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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3C99 it is the complementary color #20C366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3C99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3C99 shade: #E43C94, #F54EA7, #FF60BA, #FF72CD and #FF84E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3C99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3C99 shade: #DF3C99, #CE2A86, #BD1873, #AC0660 and #9B004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3C99 shade: #DE3997, #DE396B, #DE393E and #DE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3C99 shade: #DE3997, #DE39C4, #CC39DE, #A039DE and #7339DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3C99 shade matches the following richer shades: #DE3997 and #F1279A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3C99 shade: #DE3997, #CC4C95, #B95E92, #A77190 and #94838D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3C99 shade: #CB39DE, #DE39C6, #DE399A, #DE396D and #DE3941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3C99 shade: #AA1B6D, #CD2183, #DE3997, #E45DAA and #EA80BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3C99 shade: #DF3C99, #DE9F39 and #39DCDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3C99 shade: #DF3C99, #9ADE39 and #399ADE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3C99 shade: #DF3C99, #DE9F39, #39DE7E and #3978DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3C99 shade: #DF3C99, #DED139, #39DE7E and #3947DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

Complementary color

CMYK 84 / 0 / 48 / 24

HEX #20C366

RGB 32 195 102

HSL 145.77, 0.72%, 0.45%

LAB 69.68, -59.97, 35.65

 

CMYK 0 / 74 / 35 / 11

HEX #E43C94

RGB 228 60 148

HSL 328.57, 0.76%, 0.56%

LAB 53.88, 70.19, -9.92

 

CMYK 0 / 68 / 32 / 4

HEX #F54EA7

RGB 245 78 167

HSL 328.02, 0.89%, 0.63%

LAB 59.57, 70.64, -12.22

 

CMYK 0 / 62 / 27 / 0

HEX #FF60BA

RGB 255 96 186

HSL 326.04, 1%, 0.69%

LAB 64.3, 68.73, -15.85

 

CMYK 0 / 55 / 20 / 0

HEX #FF72CD

RGB 255 114 205

HSL 321.28, 1%, 0.72%

LAB 67.8, 63.56, -21.25

 

CMYK 0 / 48 / 12 / 0

HEX #FF84E0

RGB 255 132 224

HSL 315.12, 1%, 0.76%

LAB 71.65, 58.01, -25.92

 

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

CMYK 0 / 80 / 35 / 19

HEX #CE2A86

RGB 206 42 134

HSL 326.34, 0.66%, 0.49%

LAB 47.62, 68.4, -11.33

 

CMYK 0 / 87 / 39 / 26

HEX #BD1873

RGB 189 24 115

HSL 326.91, 0.77%, 0.42%

LAB 42.32, 66.42, -7.95

 

CMYK 0 / 97 / 44 / 33

HEX #AC0660

RGB 172 6 96

HSL 327.47, 0.93%, 0.35%

LAB 37.38, 63.23, -3.68

 

CMYK 0 / 100 / 50 / 39

HEX #9B004D

RGB 155 0 77

HSL 330.19, 1%, 0.3%

LAB 32.93, 58.44, 1.7

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 74 / 52 / 13

HEX #DE396B

RGB 222 57 107

HSL 341.82, 0.71%, 0.55%

LAB 51.29, 65.74, 10.75

 

CMYK 0 / 74 / 72 / 13

HEX #DE393E

RGB 222 57 62

HSL 358.18, 0.71%, 0.55%

LAB 50.46, 63.03, 36.51

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 74 / 12 / 13

HEX #DE39C4

RGB 222 57 196

HSL 309.45, 0.71%, 0.55%

LAB 54.49, 75.63, -37.13

 

CMYK 8 / 74 / 0 / 13

HEX #CC39DE

RGB 204 57 222

HSL 293.45, 0.71%, 0.55%

LAB 52.99, 75.91, -54.55

 

CMYK 28 / 74 / 0 / 13

HEX #A039DE

RGB 160 57 222

HSL 277.45, 0.71%, 0.55%

LAB 46.54, 67.58, -65.27

 

CMYK 48 / 74 / 0 / 13

HEX #7339DE

RGB 115 57 222

HSL 261.09, 0.71%, 0.55%

LAB 40.97, 60.12, -74.6

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 84 / 36 / 5

HEX #F1279A

RGB 241 39 154

HSL 325.84, 0.88%, 0.55%

LAB 54.54, 79.3, -12.26

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 63 / 27 / 20

HEX #CC4C95

RGB 204 76 149

HSL 325.78, 0.56%, 0.55%

LAB 52.04, 57.85, -13.69

 

CMYK 0 / 49 / 21 / 27

HEX #B95E92

RGB 185 94 146

HSL 325.71, 0.39%, 0.55%

LAB 52.28, 43.06, -11.82

 

CMYK 0 / 32 / 14 / 35

HEX #A77190

RGB 167 113 144

HSL 325.56, 0.23%, 0.55%

LAB 54.07, 26.16, -8.2

 

CMYK 0 / 11 / 5 / 42

HEX #94838D

RGB 148 131 141

HSL 324.71, 0.07%, 0.55%

LAB 56.54, 8.28, -3.01

 

CMYK 9 / 74 / 0 / 13

HEX #CB39DE

RGB 203 57 222

HSL 293.09, 0.71%, 0.55%

LAB 52.84, 75.71, -54.81

 

CMYK 0 / 74 / 11 / 13

HEX #DE39C6

RGB 222 57 198

HSL 308.73, 0.71%, 0.55%

LAB 54.59, 75.91, -38.13

 

CMYK 0 / 74 / 31 / 13

HEX #DE399A

RGB 222 57 154

HSL 324.73, 0.71%, 0.55%

LAB 52.72, 70.26, -15.34

 

CMYK 0 / 74 / 51 / 13

HEX #DE396D

RGB 222 57 109

HSL 341.09, 0.71%, 0.55%

LAB 51.34, 65.9, 9.61

 

CMYK 0 / 74 / 71 / 13

HEX #DE3941

RGB 222 57 65

HSL 357.09, 0.71%, 0.55%

LAB 50.5, 63.16, 34.83

 

CMYK 0 / 84 / 36 / 33

HEX #AA1B6D

RGB 170 27 109

HSL 325.59, 0.73%, 0.39%

LAB 38.61, 60.66, -10.14

 

CMYK 0 / 84 / 36 / 20

HEX #CD2183

RGB 205 33 131

HSL 325.81, 0.72%, 0.47%

LAB 46.59, 69.97, -11.09

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 59 / 25 / 11

HEX #E45DAA

RGB 228 93 170

HSL 325.78, 0.71%, 0.63%

LAB 59.18, 60.27, -14.81

 

CMYK 0 / 45 / 20 / 8

HEX #EA80BC

RGB 234 128 188

HSL 326.04, 0.72%, 0.71%

LAB 66.95, 48.05, -13.28

 

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

CMYK 0 / 28 / 74 / 13

HEX #DE9F39

RGB 222 159 57

HSL 37.09, 0.71%, 0.55%

LAB 69.91, 14.31, 59.63

 

CMYK 74 / 1 / 0 / 13

HEX #39DCDE

RGB 57 220 222

HSL 180.73, 0.71%, 0.55%

LAB 80.36, -39.22, -12.84

 

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

CMYK 31 / 0 / 74 / 13

HEX #9ADE39

RGB 154 222 57

HSL 84.73, 0.71%, 0.55%

LAB 81.52, -45.05, 69.1

 

CMYK 74 / 31 / 0 / 13

HEX #399ADE

RGB 57 154 222

HSL 204.73, 0.71%, 0.55%

LAB 61.01, -5.58, -42.56

 

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

CMYK 0 / 28 / 74 / 13

HEX #DE9F39

RGB 222 159 57

HSL 37.09, 0.71%, 0.55%

LAB 69.91, 14.31, 59.63

 

CMYK 74 / 0 / 43 / 13

HEX #39DE7E

RGB 57 222 126

HSL 145.09, 0.71%, 0.55%

LAB 78.82, -62.42, 35.37

 

CMYK 74 / 46 / 0 / 13

HEX #3978DE

RGB 57 120 222

HSL 217.09, 0.71%, 0.55%

LAB 51.36, 14.75, -57.91

 

CMYK 0 / 73 / 31 / 13

HEX #DF3C99

RGB 223 60 153

HSL 325.77, 0.72%, 0.55%

LAB 53.19, 69.46, -14.01

 

CMYK 0 / 6 / 74 / 13

HEX #DED139

RGB 222 209 57

HSL 55.27, 0.71%, 0.55%

LAB 82.61, -11.78, 71.79

 

CMYK 74 / 0 / 43 / 13

HEX #39DE7E

RGB 57 222 126

HSL 145.09, 0.71%, 0.55%

LAB 78.82, -62.42, 35.37

 

CMYK 74 / 68 / 0 / 13

HEX #3947DE

RGB 57 71 222

HSL 234.91, 0.71%, 0.55%

LAB 38.99, 45.4, -78.03

 

Description

Color code: HEX #DF3C99 | qconv.com Color code: HEX #DF3C99 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 60 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 60 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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