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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF36FD it is the complementary color #20C902. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF36FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF36FD shade: #E436F8, #F548FF, #FF5AFF, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF36FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF36FD shade: #DF36FD, #CE24EA, #BD12D7, #AC00C4 and #9B00B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF36FD shade: #DE35FC, #FC35E5, #FC35AF, #FC3579 and #FC3543

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF36FD shade: #DE35FC, #A835FC, #7235FC, #3D35FC and #3535FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF36FD shade matches the following richer shades: #DE35FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF36FD shade: #DE35FC, #D345EC, #C756DB, #BC66CB and #B077BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF36FD shade: #7135FC, #A635FC, #DB35FC, #FC35E8 and #FC35B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF36FD shade: #BC02DD, #D80CFC, #DE35FC, #E55DFD and #EB86FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF36FD shade: #DF36FD, #FC3B35 and #35FC8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF36FD shade: #DF36FD, #FCDB35 and #35FCDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF36FD shade: #DF36FD, #FC3B35, #56FC35 and #35F6FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF36FD shade: #DF36FD, #FC7735, #56FC35 and #35BAFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

Complementary color

CMYK 84 / 0 / 99 / 21

HEX #20C902

RGB 32 201 2

HSL 110.95, 0.98%, 0.4%

LAB 70.93, -70.08, 69.58

 

CMYK 8 / 78 / 0 / 3

HEX #E436F8

RGB 228 54 248

HSL 293.81, 0.93%, 0.59%

LAB 57.95, 85.56, -61

 

CMYK 4 / 72 / 0 / 0

HEX #F548FF

RGB 245 72 255

HSL 296.72, 1%, 0.64%

LAB 62.73, 84.79, -57.08

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

CMYK 12 / 85 / 0 / 8

HEX #CE24EA

RGB 206 36 234

HSL 291.52, 0.83%, 0.53%

LAB 52.2, 83.62, -62.59

 

CMYK 12 / 92 / 0 / 16

HEX #BD12D7

RGB 189 18 215

HSL 292.08, 0.85%, 0.46%

LAB 47.18, 80.75, -60.02

 

CMYK 12 / 100 / 0 / 23

HEX #AC00C4

RGB 172 0 196

HSL 292.65, 1%, 0.38%

LAB 42.39, 76.89, -56.91

 

CMYK 12 / 100 / 0 / 31

HEX #9B00B1

RGB 155 0 177

HSL 292.54, 1%, 0.35%

LAB 38.1, 71.25, -52.8

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 0 / 79 / 9 / 1

HEX #FC35E5

RGB 252 53 229

HSL 306.93, 0.97%, 0.6%

LAB 60.69, 87.5, -45.79

 

CMYK 0 / 79 / 31 / 1

HEX #FC35AF

RGB 252 53 175

HSL 323.22, 0.97%, 0.6%

LAB 58.36, 80.85, -18.59

 

CMYK 0 / 79 / 52 / 1

HEX #FC3579

RGB 252 53 121

HSL 339.5, 0.97%, 0.6%

LAB 56.71, 75.93, 10.77

 

CMYK 0 / 79 / 73 / 1

HEX #FC3543

RGB 252 53 67

HSL 355.78, 0.97%, 0.6%

LAB 55.73, 72.94, 41.19

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 33 / 79 / 0 / 1

HEX #A835FC

RGB 168 53 252

HSL 274.67, 0.97%, 0.6%

LAB 49.37, 76.57, -77.53

 

CMYK 55 / 79 / 0 / 1

HEX #7235FC

RGB 114 53 252

HSL 258.39, 0.97%, 0.6%

LAB 42.99, 69.4, -88.24

 

CMYK 76 / 79 / 0 / 1

HEX #3D35FC

RGB 61 53 252

HSL 242.41, 0.97%, 0.6%

LAB 38.84, 64.77, -95.23

 

CMYK 79 / 79 / 0 / 1

HEX #3535FC

RGB 53 53 252

HSL 240, 0.97%, 0.6%

LAB 38.43, 64.32, -95.93

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 11 / 71 / 0 / 7

HEX #D345EC

RGB 211 69 236

HSL 291.02, 0.81%, 0.6%

LAB 56.25, 75.76, -57.17

 

CMYK 9 / 61 / 0 / 14

HEX #C756DB

RGB 199 86 219

HSL 290.98, 0.65%, 0.6%

LAB 56, 63.31, -48.1

 

CMYK 7 / 50 / 0 / 20

HEX #BC66CB

RGB 188 102 203

HSL 291.09, 0.49%, 0.6%

LAB 56.59, 49.77, -38.19

 

CMYK 5 / 36 / 0 / 27

HEX #B077BA

RGB 176 119 186

HSL 291.04, 0.33%, 0.6%

LAB 58.01, 33.71, -26.4

 

CMYK 55 / 79 / 0 / 1

HEX #7135FC

RGB 113 53 252

HSL 258.09, 0.97%, 0.6%

LAB 42.89, 69.29, -88.41

 

CMYK 34 / 79 / 0 / 1

HEX #A635FC

RGB 166 53 252

HSL 274.07, 0.97%, 0.6%

LAB 49.11, 76.27, -77.97

 

CMYK 13 / 79 / 0 / 1

HEX #DB35FC

RGB 219 53 252

HSL 290.05, 0.97%, 0.6%

LAB 56.72, 84.89, -65.28

 

CMYK 0 / 79 / 8 / 1

HEX #FC35E8

RGB 252 53 232

HSL 306.03, 0.97%, 0.6%

LAB 60.84, 87.91, -47.23

 

CMYK 0 / 79 / 29 / 1

HEX #FC35B3

RGB 252 53 179

HSL 322.01, 0.97%, 0.6%

LAB 58.51, 81.28, -20.68

 

CMYK 15 / 99 / 0 / 13

HEX #BC02DD

RGB 188 2 221

HSL 290.96, 0.98%, 0.44%

LAB 46.92, 83.09, -63.9

 

CMYK 14 / 95 / 0 / 1

HEX #D80CFC

RGB 216 12 252

HSL 291, 0.98%, 0.52%

LAB 53.91, 91.29, -69.83

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 9 / 63 / 0 / 1

HEX #E55DFD

RGB 229 93 253

HSL 291, 0.98%, 0.68%

LAB 62.99, 73.52, -55.7

 

CMYK 7 / 47 / 0 / 1

HEX #EB86FD

RGB 235 134 253

HSL 290.92, 0.97%, 0.76%

LAB 70.74, 56.28, -43.43

 

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

CMYK 0 / 77 / 79 / 1

HEX #FC3B35

RGB 252 59 53

HSL 1.81, 0.97%, 0.6%

LAB 56.17, 70.83, 49.25

 

CMYK 79 / 0 / 45 / 1

HEX #35FC8B

RGB 53 252 139

HSL 145.93, 0.97%, 0.6%

LAB 88.08, -71.04, 40.89

 

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

CMYK 0 / 13 / 79 / 1

HEX #FCDB35

RGB 252 219 53

HSL 50.05, 0.97%, 0.6%

LAB 87.78, -4.31, 78.7

 

CMYK 79 / 0 / 13 / 1

HEX #35FCDB

RGB 53 252 219

HSL 170.05, 0.97%, 0.6%

LAB 89.62, -54.18, 2.39

 

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

CMYK 0 / 77 / 79 / 1

HEX #FC3B35

RGB 252 59 53

HSL 1.81, 0.97%, 0.6%

LAB 56.17, 70.83, 49.25

 

CMYK 66 / 0 / 79 / 1

HEX #56FC35

RGB 86 252 53

HSL 110.05, 0.97%, 0.6%

LAB 87.9, -75.38, 75.46

 

CMYK 79 / 2 / 0 / 1

HEX #35F6FC

RGB 53 246 252

HSL 181.81, 0.97%, 0.6%

LAB 88.78, -42.71, -16.05

 

CMYK 12 / 79 / 0 / 1

HEX #DF36FD

RGB 223 54 253

HSL 290.95, 0.98%, 0.6%

LAB 57.48, 85.5, -64.57

 

CMYK 0 / 53 / 79 / 1

HEX #FC7735

RGB 252 119 53

HSL 19.9, 0.97%, 0.6%

LAB 65.08, 46.99, 57.95

 

CMYK 66 / 0 / 79 / 1

HEX #56FC35

RGB 86 252 53

HSL 110.05, 0.97%, 0.6%

LAB 87.9, -75.38, 75.46

 

CMYK 79 / 26 / 0 / 1

HEX #35BAFC

RGB 53 186 252

HSL 199.9, 0.97%, 0.6%

LAB 71.49, -13.35, -42.55

 

Description

Color code: HEX #DF36FD | qconv.com Color code: HEX #DF36FD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 54 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 54 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 79 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 79% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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