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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3DF0 it is the complementary color #20C20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3DF0 shade: #E43DEB, #F54FFE, #FF61FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3DF0 shade: #DF3DF0, #CE2BDD, #BD19CA, #AC07B7 and #9B00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3DF0 shade: #DF3DF0, #F03DD1, #F03DA0, #F03D70 and #F03D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3DF0 shade: #DF3DF0, #AF3DF0, #7E3DF0, #4E3DF0 and #3D3DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3DF0 shade matches the following richer shades: #DF3DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3DF0 shade: #DF3DF0, #D24DDF, #C45ECF, #B66FBE and #A880AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3DF0 shade: #7E3DF0, #AE3DF0, #DE3DF0, #F03DD2 and #F03DA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3DF0 shade: #B90FCB, #D916ED, #DF3DF0, #E663F3 and #EC89F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3DF0 shade: #DF3DF0, #F04F3D and #3DF096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3DF0 shade: #DF3DF0, #F0DE3D and #3DF0DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3DF0 shade: #DF3DF0, #F04F3D, #4FF03D and #3DDEF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3DF0 shade: #DF3DF0, #F0843D, #4FF03D and #3DA8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

Complementary color

CMYK 84 / 0 / 92 / 24

HEX #20C20F

RGB 32 194 15

HSL 114.3, 0.86%, 0.41%

LAB 68.7, -67.81, 66.24

 

CMYK 3 / 74 / 0 / 8

HEX #E43DEB

RGB 228 61 235

HSL 297.59, 0.81%, 0.58%

LAB 57.87, 81.56, -53.86

 

CMYK 4 / 69 / 0 / 0

HEX #F54FFE

RGB 245 79 254

HSL 296.91, 0.99%, 0.65%

LAB 63.48, 82.36, -55.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 7 / 81 / 0 / 13

HEX #CE2BDD

RGB 206 43 221

HSL 294.94, 0.72%, 0.52%

LAB 51.92, 79.97, -55.69

 

CMYK 6 / 88 / 0 / 21

HEX #BD19CA

RGB 189 25 202

HSL 295.59, 0.78%, 0.45%

LAB 46.68, 77.63, -53.34

 

CMYK 6 / 96 / 0 / 28

HEX #AC07B7

RGB 172 7 183

HSL 296.25, 0.93%, 0.37%

LAB 41.75, 74.12, -50.31

 

CMYK 5 / 100 / 0 / 36

HEX #9B00A4

RGB 155 0 164

HSL 296.71, 1%, 0.32%

LAB 37.2, 69.14, -46.46

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 0 / 75 / 13 / 6

HEX #F03DD1

RGB 240 61 209

HSL 310.39, 0.86%, 0.59%

LAB 58.48, 80.2, -38.11

 

CMYK 0 / 75 / 33 / 6

HEX #F03DA0

RGB 240 61 160

HSL 326.82, 0.86%, 0.59%

LAB 56.49, 74.2, -12.87

 

CMYK 0 / 75 / 53 / 6

HEX #F03D70

RGB 240 61 112

HSL 342.91, 0.86%, 0.59%

LAB 55.11, 69.85, 13.57

 

CMYK 0 / 75 / 74 / 6

HEX #F03D3F

RGB 240 61 63

HSL 359.33, 0.86%, 0.59%

LAB 54.26, 67.1, 41.16

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 27 / 75 / 0 / 6

HEX #AF3DF0

RGB 175 61 240

HSL 278.21, 0.86%, 0.59%

LAB 50.38, 72.5, -69.12

 

CMYK 48 / 75 / 0 / 6

HEX #7E3DF0

RGB 126 61 240

HSL 261.79, 0.86%, 0.59%

LAB 44.33, 64.56, -79.26

 

CMYK 68 / 75 / 0 / 6

HEX #4E3DF0

RGB 78 61 240

HSL 245.7, 0.86%, 0.59%

LAB 40, 58.68, -86.54

 

CMYK 75 / 75 / 0 / 6

HEX #3D3DF0

RGB 61 61 240

HSL 240, 0.86%, 0.59%

LAB 38.93, 57.21, -88.33

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 6 / 65 / 0 / 13

HEX #D24DDF

RGB 210 77 223

HSL 294.66, 0.7%, 0.59%

LAB 56.42, 70.33, -49.59

 

CMYK 5 / 55 / 0 / 19

HEX #C45ECF

RGB 196 94 207

HSL 294.16, 0.54%, 0.59%

LAB 56.33, 56.66, -40.8

 

CMYK 4 / 42 / 0 / 25

HEX #B66FBE

RGB 182 111 190

HSL 293.92, 0.38%, 0.59%

LAB 57.11, 40.76, -30.03

 

CMYK 3 / 26 / 0 / 32

HEX #A880AD

RGB 168 128 173

HSL 293.33, 0.22%, 0.59%

LAB 58.77, 23.4, -17.88

 

CMYK 48 / 75 / 0 / 6

HEX #7E3DF0

RGB 126 61 240

HSL 261.79, 0.86%, 0.59%

LAB 44.33, 64.56, -79.26

 

CMYK 28 / 75 / 0 / 6

HEX #AE3DF0

RGB 174 61 240

HSL 277.88, 0.86%, 0.59%

LAB 50.25, 72.32, -69.35

 

CMYK 8 / 75 / 0 / 6

HEX #DE3DF0

RGB 222 61 240

HSL 293.97, 0.86%, 0.59%

LAB 57.23, 81.2, -57.75

 

CMYK 0 / 75 / 13 / 6

HEX #F03DD2

RGB 240 61 210

HSL 310.06, 0.86%, 0.59%

LAB 58.52, 80.34, -38.6

 

CMYK 0 / 75 / 33 / 6

HEX #F03DA2

RGB 240 61 162

HSL 326.15, 0.86%, 0.59%

LAB 56.56, 74.41, -13.94

 

CMYK 9 / 93 / 0 / 20

HEX #B90FCB

RGB 185 15 203

HSL 294.26, 0.86%, 0.43%

LAB 45.59, 78.54, -55.71

 

CMYK 8 / 91 / 0 / 7

HEX #D916ED

RGB 217 22 237

HSL 294.42, 0.86%, 0.51%

LAB 53.43, 88.08, -62.21

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 5 / 59 / 0 / 5

HEX #E663F3

RGB 230 99 243

HSL 294.58, 0.86%, 0.67%

LAB 63.52, 69.48, -49.33

 

CMYK 4 / 44 / 0 / 4

HEX #EC89F6

RGB 236 137 246

HSL 294.5, 0.86%, 0.75%

LAB 71.13, 53.76, -38.99

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 0 / 67 / 75 / 6

HEX #F04F3D

RGB 240 79 61

HSL 6.03, 0.86%, 0.59%

LAB 56.54, 60.69, 44.76

 

CMYK 75 / 0 / 38 / 6

HEX #3DF096

RGB 61 240 150

HSL 149.83, 0.86%, 0.59%

LAB 84.75, -64.02, 31.1

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 0 / 8 / 75 / 6

HEX #F0DE3D

RGB 240 222 61

HSL 53.97, 0.86%, 0.59%

LAB 87.54, -10.56, 75.62

 

CMYK 75 / 0 / 8 / 6

HEX #3DF0DE

RGB 61 240 222

HSL 173.97, 0.86%, 0.59%

LAB 86.3, -47.61, -4.02

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 0 / 67 / 75 / 6

HEX #F04F3D

RGB 240 79 61

HSL 6.03, 0.86%, 0.59%

LAB 56.54, 60.69, 44.76

 

CMYK 67 / 0 / 75 / 6

HEX #4FF03D

RGB 79 240 61

HSL 113.97, 0.86%, 0.59%

LAB 84.13, -72.45, 69.41

 

CMYK 75 / 8 / 0 / 6

HEX #3DDEF0

RGB 61 222 240

HSL 186.03, 0.86%, 0.59%

LAB 81.58, -34.48, -20.58

 

CMYK 7 / 75 / 0 / 6

HEX #DF3DF0

RGB 223 61 240

HSL 294.3, 0.86%, 0.59%

LAB 57.38, 81.39, -57.49

 

CMYK 0 / 45 / 75 / 6

HEX #F0843D

RGB 240 132 61

HSL 23.8, 0.86%, 0.59%

LAB 66.03, 36.2, 54.74

 

CMYK 67 / 0 / 75 / 6

HEX #4FF03D

RGB 79 240 61

HSL 113.97, 0.86%, 0.59%

LAB 84.13, -72.45, 69.41

 

CMYK 75 / 30 / 0 / 6

HEX #3DA8F0

RGB 61 168 240

HSL 204.13, 0.86%, 0.59%

LAB 65.97, -6.75, -44.67

 

Description

Color code: HEX #DF3DF0 | qconv.com Color code: HEX #DF3DF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 61 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 61 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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