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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF38EC it is the complementary color #20C713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF38EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF38EC shade: #E438E7, #F54AFA, #FF5CFF, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF38EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF38EC shade: #DF38EC, #CE26D9, #BD14C6, #AC02B3 and #9B00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF38EC shade: #DF36EC, #EC36C8, #EC3697, #EC3666 and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF38EC shade: #DF36EC, #AE36EC, #7D36EC, #4C36EC and #3636EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF38EC shade matches the following richer shades: #DF36EC and #EE25FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF38EC shade: #DF36EC, #D048DB, #C15AC9, #B26CB7 and #A37DA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF38EC shade: #7C36EC, #AD36EC, #DD36EC, #EC36CB and #EC369A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF38EC shade: #B212BE, #D515E4, #DF36EC, #E55CF0 and #EB82F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF38EC shade: #DF38EC, #EC4C36 and #36EC94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF38EC shade: #DF38EC, #ECDD36 and #36ECDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF38EC shade: #DF38EC, #EC4C36, #46EC36 and #36D7EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF38EC shade: #DF38EC, #EC8236, #46EC36 and #36A1EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

Complementary color

CMYK 84 / 0 / 90 / 22

HEX #20C713

RGB 32 199 19

HSL 115.67, 0.83%, 0.43%

LAB 70.32, -69.13, 67

 

CMYK 1 / 76 / 0 / 9

HEX #E438E7

RGB 228 56 231

HSL 298.97, 0.78%, 0.56%

LAB 57.16, 82.34, -52.75

 

CMYK 2 / 70 / 0 / 2

HEX #F54AFA

RGB 245 74 250

HSL 298.3, 0.95%, 0.64%

LAB 62.69, 83.37, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

CMYK 5 / 82 / 0 / 15

HEX #CE26D9

RGB 206 38 217

HSL 296.31, 0.7%, 0.5%

LAB 51.29, 80.47, -54.42

 

CMYK 5 / 90 / 0 / 22

HEX #BD14C6

RGB 189 20 198

HSL 296.97, 0.82%, 0.43%

LAB 46.17, 77.77, -51.84

 

CMYK 4 / 99 / 0 / 30

HEX #AC02B3

RGB 172 2 179

HSL 297.63, 0.98%, 0.35%

LAB 41.33, 74, -48.63

 

CMYK 3 / 100 / 0 / 37

HEX #9B00A0

RGB 155 0 160

HSL 298.13, 1%, 0.31%

LAB 36.94, 68.52, -44.47

 

CMYK 6 / 77 / 0 / 7

HEX #DF36EC

RGB 223 54 236

HSL 295.71, 0.83%, 0.57%

LAB 56.47, 82.72, -56.71

 

CMYK 0 / 77 / 15 / 7

HEX #EC36C8

RGB 236 54 200

HSL 311.87, 0.83%, 0.57%

LAB 56.72, 80.05, -35.76

 

CMYK 0 / 77 / 36 / 7

HEX #EC3697

RGB 236 54 151

HSL 328.02, 0.83%, 0.57%

LAB 54.77, 74.28, -10.23

 

CMYK 0 / 77 / 57 / 7

HEX #EC3666

RGB 236 54 102

HSL 344.18, 0.83%, 0.57%

LAB 53.42, 70.13, 17.11

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 6 / 77 / 0 / 7

HEX #DF36EC

RGB 223 54 236

HSL 295.71, 0.83%, 0.57%

LAB 56.47, 82.72, -56.71

 

CMYK 26 / 77 / 0 / 7

HEX #AE36EC

RGB 174 54 236

HSL 279.56, 0.83%, 0.57%

LAB 49.12, 73.94, -68.93

 

CMYK 47 / 77 / 0 / 7

HEX #7D36EC

RGB 125 54 236

HSL 263.41, 0.83%, 0.57%

LAB 42.85, 66.36, -79.44

 

CMYK 68 / 77 / 0 / 7

HEX #4C36EC

RGB 76 54 236

HSL 247.25, 0.83%, 0.57%

LAB 38.25, 60.74, -87.16

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 6 / 77 / 0 / 7

HEX #DF36EC

RGB 223 54 236

HSL 295.71, 0.83%, 0.57%

LAB 56.47, 82.72, -56.71

 

CMYK 6 / 85 / 0 / 0

HEX #EE25FE

RGB 238 37 254

HSL 295.58, 0.99%, 0.57%

LAB 58.65, 91.84, -63.11

 

CMYK 6 / 77 / 0 / 7

HEX #DF36EC

RGB 223 54 236

HSL 295.71, 0.83%, 0.57%

LAB 56.47, 82.72, -56.71

 

CMYK 5 / 67 / 0 / 14

HEX #D048DB

RGB 208 72 219

HSL 295.51, 0.67%, 0.57%

LAB 55.24, 71.1, -49.23

 

CMYK 4 / 55 / 0 / 21

HEX #C15AC9

RGB 193 90 201

HSL 295.68, 0.51%, 0.57%

LAB 54.93, 56.65, -39.6

 

CMYK 3 / 41 / 0 / 28

HEX #B26CB7

RGB 178 108 183

HSL 296, 0.34%, 0.57%

LAB 55.69, 39.78, -28.24

 

CMYK 1 / 24 / 0 / 35

HEX #A37DA5

RGB 163 125 165

HSL 297, 0.18%, 0.57%

LAB 57.24, 21.8, -15.66

 

CMYK 47 / 77 / 0 / 7

HEX #7C36EC

RGB 124 54 236

HSL 263.08, 0.83%, 0.57%

LAB 42.73, 66.22, -79.63

 

CMYK 27 / 77 / 0 / 7

HEX #AD36EC

RGB 173 54 236

HSL 279.23, 0.83%, 0.57%

LAB 48.98, 73.77, -69.16

 

CMYK 6 / 77 / 0 / 7

HEX #DD36EC

RGB 221 54 236

HSL 295.05, 0.83%, 0.57%

LAB 56.15, 82.34, -57.23

 

CMYK 0 / 77 / 14 / 7

HEX #EC36CB

RGB 236 54 203

HSL 310.88, 0.83%, 0.57%

LAB 56.86, 80.45, -37.26

 

CMYK 0 / 77 / 35 / 7

HEX #EC369A

RGB 236 54 154

HSL 327.03, 0.83%, 0.57%

LAB 54.87, 74.59, -11.84

 

CMYK 6 / 91 / 0 / 25

HEX #B212BE

RGB 178 18 190

HSL 295.81, 0.83%, 0.41%

LAB 43.68, 74.96, -51.28

 

CMYK 7 / 91 / 0 / 11

HEX #D515E4

RGB 213 21 228

HSL 295.65, 0.83%, 0.49%

LAB 52.16, 86.19, -59.21

 

CMYK 6 / 77 / 0 / 7

HEX #DF36EC

RGB 223 54 236

HSL 295.71, 0.83%, 0.57%

LAB 56.47, 82.72, -56.71

 

CMYK 5 / 62 / 0 / 6

HEX #E55CF0

RGB 229 92 240

HSL 295.54, 0.83%, 0.65%

LAB 62.17, 71.65, -49.82

 

CMYK 3 / 47 / 0 / 5

HEX #EB82F3

RGB 235 130 243

HSL 295.75, 0.82%, 0.73%

LAB 69.54, 56.42, -39.84

 

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

CMYK 0 / 68 / 77 / 7

HEX #EC4C36

RGB 236 76 54

HSL 7.25, 0.83%, 0.57%

LAB 55.35, 60.3, 46.96

 

CMYK 77 / 0 / 37 / 7

HEX #36EC94

RGB 54 236 148

HSL 150.99, 0.83%, 0.57%

LAB 83.4, -63.81, 30.29

 

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

CMYK 0 / 6 / 77 / 7

HEX #ECDD36

RGB 236 221 54

HSL 55.05, 0.83%, 0.57%

LAB 86.9, -12, 77.1

 

CMYK 77 / 0 / 6 / 7

HEX #36ECDD

RGB 54 236 221

HSL 175.05, 0.83%, 0.57%

LAB 84.99, -46.87, -5.43

 

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

CMYK 0 / 68 / 77 / 7

HEX #EC4C36

RGB 236 76 54

HSL 7.25, 0.83%, 0.57%

LAB 55.35, 60.3, 46.96

 

CMYK 70 / 0 / 77 / 7

HEX #46EC36

RGB 70 236 54

HSL 114.73, 0.83%, 0.57%

LAB 82.68, -73.25, 70.1

 

CMYK 77 / 9 / 0 / 7

HEX #36D7EC

RGB 54 215 236

HSL 186.92, 0.83%, 0.57%

LAB 79.29, -33.08, -21.92

 

CMYK 6 / 76 / 0 / 7

HEX #DF38EC

RGB 223 56 236

HSL 295.67, 0.83%, 0.57%

LAB 56.66, 82.17, -56.41

 

CMYK 0 / 45 / 77 / 7

HEX #EC8236

RGB 236 130 54

HSL 25.05, 0.83%, 0.57%

LAB 65.01, 35.35, 56.67

 

CMYK 70 / 0 / 77 / 7

HEX #46EC36

RGB 70 236 54

HSL 114.73, 0.83%, 0.57%

LAB 82.68, -73.25, 70.1

 

CMYK 77 / 32 / 0 / 7

HEX #36A1EC

RGB 54 161 236

HSL 204.73, 0.83%, 0.57%

LAB 63.61, -4.99, -46.2

 

Description

Color code: HEX #DF38EC | qconv.com Color code: HEX #DF38EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 56 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 56 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 76 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 76% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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