 / 19

HEX #CE2E2A

RGB 206 46 42

HSL 1.46, 0.66%, 0.49%

LAB 45.97, 60.98, 41.95

 

CMYK 0 / 85 / 88 / 26

HEX #BD1C17

RGB 189 28 23

HSL 1.81, 0.78%, 0.42%

LAB 40.75, 60.29, 45.66

 

CMYK 0 / 94 / 98 / 33

HEX #AC0A04

RGB 172 10 4

HSL 2.14, 0.95%, 0.35%

LAB 35.98, 58.46, 48.47

 

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 72 / 72 / 12

HEX #E03E3E

RGB 224 62 62

HSL 0, 0.72%, 0.56%

LAB 51.43, 61.96, 37.72

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 51 / 72 / 12

HEX #E06D3E

RGB 224 109 62

HSL 17.41, 0.72%, 0.56%

LAB 59.1, 41.65, 46.27

 

CMYK 0 / 32 / 72 / 12

HEX #E0983E

RGB 224 152 62

HSL 33.33, 0.72%, 0.56%

LAB 68.5, 19.14, 56.18

 

CMYK 0 / 13 / 72 / 12

HEX #E0C43E

RGB 224 196 62

HSL 49.63, 0.72%, 0.56%

LAB 79.43, -4.1, 67.08

 

CMYK 7 / 0 / 72 / 12

HEX #D0E03E

RGB 208 224 62

HSL 65.93, 0.72%, 0.56%

LAB 85.54, -24.74, 72.51

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 80 / 82 / 5

HEX #F2302C

RGB 242 48 44

HSL 1.21, 0.88%, 0.56%

LAB 53.14, 70.75, 50.26

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 60 / 61 / 20

HEX #CD5250

RGB 205 82 80

HSL 0.96, 0.56%, 0.56%

LAB 51.37, 48.67, 26.5

 

CMYK 0 / 47 / 48 / 27

HEX #BB6462

RGB 187 100 98

HSL 1.35, 0.4%, 0.56%

LAB 52.47, 34.61, 16.89

 

CMYK 0 / 31 / 31 / 34

HEX #A97574

RGB 169 117 116

HSL 1.13, 0.24%, 0.56%

LAB 54.47, 20.31, 8.79

 

CMYK 0 / 11 / 11 / 41

HEX #978787

RGB 151 135 135

HSL 0, 0.07%, 0.56%

LAB 57.71, 6.03, 2.19

 

CMYK 0 / 72 / 35 / 12

HEX #E03E91

RGB 224 62 145

HSL 329.26, 0.72%, 0.56%

LAB 53.32, 68.18, -9.06

 

CMYK 0 / 72 / 54 / 12

HEX #E03E66

RGB 224 62 102

HSL 345.19, 0.72%, 0.56%

LAB 52.12, 64.28, 14.98

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 52 / 72 / 12

HEX #E06C3E

RGB 224 108 62

HSL 17.04, 0.72%, 0.56%

LAB 58.9, 42.15, 46.06

 

CMYK 0 / 33 / 72 / 12

HEX #E0973E

RGB 224 151 62

HSL 32.96, 0.72%, 0.56%

LAB 68.26, 19.67, 55.94

 

CMYK 0 / 82 / 84 / 31

HEX #AF1F1C

RGB 175 31 28

HSL 1.22, 0.72%, 0.4%

LAB 38.16, 55.69, 39.79

 

CMYK 0 / 82 / 84 / 18

HEX #D22522

RGB 210 37 34

HSL 1.02, 0.72%, 0.48%

LAB 45.83, 64.33, 46.29

 

CMYK 0 / 71 / 72 / 12

HEX #E0413E

RGB 224 65 62

HSL 1.11, 0.72%, 0.56%

LAB 51.81, 60.91, 38.16

 

CMYK 0 / 56 / 58 / 10

HEX #E56461

RGB 229 100 97

HSL 1.36, 0.72%, 0.64%

LAB 58.64, 49.93, 26.8

 

CMYK 0 / 43 / 43 / 8

HEX #EB8785

RGB 235 135 133

HSL 1.18, 0.72%, 0.72%

LAB 67.04, 37.91, 17.85

 

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

CMYK 16 / 0 / 72 / 12

HEX #BDE03E

RGB 189 224 62

HSL 72.96, 0.72%, 0.56%

LAB 84.21, -32.38, 70.78

 

CMYK 72 / 45 / 0 / 12

HEX #3E7CE0

RGB 62 124 224

HSL 217.04, 0.72%, 0.56%

LAB 52.75, 13.63, -56.78

 

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

CMYK 72 / 0 / 71 / 12

HEX #3EE041

RGB 62 224 65

HSL 121.11, 0.72%, 0.56%

LAB 78.88, -70.06, 62.63

 

CMYK 71 / 72 / 0 / 12

HEX #413EE0

RGB 65 62 224

HSL 241.11, 0.72%, 0.56%

LAB 37.75, 51.97, -81.18

 

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

CMYK 16 / 0 / 72 / 12

HEX #BDE03E

RGB 189 224 62

HSL 72.96, 0.72%, 0.56%

LAB 84.21, -32.38, 70.78

 

CMYK 72 / 1 / 0 / 12

HEX #3EDDE0

RGB 62 221 224

HSL 181.11, 0.72%, 0.56%

LAB 80.8, -38.56, -13.24

 

CMYK 57 / 72 / 0 / 12

HEX #613EE0

RGB 97 62 224

HSL 252.96, 0.72%, 0.56%

LAB 40.19, 55.71, -77.08

 

CMYK 0 / 71 / 73 / 13

HEX #DF403D

RGB 223 64 61

HSL 1.11, 0.72%, 0.56%

LAB 51.49, 60.91, 38.31

 

CMYK 38 / 0 / 72 / 12

HEX #8CE03E

RGB 140 224 62

HSL 91.11, 0.72%, 0.56%

LAB 81.42, -50.48, 67.09

 

CMYK 72 / 1 / 0 / 12

HEX #3EDDE0

RGB 62 221 224

HSL 181.11, 0.72%, 0.56%

LAB 80.8, -38.56, -13.24

 

CMYK 35 / 72 / 0 / 12

HEX #913EE0

RGB 145 62 224

HSL 270.74, 0.72%, 0.56%

LAB 45.42, 63.33, -68.32

 

Description

Color code: HEX #DF403D | qconv.com Color code: HEX #DF403D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 64 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 64 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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