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Color name
HEX #DF3A1E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3A1E it is the complementary color #20C5E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3A1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3A1E shade: #E43A19, #F54C2C, #FF5E3F, #FF7052 and #FF8265

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3A1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3A1E shade: #DF3A1E, #CE280B, #BD1600, #AC0400 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3A1E shade: #E03B1F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3A1E shade: #E03B1F, #E06F1F, #E0A31F, #E0D71F and #B5E01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3A1E shade matches the following richer shades: #E03B1F and #F52C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3A1E shade: #E03B1F, #CC4933, #B75848, #A3675C and #8E7571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3A1E shade: #E01F6C, #E01F38, #E0381F, #E06C1F and #E0A01F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3A1E shade: #982815, #BC311A, #E03B1F, #E55A43 and #EA7A67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3A1E shade: #DF3A1E, #A0E01F and #1F52E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3A1E shade: #DF3A1E, #1FE038 and #381FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3A1E shade: #DF3A1E, #A0E01F, #1FC7E0 and #5F1FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3A1E shade: #DF3A1E, #66E01F, #1FC7E0 and #991FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

Complementary color

CMYK 86 / 12 / 0 / 12

HEX #20C5E1

RGB 32 197 225

HSL 188.7, 0.76%, 0.5%

LAB 73.33, -29.6, -25.12

 

CMYK 0 / 75 / 89 / 11

HEX #E43A19

RGB 228 58 25

HSL 9.75, 0.8%, 0.5%

LAB 51.37, 63.44, 56.25

 

CMYK 0 / 69 / 82 / 4

HEX #F54C2C

RGB 245 76 44

HSL 9.55, 0.91%, 0.57%

LAB 56.84, 62.87, 53.89

 

CMYK 0 / 63 / 75 / 0

HEX #FF5E3F

RGB 255 94 63

HSL 9.69, 1%, 0.62%

LAB 61.33, 59.65, 49.6

 

CMYK 0 / 56 / 68 / 0

HEX #FF7052

RGB 255 112 82

HSL 10.4, 1%, 0.66%

LAB 64.53, 52.6, 43.27

 

CMYK 0 / 49 / 60 / 0

HEX #FF8265

RGB 255 130 101

HSL 11.3, 1%, 0.7%

LAB 68.14, 45.13, 37.46

 

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

CMYK 0 / 81 / 95 / 19

HEX #CE280B

RGB 206 40 11

HSL 8.92, 0.9%, 0.43%

LAB 45.17, 62.04, 54.88

 

CMYK 0 / 88 / 100 / 26

HEX #BD1600

RGB 189 22 0

HSL 6.98, 1%, 0.37%

LAB 40.23, 61.19, 54.01

 

CMYK 0 / 98 / 100 / 33

HEX #AC0400

RGB 172 4 0

HSL 1.4, 1%, 0.34%

LAB 35.71, 59.14, 49.97

 

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

 

CMYK 0 / 74 / 86 / 12

HEX #E03B1F

RGB 224 59 31

HSL 8.7, 0.76%, 0.5%

LAB 50.77, 62, 53.01

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 74 / 86 / 12

HEX #E03B1F

RGB 224 59 31

HSL 8.7, 0.76%, 0.5%

LAB 50.77, 62, 53.01

 

CMYK 0 / 50 / 86 / 12

HEX #E06F1F

RGB 224 111 31

HSL 24.87, 0.76%, 0.5%

LAB 59.26, 39.58, 59.93

 

CMYK 0 / 27 / 86 / 12

HEX #E0A31F

RGB 224 163 31

HSL 41.04, 0.76%, 0.5%

LAB 70.97, 12.18, 69.42

 

CMYK 0 / 4 / 86 / 12

HEX #E0D71F

RGB 224 215 31

HSL 57.2, 0.76%, 0.5%

LAB 84.25, -14.73, 80.15

 

CMYK 19 / 0 / 86 / 12

HEX #B5E01F

RGB 181 224 31

HSL 73.37, 0.76%, 0.5%

LAB 83.57, -36.71, 78.29

 

CMYK 0 / 74 / 86 / 12

HEX #E03B1F

RGB 224 59 31

HSL 8.7, 0.76%, 0.5%

LAB 50.77, 62, 53.01

 

CMYK 0 / 82 / 96 / 4

HEX #F52C0A

RGB 245 44 10

HSL 8.68, 0.92%, 0.5%

LAB 53.21, 72, 63.63

 

CMYK 0 / 74 / 86 / 12

HEX #E03B1F

RGB 224 59 31

HSL 8.7, 0.76%, 0.5%

LAB 50.77, 62, 53.01

 

CMYK 0 / 64 / 75 / 20

HEX #CC4933

RGB 204 73 51

HSL 8.63, 0.6%, 0.5%

LAB 49.3, 50.74, 40.47

 

CMYK 0 / 52 / 61 / 28

HEX #B75848

RGB 183 88 72

HSL 8.65, 0.44%, 0.5%

LAB 48.9, 37.1, 27.31

 

CMYK 0 / 37 / 44 / 36

HEX #A3675C

RGB 163 103 92

HSL 9.3, 0.28%, 0.5%

LAB 49.81, 22.8, 16.27

 

CMYK 0 / 18 / 20 / 44

HEX #8E7571

RGB 142 117 113

HSL 8.28, 0.11%, 0.5%

LAB 51.46, 9.08, 5.86

 

CMYK 0 / 86 / 52 / 12

HEX #E01F6C

RGB 224 31 108

HSL 336.06, 0.76%, 0.5%

LAB 49.39, 72.88, 7.51

 

CMYK 0 / 86 / 75 / 12

HEX #E01F38

RGB 224 31 56

HSL 352.23, 0.76%, 0.5%

LAB 48.4, 70.04, 37.73

 

CMYK 0 / 75 / 86 / 12

HEX #E0381F

RGB 224 56 31

HSL 7.77, 0.76%, 0.5%

LAB 50.42, 62.98, 52.72

 

CMYK 0 / 52 / 86 / 12

HEX #E06C1F

RGB 224 108 31

HSL 23.94, 0.76%, 0.5%

LAB 58.67, 41.08, 59.45

 

CMYK 0 / 29 / 86 / 12

HEX #E0A01F

RGB 224 160 31

HSL 40.1, 0.76%, 0.5%

LAB 70.24, 13.78, 68.83

 

CMYK 0 / 74 / 86 / 40

HEX #982815

RGB 152 40 21

HSL 8.7, 0.76%, 0.34%

LAB 34.49, 45.43, 38.36

HEX #982815

CMYK 0 / 74 / 86 / 26

HEX #BC311A

RGB 188 49 26

HSL 8.52, 0.76%, 0.42%

LAB 42.71, 54.06, 45.78

HEX #BC311A

CMYK 0 / 74 / 86 / 12

HEX #E03B1F

RGB 224 59 31

HSL 8.7, 0.76%, 0.5%

LAB 50.77, 62, 53.01

HEX #E03B1F

CMYK 0 / 61 / 71 / 10

HEX #E55A43

RGB 229 90 67

HSL 8.52, 0.76%, 0.58%

LAB 56.46, 52.69, 40.94

HEX #E55A43

CMYK 0 / 48 / 56 / 8

HEX #EA7A67

RGB 234 122 103

HSL 8.7, 0.76%, 0.66%

LAB 63.66, 41.46, 30.08

HEX #EA7A67

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

CMYK 29 / 0 / 86 / 12

HEX #A0E01F

RGB 160 224 31

HSL 79.9, 0.76%, 0.5%

LAB 82.32, -44.76, 76.74

 

CMYK 86 / 63 / 0 / 12

HEX #1F52E0

RGB 31 82 224

HSL 224.15, 0.76%, 0.5%

LAB 40.75, 37.31, -76.31

 

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

CMYK 86 / 0 / 75 / 12

HEX #1FE038

RGB 31 224 56

HSL 127.77, 0.76%, 0.5%

LAB 78.4, -74.45, 65.11

 

CMYK 75 / 86 / 0 / 12

HEX #381FE0

RGB 56 31 224

HSL 247.77, 0.76%, 0.5%

LAB 32.26, 65.58, -90.29

 

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

CMYK 29 / 0 / 86 / 12

HEX #A0E01F

RGB 160 224 31

HSL 79.9, 0.76%, 0.5%

LAB 82.32, -44.76, 76.74

 

CMYK 86 / 11 / 0 / 12

HEX #1FC7E0

RGB 31 199 224

HSL 187.77, 0.76%, 0.5%

LAB 73.88, -30.95, -23.74

 

CMYK 58 / 86 / 0 / 12

HEX #5F1FE0

RGB 95 31 224

HSL 259.9, 0.76%, 0.5%

LAB 35.59, 68.27, -84.68

 

CMYK 0 / 74 / 87 / 13

HEX #DF3A1E

RGB 223 58 30

HSL 8.7, 0.76%, 0.5%

LAB 50.46, 62.01, 53.11

 

CMYK 54 / 0 / 86 / 12

HEX #66E01F

RGB 102 224 31

HSL 97.93, 0.76%, 0.5%

LAB 79.75, -63.49, 73.53

 

CMYK 86 / 11 / 0 / 12

HEX #1FC7E0

RGB 31 199 224

HSL 187.77, 0.76%, 0.5%

LAB 73.88, -30.95, -23.74

 

CMYK 32 / 86 / 0 / 12

HEX #991FE0

RGB 153 31 224

HSL 277.93, 0.76%, 0.5%

LAB 42.96, 74.86, -72.28

 

Description

Color code: HEX #DF3A1E | qconv.com Color code: HEX #DF3A1E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 58 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 58 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 87% 13% C M Y K

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