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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3AC1 it is the complementary color #20C53E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3AC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3AC1 shade: #E43ABC, #F54CCF, #FF5EE2, #FF70F5 and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3AC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3AC1 shade: #DF3AC1, #CE28AE, #BD169B, #AC0488 and #9B0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3AC1 shade: #DE39C0, #DE3994, #DE3967, #DE393B and #DE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3AC1 shade: #DE39C0, #D039DE, #A339DE, #7739DE and #4A39DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3AC1 shade matches the following richer shades: #DE39C0 and #F127CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3AC1 shade: #DE39C0, #CC4CB5, #B95EA9, #A7719D and #948391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3AC1 shade: #A239DE, #CE39DE, #DE39C3, #DE3997 and #DE396B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3AC1 shade: #AA1B90, #CD21AE, #DE39C0, #E45DCC and #EA80D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3AC1 shade: #DF3AC1, #DE7639 and #39DEB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3AC1 shade: #DF3AC1, #C3DE39 and #39C3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3AC1 shade: #DF3AC1, #DE7639, #39DE55 and #39A2DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3AC1 shade: #DF3AC1, #DEA739, #39DE55 and #3970DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

Complementary color

CMYK 84 / 0 / 69 / 23

HEX #20C53E

RGB 32 197 62

HSL 130.91, 0.72%, 0.45%

LAB 69.89, -65.87, 54.2

 

CMYK 0 / 75 / 18 / 11

HEX #E43ABC

RGB 228 58 188

HSL 314.12, 0.76%, 0.56%

LAB 55.23, 75.58, -31.29

 

CMYK 0 / 69 / 16 / 4

HEX #F54CCF

RGB 245 76 207

HSL 313.49, 0.89%, 0.63%

LAB 60.86, 76.35, -33.2

 

CMYK 0 / 63 / 11 / 0

HEX #FF5EE2

RGB 255 94 226

HSL 310.81, 1%, 0.68%

LAB 65.56, 74.9, -36.44

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F5

RGB 255 112 245

HSL 304.2, 1%, 0.72%

LAB 69.07, 70.46, -41.48

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

CMYK 0 / 81 / 16 / 19

HEX #CE28AE

RGB 206 40 174

HSL 311.57, 0.67%, 0.48%

LAB 49.12, 73.71, -32.93

 

CMYK 0 / 88 / 18 / 26

HEX #BD169B

RGB 189 22 155

HSL 312.22, 0.79%, 0.41%

LAB 43.89, 71.32, -30.04

 

CMYK 0 / 98 / 21 / 33

HEX #AC0488

RGB 172 4 136

HSL 312.86, 0.95%, 0.35%

LAB 38.96, 67.76, -26.41

 

CMYK 0 / 100 / 25 / 39

HEX #9B0075

RGB 155 0 117

HSL 314.71, 1%, 0.3%

LAB 34.5, 62.51, -21.75

 

CMYK 0 / 74 / 14 / 13

HEX #DE39C0

RGB 222 57 192

HSL 310.91, 0.71%, 0.55%

LAB 54.3, 75.07, -35.12

 

CMYK 0 / 74 / 33 / 13

HEX #DE3994

RGB 222 57 148

HSL 326.91, 0.71%, 0.55%

LAB 52.5, 69.59, -12.1

 

CMYK 0 / 74 / 54 / 13

HEX #DE3967

RGB 222 57 103

HSL 343.27, 0.71%, 0.55%

LAB 51.19, 65.44, 13.04

 

CMYK 0 / 74 / 73 / 13

HEX #DE393B

RGB 222 57 59

HSL 359.27, 0.71%, 0.55%

LAB 50.42, 62.91, 38.18

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 0 / 74 / 14 / 13

HEX #DE39C0

RGB 222 57 192

HSL 310.91, 0.71%, 0.55%

LAB 54.3, 75.07, -35.12

 

CMYK 6 / 74 / 0 / 13

HEX #D039DE

RGB 208 57 222

HSL 294.91, 0.71%, 0.55%

LAB 53.61, 76.7, -53.52

 

CMYK 27 / 74 / 0 / 13

HEX #A339DE

RGB 163 57 222

HSL 278.55, 0.71%, 0.55%

LAB 46.96, 68.13, -64.58

 

CMYK 46 / 74 / 0 / 13

HEX #7739DE

RGB 119 57 222

HSL 262.55, 0.71%, 0.55%

LAB 41.41, 60.72, -73.86

 

CMYK 67 / 74 / 0 / 13

HEX #4A39DE

RGB 74 57 222

HSL 246.18, 0.71%, 0.55%

LAB 37.22, 54.91, -80.9

 

CMYK 0 / 74 / 14 / 13

HEX #DE39C0

RGB 222 57 192

HSL 310.91, 0.71%, 0.55%

LAB 54.3, 75.07, -35.12

 

CMYK 0 / 84 / 15 / 5

HEX #F127CC

RGB 241 39 204

HSL 310.99, 0.88%, 0.55%

LAB 56.6, 84.98, -38.19

 

CMYK 0 / 74 / 14 / 13

HEX #DE39C0

RGB 222 57 192

HSL 310.91, 0.71%, 0.55%

LAB 54.3, 75.07, -35.12

 

CMYK 0 / 63 / 11 / 20

HEX #CC4CB5

RGB 204 76 181

HSL 310.78, 0.56%, 0.55%

LAB 53.32, 62.38, -30.49

 

CMYK 0 / 49 / 9 / 27

HEX #B95EA9

RGB 185 94 169

HSL 310.55, 0.39%, 0.55%

LAB 53.15, 46.75, -23.99

 

CMYK 0 / 32 / 6 / 35

HEX #A7719D

RGB 167 113 157

HSL 311.11, 0.23%, 0.55%

LAB 54.51, 28.47, -15.12

 

CMYK 0 / 11 / 2 / 42

HEX #948391

RGB 148 131 145

HSL 310.59, 0.07%, 0.55%

LAB 56.66, 9.05, -5.15

 

CMYK 27 / 74 / 0 / 13

HEX #A239DE

RGB 162 57 222

HSL 278.18, 0.71%, 0.55%

LAB 46.82, 67.94, -64.81

 

CMYK 7 / 74 / 0 / 13

HEX #CE39DE

RGB 206 57 222

HSL 294.18, 0.71%, 0.55%

LAB 53.3, 76.3, -54.04

 

CMYK 0 / 74 / 12 / 13

HEX #DE39C3

RGB 222 57 195

HSL 309.82, 0.71%, 0.55%

LAB 54.44, 75.49, -36.63

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 0 / 74 / 52 / 13

HEX #DE396B

RGB 222 57 107

HSL 341.82, 0.71%, 0.55%

LAB 51.29, 65.74, 10.75

 

CMYK 0 / 84 / 15 / 33

HEX #AA1B90

RGB 170 27 144

HSL 310.91, 0.73%, 0.39%

LAB 40.15, 64.97, -29.48

 

CMYK 0 / 84 / 15 / 20

HEX #CD21AE

RGB 205 33 174

HSL 310.81, 0.72%, 0.47%

LAB 48.41, 75.05, -34.05

 

CMYK 0 / 74 / 14 / 13

HEX #DE39C0

RGB 222 57 192

HSL 310.91, 0.71%, 0.55%

LAB 54.3, 75.07, -35.12

 

CMYK 0 / 59 / 11 / 11

HEX #E45DCC

RGB 228 93 204

HSL 310.67, 0.71%, 0.63%

LAB 60.5, 65.11, -32.25

 

CMYK 0 / 45 / 8 / 8

HEX #EA80D7

RGB 234 128 215

HSL 310.75, 0.72%, 0.71%

LAB 67.9, 52.26, -26.93

 

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

CMYK 0 / 47 / 74 / 13

HEX #DE7639

RGB 222 118 57

HSL 22.18, 0.71%, 0.55%

LAB 60.59, 36.08, 50.22

 

CMYK 74 / 0 / 17 / 13

HEX #39DEB8

RGB 57 222 184

HSL 166.18, 0.71%, 0.55%

LAB 79.94, -50.23, 6.77

 

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

CMYK 12 / 0 / 74 / 13

HEX #C3DE39

RGB 195 222 57

HSL 69.82, 0.71%, 0.55%

LAB 84.04, -29.29, 72.39

 

CMYK 74 / 12 / 0 / 13

HEX #39C3DE

RGB 57 195 222

HSL 189.82, 0.71%, 0.55%

LAB 73.01, -27.37, -23.96

 

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

CMYK 0 / 47 / 74 / 13

HEX #DE7639

RGB 222 118 57

HSL 22.18, 0.71%, 0.55%

LAB 60.59, 36.08, 50.22

 

CMYK 74 / 0 / 62 / 13

HEX #39DE55

RGB 57 222 85

HSL 130.18, 0.71%, 0.55%

LAB 78.33, -68.25, 54.06

 

CMYK 74 / 27 / 0 / 13

HEX #39A2DE

RGB 57 162 222

HSL 201.82, 0.71%, 0.55%

LAB 63.33, -10.07, -38.92

 

CMYK 0 / 74 / 13 / 13

HEX #DF3AC1

RGB 223 58 193

HSL 310.91, 0.72%, 0.55%

LAB 54.62, 75.13, -35.19

 

CMYK 0 / 25 / 74 / 13

HEX #DEA739

RGB 222 167 57

HSL 40, 0.71%, 0.55%

LAB 71.87, 10.04, 61.55

 

CMYK 74 / 0 / 62 / 13

HEX #39DE55

RGB 57 222 85

HSL 130.18, 0.71%, 0.55%

LAB 78.33, -68.25, 54.06

 

CMYK 74 / 50 / 0 / 13

HEX #3970DE

RGB 57 112 222

HSL 220, 0.71%, 0.55%

LAB 49.17, 19.76, -61.43

 

Description

Color code: HEX #DF3AC1 | qconv.com Color code: HEX #DF3AC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 58 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 58 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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