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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3F7B it is the complementary color #20C084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3F7B shade: #E43F76, #F55189, #FF639C, #FF75AF and #FF87C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3F7B shade: #DF3F7B, #CE2D68, #BD1B55, #AC0942 and #9B002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3F7B shade: #DE3F7B, #DE3F50 and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3F7B shade: #DE3F7B, #DE3FA6, #DE3FD1, #C13FDE and #963FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3F7B shade matches the following richer shades: #DE3F7B and #F12D76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3F7B shade: #DE3F7B, #CC517F, #BA6384, #A87688 and #96888D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3F7B shade: #DE3FD1, #DE3FA7, #DE3F7C, #DE3F52 and #DE573F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3F7B shade: #AE1D54, #D12364, #DE3F7B, #E46293 and #EA86AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3F7B shade: #DF3F7B, #DEC13F and #3FBCDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3F7B shade: #DF3F7B, #7CDE3F and #3F7CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3F7B shade: #DF3F7B, #DEC13F, #3FDEA1 and #3F5CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3F7B shade: #DF3F7B, #CCDE3F, #3FDEA1 and #523FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

Complementary color

CMYK 83 / 0 / 31 / 25

HEX #20C084

RGB 32 192 132

HSL 157.5, 0.71%, 0.44%

LAB 69.24, -53.09, 19.41

 

CMYK 0 / 72 / 48 / 11

HEX #E43F76

RGB 228 63 118

HSL 340, 0.75%, 0.57%

LAB 53.34, 66.35, 7.18

 

CMYK 0 / 67 / 44 / 4

HEX #F55189

RGB 245 81 137

HSL 339.51, 0.89%, 0.64%

LAB 59.07, 66.45, 4.53

 

CMYK 0 / 61 / 39 / 0

HEX #FF639C

RGB 255 99 156

HSL 338.08, 1%, 0.69%

LAB 63.82, 64.09, 0.6

 

CMYK 0 / 54 / 31 / 0

HEX #FF75AF

RGB 255 117 175

HSL 334.78, 1%, 0.73%

LAB 67.34, 58.31, -5.07

 

CMYK 0 / 47 / 24 / 0

HEX #FF87C2

RGB 255 135 194

HSL 330.5, 1%, 0.76%

LAB 71.2, 52.19, -9.98

 

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

CMYK 0 / 78 / 50 / 19

HEX #CE2D68

RGB 206 45 104

HSL 338.01, 0.64%, 0.49%

LAB 46.97, 64.75, 6.06

 

CMYK 0 / 86 / 55 / 26

HEX #BD1B55

RGB 189 27 85

HSL 338.52, 0.75%, 0.42%

LAB 41.62, 63.28, 9.88

 

CMYK 0 / 95 / 62 / 33

HEX #AC0942

RGB 172 9 66

HSL 339.02, 0.9%, 0.35%

LAB 36.67, 60.62, 14.67

 

CMYK 0 / 100 / 70 / 39

HEX #9B002F

RGB 155 0 47

HSL 341.81, 1%, 0.3%

LAB 32.2, 56.5, 20.53

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7B

RGB 222 63 123

HSL 337.36, 0.71%, 0.56%

LAB 52.41, 65.11, 2.72

 

CMYK 0 / 72 / 64 / 13

HEX #DE3F50

RGB 222 63 80

HSL 353.58, 0.71%, 0.56%

LAB 51.45, 61.9, 27.2

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7B

RGB 222 63 123

HSL 337.36, 0.71%, 0.56%

LAB 52.41, 65.11, 2.72

 

CMYK 0 / 72 / 25 / 13

HEX #DE3FA6

RGB 222 63 166

HSL 321.13, 0.71%, 0.56%

LAB 53.85, 69.76, -20.68

 

CMYK 0 / 72 / 6 / 13

HEX #DE3FD1

RGB 222 63 209

HSL 304.91, 0.71%, 0.56%

LAB 55.77, 75.68, -42.56

 

CMYK 13 / 72 / 0 / 13

HEX #C13FDE

RGB 193 63 222

HSL 289.06, 0.71%, 0.56%

LAB 52.02, 71.72, -56.19

 

CMYK 32 / 72 / 0 / 13

HEX #963FDE

RGB 150 63 222

HSL 272.83, 0.71%, 0.56%

LAB 46.06, 63.36, -66.12

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7B

RGB 222 63 123

HSL 337.36, 0.71%, 0.56%

LAB 52.41, 65.11, 2.72

 

CMYK 0 / 81 / 51 / 5

HEX #F12D76

RGB 241 45 118

HSL 337.65, 0.88%, 0.56%

LAB 53.91, 74.88, 8.31

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7B

RGB 222 63 123

HSL 337.36, 0.71%, 0.56%

LAB 52.41, 65.11, 2.72

 

CMYK 0 / 60 / 38 / 20

HEX #CC517F

RGB 204 81 127

HSL 337.56, 0.55%, 0.56%

LAB 52.12, 53.02, -0.47

 

CMYK 0 / 47 / 29 / 27

HEX #BA6384

RGB 186 99 132

HSL 337.24, 0.39%, 0.56%

LAB 52.98, 38.8, -2.49

 

CMYK 0 / 30 / 19 / 34

HEX #A87688

RGB 168 118 136

HSL 338.4, 0.22%, 0.56%

LAB 55.13, 22.36, -1.94

 

CMYK 0 / 9 / 6 / 41

HEX #96888D

RGB 150 136 141

HSL 338.57, 0.06%, 0.56%

LAB 58.05, 6.17, -0.77

 

CMYK 0 / 72 / 6 / 13

HEX #DE3FD1

RGB 222 63 209

HSL 304.91, 0.71%, 0.56%

LAB 55.77, 75.68, -42.56

 

CMYK 0 / 72 / 25 / 13

HEX #DE3FA7

RGB 222 63 167

HSL 320.75, 0.71%, 0.56%

LAB 53.89, 69.89, -21.2

 

CMYK 0 / 72 / 44 / 13

HEX #DE3F7C

RGB 222 63 124

HSL 336.98, 0.71%, 0.56%

LAB 52.44, 65.21, 2.16

 

CMYK 0 / 72 / 63 / 13

HEX #DE3F52

RGB 222 63 82

HSL 352.83, 0.71%, 0.56%

LAB 51.49, 62.02, 26.06

 

CMYK 0 / 61 / 72 / 13

HEX #DE573F

RGB 222 87 63

HSL 9.06, 0.71%, 0.56%

LAB 54.77, 51.39, 40.87

 

CMYK 0 / 83 / 52 / 32

HEX #AE1D54

RGB 174 29 84

HSL 337.24, 0.71%, 0.4%

LAB 38.76, 58.86, 6.04

 

CMYK 0 / 83 / 52 / 18

HEX #D12364

RGB 209 35 100

HSL 337.59, 0.71%, 0.48%

LAB 46.55, 67.76, 8.01

 

CMYK 0 / 72 / 45 / 13

HEX #DE3F7B

RGB 222 63 123

HSL 337.36, 0.71%, 0.56%

LAB 52.41, 65.11, 2.72

 

CMYK 0 / 57 / 36 / 11

HEX #E46293

RGB 228 98 147

HSL 337.38, 0.71%, 0.64%

LAB 59.28, 55.21, -1.33

 

CMYK 0 / 43 / 27 / 8

HEX #EA86AB

RGB 234 134 171

HSL 337.8, 0.7%, 0.72%

LAB 67.64, 42.6, -2.69

 

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

CMYK 0 / 13 / 72 / 13

HEX #DEC13F

RGB 222 193 63

HSL 49.06, 0.71%, 0.56%

LAB 78.48, -3.36, 65.71

 

CMYK 72 / 15 / 0 / 13

HEX #3FBCDE

RGB 63 188 222

HSL 192.83, 0.71%, 0.56%

LAB 71.08, -23.13, -26.91

 

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

CMYK 44 / 0 / 72 / 13

HEX #7CDE3F

RGB 124 222 63

HSL 96.98, 0.71%, 0.56%

LAB 80.12, -54.78, 65.2

 

CMYK 72 / 44 / 0 / 13

HEX #3F7CDE

RGB 63 124 222

HSL 216.98, 0.71%, 0.56%

LAB 52.67, 13.05, -55.79

 

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

CMYK 0 / 13 / 72 / 13

HEX #DEC13F

RGB 222 193 63

HSL 49.06, 0.71%, 0.56%

LAB 78.48, -3.36, 65.71

 

CMYK 72 / 0 / 27 / 13

HEX #3FDEA1

RGB 63 222 161

HSL 156.98, 0.71%, 0.56%

LAB 79.54, -54.79, 18.36

 

CMYK 72 / 59 / 0 / 13

HEX #3F5CDE

RGB 63 92 222

HSL 229.06, 0.71%, 0.56%

LAB 44.21, 33.14, -69.46

 

CMYK 0 / 72 / 45 / 13

HEX #DF3F7B

RGB 223 63 123

HSL 337.5, 0.71%, 0.56%

LAB 52.59, 65.39, 2.99

 

CMYK 8 / 0 / 72 / 13

HEX #CCDE3F

RGB 204 222 63

HSL 66.79, 0.71%, 0.56%

LAB 84.71, -25.36, 71.28

 

CMYK 72 / 0 / 27 / 13

HEX #3FDEA1

RGB 63 222 161

HSL 156.98, 0.71%, 0.56%

LAB 79.54, -54.79, 18.36

 

CMYK 63 / 72 / 0 / 13

HEX #523FDE

RGB 82 63 222

HSL 247.17, 0.71%, 0.56%

LAB 38.94, 52.66, -78.05

 

Description

Color code: HEX #DF3F7B | qconv.com Color code: HEX #DF3F7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 63 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 63 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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