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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3AFE it is the complementary color #20C501. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3AFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3AFE shade: #E43AF9, #F54CFF, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3AFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3AFE shade: #DF3AFE, #CE28EB, #BD16D8, #AC04C5 and #9B00B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3AFE shade: #DF39FE, #FE39E8, #FE39B3, #FE397E and #FE3949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3AFE shade: #DF39FE, #AA39FE, #7539FE, #4039FE and #3939FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3AFE shade matches the following richer shades: #DF39FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3AFE shade: #DF39FE, #D449EE, #C959DE, #BE69CE and #B379BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3AFE shade: #7439FE, #A939FE, #DD39FE, #FE39EA and #FE39B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3AFE shade: #C001E3, #D810FE, #DF39FE, #E662FE and #EC8BFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3AFE shade: #DF3AFE, #FE4039 and #39FE8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3AFE shade: #DF3AFE, #FEDD39 and #39FEDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3AFE shade: #DF3AFE, #FE4039, #5AFE39 and #39F7FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3AFE shade: #DF3AFE, #FE7B39, #5AFE39 and #39BCFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

Complementary color

CMYK 84 / 0 / 99 / 23

HEX #20C501

RGB 32 197 1

HSL 110.51, 0.99%, 0.39%

LAB 69.64, -68.96, 68.65

 

CMYK 8 / 77 / 0 / 2

HEX #E43AF9

RGB 228 58 249

HSL 293.4, 0.94%, 0.6%

LAB 58.38, 84.66, -60.87

 

CMYK 4 / 70 / 0 / 0

HEX #F54CFF

RGB 245 76 255

HSL 296.65, 1%, 0.65%

LAB 63.18, 83.52, -56.37

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

CMYK 12 / 83 / 0 / 8

HEX #CE28EB

RGB 206 40 235

HSL 291.08, 0.83%, 0.54%

LAB 52.55, 82.95, -62.59

 

CMYK 13 / 90 / 0 / 15

HEX #BD16D8

RGB 189 22 216

HSL 291.65, 0.82%, 0.47%

LAB 47.43, 80.37, -60.19

 

CMYK 13 / 98 / 0 / 23

HEX #AC04C5

RGB 172 4 197

HSL 292.23, 0.96%, 0.39%

LAB 42.6, 76.66, -57.17

 

CMYK 13 / 100 / 0 / 30

HEX #9B00B2

RGB 155 0 178

HSL 292.25, 1%, 0.35%

LAB 38.17, 71.42, -53.28

 

CMYK 12 / 78 / 0 / 0

HEX #DF39FE

RGB 223 57 254

HSL 290.56, 0.99%, 0.61%

LAB 57.82, 84.86, -64.58

 

CMYK 0 / 78 / 9 / 0

HEX #FE39E8

RGB 254 57 232

HSL 306.7, 0.99%, 0.61%

LAB 61.5, 87.35, -46.17

 

CMYK 0 / 78 / 30 / 0

HEX #FE39B3

RGB 254 57 179

HSL 322.84, 0.99%, 0.61%

LAB 59.21, 80.73, -19.58

 

CMYK 0 / 78 / 50 / 0

HEX #FE397E

RGB 254 57 126

HSL 338.98, 0.99%, 0.61%

LAB 57.56, 75.77, 9.06

 

CMYK 0 / 78 / 71 / 0

HEX #FE3949

RGB 254 57 73

HSL 355.13, 0.99%, 0.61%

LAB 56.56, 72.66, 38.86

 

CMYK 12 / 78 / 0 / 0

HEX #DF39FE

RGB 223 57 254

HSL 290.56, 0.99%, 0.61%

LAB 57.82, 84.86, -64.58

 

CMYK 33 / 78 / 0 / 0

HEX #AA39FE

RGB 170 57 254

HSL 274.42, 0.99%, 0.61%

LAB 50.25, 75.97, -77.2

 

CMYK 54 / 78 / 0 / 0

HEX #7539FE

RGB 117 57 254

HSL 258.27, 0.99%, 0.61%

LAB 44.04, 68.63, -87.62

 

CMYK 75 / 78 / 0 / 0

HEX #4039FE

RGB 64 57 254

HSL 242.13, 0.99%, 0.61%

LAB 39.87, 63.68, -94.64

 

CMYK 78 / 78 / 0 / 0

HEX #3939FE

RGB 57 57 254

HSL 240, 0.99%, 0.61%

LAB 39.5, 63.24, -95.27

 

CMYK 12 / 78 / 0 / 0

HEX #DF39FE

RGB 223 57 254

HSL 290.56, 0.99%, 0.61%

LAB 57.82, 84.86, -64.58

 

CMYK 12 / 78 / 0 / 0

HEX #DF39FE

RGB 223 57 254

HSL 290.56, 0.99%, 0.61%

LAB 57.82, 84.86, -64.58

 

CMYK 11 / 69 / 0 / 7

HEX #D449EE

RGB 212 73 238

HSL 290.55, 0.83%, 0.61%

LAB 57.01, 74.89, -57.06

 

CMYK 9 / 60 / 0 / 13

HEX #C959DE

RGB 201 89 222

HSL 290.53, 0.67%, 0.61%

LAB 56.92, 63.02, -48.32

 

CMYK 8 / 49 / 0 / 19

HEX #BE69CE

RGB 190 105 206

HSL 290.5, 0.51%, 0.61%

LAB 57.57, 49.39, -38.35

 

CMYK 6 / 36 / 0 / 25

HEX #B379BE

RGB 179 121 190

HSL 290.43, 0.35%, 0.61%

LAB 58.95, 34.36, -27.19

 

CMYK 54 / 78 / 0 / 0

HEX #7439FE

RGB 116 57 254

HSL 257.97, 0.99%, 0.61%

LAB 43.94, 68.52, -87.79

 

CMYK 33 / 78 / 0 / 0

HEX #A939FE

RGB 169 57 254

HSL 274.11, 0.99%, 0.61%

LAB 50.12, 75.82, -77.42

 

CMYK 13 / 78 / 0 / 0

HEX #DD39FE

RGB 221 57 254

HSL 289.95, 0.99%, 0.61%

LAB 57.52, 84.51, -65.09

 

CMYK 0 / 78 / 8 / 0

HEX #FE39EA

RGB 254 57 234

HSL 306.09, 0.99%, 0.61%

LAB 61.6, 87.62, -47.13

 

CMYK 0 / 78 / 28 / 0

HEX #FE39B6

RGB 254 57 182

HSL 321.93, 0.99%, 0.61%

LAB 59.32, 81.06, -21.14

 

CMYK 15 / 100 / 0 / 11

HEX #C001E3

RGB 192 1 227

HSL 290.71, 0.99%, 0.45%

LAB 47.97, 84.72, -65.57

 

CMYK 15 / 94 / 0 / 0

HEX #D810FE

RGB 216 16 254

HSL 290.42, 0.99%, 0.53%

LAB 54.16, 91.27, -70.54

 

CMYK 12 / 78 / 0 / 0

HEX #DF39FE

RGB 223 57 254

HSL 290.56, 0.99%, 0.61%

LAB 57.82, 84.86, -64.58

 

CMYK 9 / 61 / 0 / 0

HEX #E662FE

RGB 230 98 254

HSL 290.77, 0.99%, 0.69%

LAB 63.93, 71.86, -54.76

 

CMYK 7 / 45 / 0 / 0

HEX #EC8BFE

RGB 236 139 254

HSL 290.61, 0.98%, 0.77%

LAB 71.86, 54.25, -42.21

 

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

CMYK 0 / 75 / 78 / 0

HEX #FE4039

RGB 254 64 57

HSL 2.13, 0.99%, 0.61%

LAB 57.11, 70.04, 48.23

 

CMYK 78 / 0 / 44 / 0

HEX #39FE8E

RGB 57 254 142

HSL 145.89, 0.99%, 0.61%

LAB 88.78, -70.78, 40.34

 

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

CMYK 0 / 13 / 78 / 0

HEX #FEDD39

RGB 254 221 57

HSL 49.95, 0.99%, 0.61%

LAB 88.49, -4.35, 78.2

 

CMYK 78 / 0 / 13 / 0

HEX #39FEDD

RGB 57 254 221

HSL 169.95, 0.99%, 0.61%

LAB 90.31, -54.12, 2.36

 

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

CMYK 0 / 75 / 78 / 0

HEX #FE4039

RGB 254 64 57

HSL 2.13, 0.99%, 0.61%

LAB 57.11, 70.04, 48.23

 

CMYK 65 / 0 / 78 / 0

HEX #5AFE39

RGB 90 254 57

HSL 109.95, 0.99%, 0.61%

LAB 88.62, -75, 75.05

 

CMYK 78 / 3 / 0 / 0

HEX #39F7FE

RGB 57 247 254

HSL 182.13, 0.99%, 0.61%

LAB 89.18, -42.24, -16.48

 

CMYK 12 / 77 / 0 / 0

HEX #DF3AFE

RGB 223 58 254

HSL 290.51, 0.99%, 0.61%

LAB 57.91, 84.59, -64.43

 

CMYK 0 / 52 / 78 / 0

HEX #FE7B39

RGB 254 123 57

HSL 20.1, 0.99%, 0.61%

LAB 66.16, 45.94, 57.33

 

CMYK 65 / 0 / 78 / 0

HEX #5AFE39

RGB 90 254 57

HSL 109.95, 0.99%, 0.61%

LAB 88.62, -75, 75.05

 

CMYK 78 / 26 / 0 / 0

HEX #39BCFE

RGB 57 188 254

HSL 200.1, 0.99%, 0.61%

LAB 72.22, -13.36, -42.48

 

Description

Color code: HEX #DF3AFE | qconv.com Color code: HEX #DF3AFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 58 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 58 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 77 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 77% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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