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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF38A8 it is the complementary color #20C757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF38A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF38A8 shade: #E438A3, #F54AB6, #FF5CC9, #FF6EDC and #FF80EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF38A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF38A8 shade: #DF38A8, #CE2695, #BD1482, #AC026F and #9B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF38A8 shade: #DF3AA8, #DF3A7C, #DF3A4F and #DF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF38A8 shade: #DF3AA8, #DF3AD5, #BC3ADF, #903ADF and #633ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF38A8 shade matches the following richer shades: #DF3AA8 and #F127AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF38A8 shade: #DF3AA8, #CC4CA2, #BA5F9C, #A77195 and #95848F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF38A8 shade: #BB3ADF, #DF3AD7, #DF3AAB, #DF3A7E and #DF3A52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF38A8 shade: #AA1C7B, #CE2195, #DF3AA8, #E55DB8 and #EA81C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF38A8 shade: #DF38A8, #DF8F3A and #3ADFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF38A8 shade: #DF38A8, #ABDF3A and #3AABDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF38A8 shade: #DF38A8, #DF8F3A, #3ADF6E and #3A89DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF38A8 shade: #DF38A8, #DFC13A, #3ADF6E and #3A58DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

Complementary color

CMYK 84 / 0 / 56 / 22

HEX #20C757

RGB 32 199 87

HSL 139.76, 0.72%, 0.45%

LAB 70.76, -63.58, 44.28

 

CMYK 0 / 75 / 29 / 11

HEX #E438A3

RGB 228 56 163

HSL 322.67, 0.76%, 0.56%

LAB 53.99, 73.07, -18.61

 

CMYK 0 / 70 / 26 / 4

HEX #F54AB6

RGB 245 74 182

HSL 322.11, 0.9%, 0.63%

LAB 59.61, 73.8, -20.84

 

CMYK 0 / 64 / 21 / 0

HEX #FF5CC9

RGB 255 92 201

HSL 319.88, 1%, 0.68%

LAB 64.27, 72.21, -24.4

 

CMYK 0 / 57 / 14 / 0

HEX #FF6EDC

RGB 255 110 220

HSL 314.48, 1%, 0.72%

LAB 67.71, 67.47, -29.77

 

CMYK 0 / 50 / 6 / 0

HEX #FF80EF

RGB 255 128 239

HSL 307.56, 1%, 0.75%

LAB 71.51, 62.28, -34.39

 

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

CMYK 0 / 82 / 28 / 19

HEX #CE2695

RGB 206 38 149

HSL 320.36, 0.69%, 0.48%

LAB 47.85, 71.05, -20.04

 

CMYK 0 / 89 / 31 / 26

HEX #BD1482

RGB 189 20 130

HSL 320.95, 0.81%, 0.41%

LAB 42.66, 68.65, -16.73

 

CMYK 0 / 99 / 35 / 33

HEX #AC026F

RGB 172 2 111

HSL 321.53, 0.98%, 0.34%

LAB 37.77, 65.14, -12.63

 

CMYK 0 / 100 / 41 / 39

HEX #9B005C

RGB 155 0 92

HSL 324.39, 1%, 0.3%

LAB 33.44, 59.78, -7.36

 

CMYK 0 / 74 / 25 / 13

HEX #DF3AA8

RGB 223 58 168

HSL 320, 0.72%, 0.55%

LAB 53.54, 71.86, -22.32

 

CMYK 0 / 74 / 44 / 13

HEX #DF3A7C

RGB 223 58 124

HSL 336, 0.72%, 0.55%

LAB 52.03, 67.14, 1.58

 

CMYK 0 / 74 / 65 / 13

HEX #DF3A4F

RGB 223 58 79

HSL 352.36, 0.72%, 0.55%

LAB 51.01, 63.84, 27.27

 

CMYK 0 / 74 / 74 / 13

HEX #DF3A3A

RGB 223 58 58

HSL 0, 0.72%, 0.55%

LAB 50.71, 62.84, 39.12

 

CMYK 0 / 74 / 25 / 13

HEX #DF3AA8

RGB 223 58 168

HSL 320, 0.72%, 0.55%

LAB 53.54, 71.86, -22.32

 

CMYK 0 / 74 / 4 / 13

HEX #DF3AD5

RGB 223 58 213

HSL 303.64, 0.72%, 0.55%

LAB 55.6, 78.03, -45.1

 

CMYK 16 / 74 / 0 / 13

HEX #BC3ADF

RGB 188 58 223

HSL 287.27, 0.72%, 0.55%

LAB 50.74, 72.65, -58.86

 

CMYK 35 / 74 / 0 / 13

HEX #903ADF

RGB 144 58 223

HSL 271.27, 0.72%, 0.55%

LAB 44.64, 64.6, -69.03

 

CMYK 56 / 74 / 0 / 13

HEX #633ADF

RGB 99 58 223

HSL 254.91, 0.72%, 0.55%

LAB 39.59, 57.67, -77.49

 

CMYK 0 / 74 / 25 / 13

HEX #DF3AA8

RGB 223 58 168

HSL 320, 0.72%, 0.55%

LAB 53.54, 71.86, -22.32

 

CMYK 0 / 84 / 27 / 5

HEX #F127AF

RGB 241 39 175

HSL 319.6, 0.88%, 0.55%

LAB 55.33, 81.5, -23.4

 

CMYK 0 / 74 / 25 / 13

HEX #DF3AA8

RGB 223 58 168

HSL 320, 0.72%, 0.55%

LAB 53.54, 71.86, -22.32

 

CMYK 0 / 63 / 21 / 20

HEX #CC4CA2

RGB 204 76 162

HSL 319.69, 0.56%, 0.55%

LAB 52.53, 59.6, -20.62

 

CMYK 0 / 49 / 16 / 27

HEX #BA5F9C

RGB 186 95 156

HSL 319.78, 0.4%, 0.55%

LAB 52.98, 44.42, -16.64

 

CMYK 0 / 32 / 11 / 35

HEX #A77195

RGB 167 113 149

HSL 320, 0.23%, 0.55%

LAB 54.23, 27.03, -10.88

 

CMYK 0 / 11 / 4 / 42

HEX #95848F

RGB 149 132 143

HSL 321.18, 0.07%, 0.55%

LAB 56.95, 8.46, -3.54

 

CMYK 16 / 74 / 0 / 13

HEX #BB3ADF

RGB 187 58 223

HSL 286.91, 0.72%, 0.55%

LAB 50.59, 72.46, -59.11

 

CMYK 0 / 74 / 4 / 13

HEX #DF3AD7

RGB 223 58 215

HSL 302.91, 0.72%, 0.55%

LAB 55.71, 78.33, -46.07

 

CMYK 0 / 74 / 23 / 13

HEX #DF3AAB

RGB 223 58 171

HSL 318.91, 0.72%, 0.55%

LAB 53.66, 72.23, -23.9

 

CMYK 0 / 74 / 43 / 13

HEX #DF3A7E

RGB 223 58 126

HSL 335.27, 0.72%, 0.55%

LAB 52.09, 67.32, 0.46

 

CMYK 0 / 74 / 63 / 13

HEX #DF3A52

RGB 223 58 82

HSL 351.27, 0.72%, 0.55%

LAB 51.06, 64.01, 25.55

 

CMYK 0 / 84 / 28 / 33

HEX #AA1C7B

RGB 170 28 123

HSL 319.86, 0.72%, 0.39%

LAB 39.25, 62.03, -17.93

 

CMYK 0 / 84 / 28 / 19

HEX #CE2195

RGB 206 33 149

HSL 319.77, 0.72%, 0.47%

LAB 47.47, 72.16, -20.63

 

CMYK 0 / 74 / 25 / 13

HEX #DF3AA8

RGB 223 58 168

HSL 320, 0.72%, 0.55%

LAB 53.54, 71.86, -22.32

 

CMYK 0 / 59 / 20 / 10

HEX #E55DB8

RGB 229 93 184

HSL 319.85, 0.72%, 0.63%

LAB 59.84, 62.45, -21.85

 

CMYK 0 / 45 / 15 / 8

HEX #EA81C8

RGB 234 129 200

HSL 319.43, 0.71%, 0.71%

LAB 67.55, 49.36, -19.1

 

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

CMYK 0 / 36 / 74 / 13

HEX #DF8F3A

RGB 223 143 58

HSL 30.91, 0.72%, 0.55%

LAB 66.24, 23.35, 55.59

 

CMYK 74 / 0 / 6 / 13

HEX #3ADFD1

RGB 58 223 209

HSL 174.91, 0.72%, 0.55%

LAB 80.89, -44.07, -5.13

 

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

CMYK 23 / 0 / 74 / 13

HEX #ABDF3A

RGB 171 223 58

HSL 78.91, 0.72%, 0.55%

LAB 82.77, -39.12, 70.32

 

CMYK 74 / 23 / 0 / 13

HEX #3AABDF

RGB 58 171 223

HSL 198.91, 0.72%, 0.55%

LAB 66.02, -14.53, -35.27

 

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

CMYK 0 / 36 / 74 / 13

HEX #DF8F3A

RGB 223 143 58

HSL 30.91, 0.72%, 0.55%

LAB 66.24, 23.35, 55.59

 

CMYK 74 / 0 / 51 / 13

HEX #3ADF6E

RGB 58 223 110

HSL 138.91, 0.72%, 0.55%

LAB 78.93, -65.19, 43.36

 

CMYK 74 / 39 / 0 / 13

HEX #3A89DF

RGB 58 137 223

HSL 211.27, 0.72%, 0.55%

LAB 56.21, 4.84, -50.71

 

CMYK 0 / 75 / 25 / 13

HEX #DF38A8

RGB 223 56 168

HSL 319.76, 0.72%, 0.55%

LAB 53.32, 72.46, -22.65

 

CMYK 0 / 13 / 74 / 13

HEX #DFC13A

RGB 223 193 58

HSL 49.09, 0.72%, 0.55%

LAB 78.54, -3.16, 67.64

 

CMYK 74 / 0 / 51 / 13

HEX #3ADF6E

RGB 58 223 110

HSL 138.91, 0.72%, 0.55%

LAB 78.93, -65.19, 43.36

 

CMYK 74 / 61 / 0 / 13

HEX #3A58DF

RGB 58 88 223

HSL 229.09, 0.72%, 0.55%

LAB 43.07, 35.42, -71.89

 

Description

Color code: HEX #DF38A8 | qconv.com Color code: HEX #DF38A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 56 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 56 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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