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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3CD7 it is the complementary color #20C328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3CD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3CD7 shade: #E43CD2, #F54EE5, #FF60F8, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3CD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3CD7 shade: #DF3CD7, #CE2AC4, #BD18B1, #AC069E and #9B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3CD7 shade: #DE39D6, #DE39AA, #DE397D, #DE3951 and #DE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3CD7 shade: #DE39D6, #BA39DE, #8D39DE, #6139DE and #3939DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3CD7 shade matches the following richer shades: #DE39D6 and #F127E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3CD7 shade: #DE39D6, #CC4CC6, #B95EB5, #A771A4 and #948393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3CD7 shade: #8C39DE, #B839DE, #DE39D9, #DE39AD and #DE3981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3CD7 shade: #AA1BA3, #CD21C5, #DE39D6, #E45DDE and #EA80E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3CD7 shade: #DF3CD7, #DE6039 and #39DEA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3CD7 shade: #DF3CD7, #D9DE39 and #39D9DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3CD7 shade: #DF3CD7, #DE6039, #39DE3F and #39B8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3CD7 shade: #DF3CD7, #DE9139, #39DE3F and #3986DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

Complementary color

CMYK 84 / 0 / 79 / 24

HEX #20C328

RGB 32 195 40

HSL 122.94, 0.72%, 0.45%

LAB 69.11, -67.01, 61.09

 

CMYK 0 / 74 / 8 / 11

HEX #E43CD2

RGB 228 60 210

HSL 306.43, 0.76%, 0.56%

LAB 56.47, 78.05, -41.98

 

CMYK 0 / 68 / 7 / 4

HEX #F54EE5

RGB 245 78 229

HSL 305.75, 0.89%, 0.63%

LAB 62.1, 78.82, -43.64

 

CMYK 0 / 62 / 3 / 0

HEX #FF60F8

RGB 255 96 248

HSL 302.64, 1%, 0.69%

LAB 66.83, 77.47, -46.65

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

CMYK 0 / 80 / 5 / 19

HEX #CE2AC4

RGB 206 42 196

HSL 303.66, 0.66%, 0.49%

LAB 50.41, 76.34, -43.75

 

CMYK 0 / 87 / 6 / 26

HEX #BD18B1

RGB 189 24 177

HSL 304.36, 0.77%, 0.42%

LAB 45.15, 74.01, -41.17

 

CMYK 0 / 97 / 8 / 33

HEX #AC069E

RGB 172 6 158

HSL 305.06, 0.93%, 0.35%

LAB 40.2, 70.48, -37.88

 

CMYK 0 / 100 / 10 / 39

HEX #9B008B

RGB 155 0 139

HSL 306.19, 1%, 0.3%

LAB 35.66, 65.4, -33.68

 

CMYK 0 / 74 / 4 / 13

HEX #DE39D6

RGB 222 57 214

HSL 302.91, 0.71%, 0.55%

LAB 55.39, 78.26, -46.01

 

CMYK 0 / 74 / 23 / 13

HEX #DE39AA

RGB 222 57 170

HSL 318.91, 0.71%, 0.55%

LAB 53.34, 72.17, -23.82

 

CMYK 0 / 74 / 44 / 13

HEX #DE397D

RGB 222 57 125

HSL 335.27, 0.71%, 0.55%

LAB 51.77, 67.27, 0.57

 

CMYK 0 / 74 / 64 / 13

HEX #DE3951

RGB 222 57 81

HSL 351.27, 0.71%, 0.55%

LAB 50.75, 63.98, 25.7

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 0 / 74 / 4 / 13

HEX #DE39D6

RGB 222 57 214

HSL 302.91, 0.71%, 0.55%

LAB 55.39, 78.26, -46.01

 

CMYK 16 / 74 / 0 / 13

HEX #BA39DE

RGB 186 57 222

HSL 286.91, 0.71%, 0.55%

LAB 50.26, 72.42, -59.08

 

CMYK 36 / 74 / 0 / 13

HEX #8D39DE

RGB 141 57 222

HSL 270.55, 0.71%, 0.55%

LAB 44.04, 64.26, -69.46

 

CMYK 56 / 74 / 0 / 13

HEX #6139DE

RGB 97 57 222

HSL 254.55, 0.71%, 0.55%

LAB 39.14, 57.61, -77.66

 

CMYK 74 / 74 / 0 / 13

HEX #3939DE

RGB 57 57 222

HSL 240, 0.71%, 0.55%

LAB 36.12, 53.34, -82.75

 

CMYK 0 / 74 / 4 / 13

HEX #DE39D6

RGB 222 57 214

HSL 302.91, 0.71%, 0.55%

LAB 55.39, 78.26, -46.01

 

CMYK 0 / 84 / 4 / 5

HEX #F127E7

RGB 241 39 231

HSL 302.97, 0.88%, 0.55%

LAB 57.96, 88.62, -51.35

 

CMYK 0 / 74 / 4 / 13

HEX #DE39D6

RGB 222 57 214

HSL 302.91, 0.71%, 0.55%

LAB 55.39, 78.26, -46.01

 

CMYK 0 / 63 / 3 / 20

HEX #CC4CC6

RGB 204 76 198

HSL 302.81, 0.56%, 0.55%

LAB 54.12, 65.08, -39.07

 

CMYK 0 / 49 / 2 / 27

HEX #B95EB5

RGB 185 94 181

HSL 302.64, 0.39%, 0.55%

LAB 53.66, 48.84, -30.17

 

CMYK 0 / 32 / 2 / 35

HEX #A771A4

RGB 167 113 164

HSL 303.33, 0.23%, 0.55%

LAB 54.77, 29.79, -18.8

 

CMYK 0 / 11 / 1 / 42

HEX #948393

RGB 148 131 147

HSL 303.53, 0.07%, 0.55%

LAB 56.72, 9.44, -6.21

 

CMYK 37 / 74 / 0 / 13

HEX #8C39DE

RGB 140 57 222

HSL 270.18, 0.71%, 0.55%

LAB 43.91, 64.1, -69.67

 

CMYK 17 / 74 / 0 / 13

HEX #B839DE

RGB 184 57 222

HSL 286.18, 0.71%, 0.55%

LAB 49.97, 72.04, -59.57

 

CMYK 0 / 74 / 2 / 13

HEX #DE39D9

RGB 222 57 217

HSL 301.82, 0.71%, 0.55%

LAB 55.55, 78.72, -47.47

 

CMYK 0 / 74 / 22 / 13

HEX #DE39AD

RGB 222 57 173

HSL 317.82, 0.71%, 0.55%

LAB 53.46, 72.55, -25.38

 

CMYK 0 / 74 / 42 / 13

HEX #DE3981

RGB 222 57 129

HSL 333.82, 0.71%, 0.55%

LAB 51.88, 67.65, -1.66

 

CMYK 0 / 84 / 4 / 33

HEX #AA1BA3

RGB 170 27 163

HSL 302.94, 0.73%, 0.39%

LAB 41.18, 67.73, -39.36

 

CMYK 0 / 84 / 4 / 20

HEX #CD21C5

RGB 205 33 197

HSL 302.79, 0.72%, 0.47%

LAB 49.61, 78.27, -45.6

 

CMYK 0 / 74 / 4 / 13

HEX #DE39D6

RGB 222 57 214

HSL 302.91, 0.71%, 0.55%

LAB 55.39, 78.26, -46.01

 

CMYK 0 / 59 / 3 / 11

HEX #E45DDE

RGB 228 93 222

HSL 302.67, 0.71%, 0.63%

LAB 61.3, 67.97, -41.15

 

CMYK 0 / 45 / 2 / 8

HEX #EA80E5

RGB 234 128 229

HSL 302.83, 0.72%, 0.71%

LAB 68.45, 54.64, -33.83

 

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

CMYK 0 / 57 / 74 / 13

HEX #DE6039

RGB 222 96 57

HSL 14.18, 0.71%, 0.55%

LAB 56.28, 46.99, 45.69

 

CMYK 74 / 0 / 27 / 13

HEX #39DEA2

RGB 57 222 162

HSL 158.18, 0.71%, 0.55%

LAB 79.45, -55.36, 17.7

 

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

CMYK 2 / 0 / 74 / 13

HEX #D9DE39

RGB 217 222 57

HSL 61.82, 0.71%, 0.55%

LAB 85.65, -20.29, 74.47

 

CMYK 74 / 2 / 0 / 13

HEX #39D9DE

RGB 57 217 222

HSL 181.82, 0.71%, 0.55%

LAB 79.48, -37.85, -14.16

 

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

CMYK 0 / 57 / 74 / 13

HEX #DE6039

RGB 222 96 57

HSL 14.18, 0.71%, 0.55%

LAB 56.28, 46.99, 45.69

 

CMYK 74 / 0 / 72 / 13

HEX #39DE3F

RGB 57 222 63

HSL 122.18, 0.71%, 0.55%

LAB 78.15, -70.36, 62.58

 

CMYK 74 / 17 / 0 / 13

HEX #39B8DE

RGB 57 184 222

HSL 193.82, 0.71%, 0.55%

LAB 69.77, -21.82, -28.92

 

CMYK 0 / 73 / 4 / 13

HEX #DF3CD7

RGB 223 60 215

HSL 302.94, 0.72%, 0.55%

LAB 55.91, 77.73, -45.74

 

CMYK 0 / 35 / 74 / 13

HEX #DE9139

RGB 222 145 57

HSL 32, 0.71%, 0.55%

LAB 66.58, 21.82, 56.32

 

CMYK 74 / 0 / 72 / 13

HEX #39DE3F

RGB 57 222 63

HSL 122.18, 0.71%, 0.55%

LAB 78.15, -70.36, 62.58

 

CMYK 74 / 40 / 0 / 13

HEX #3986DE

RGB 57 134 222

HSL 212, 0.71%, 0.55%

LAB 55.27, 6.16, -51.64

 

Description

Color code: HEX #DF3CD7 | qconv.com Color code: HEX #DF3CD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 60 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 60 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 4 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 4% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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