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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF30A8 it is the complementary color #20CF57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF30A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF30A8 shade: #E430A3, #F542B6, #FF54C9, #FF66DC and #FF78EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF30A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF30A8 shade: #DF30A8, #CE1E95, #BD0C82, #AC006F and #9B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF30A8 shade: #DF30A8, #DF3078, #DF3049 and #DF3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF30A8 shade: #DF30A8, #DF30D7, #B730DF, #8830DF and #5930DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF30A8 shade matches the following richer shades: #DF30A8 and #F21CAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF30A8 shade: #DF30A8, #CB43A0, #B85699, #A46A92 and #917D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF30A8 shade: #B630DF, #DF30D9, #DF30AA, #DF307B and #DF304D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF30A8 shade: #A21977, #C61F92, #DF30A8, #E453B7 and #EA77C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF30A8 shade: #DF30A8, #DF8730 and #30DFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF30A8 shade: #DF30A8, #AADF30 and #30AADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF30A8 shade: #DF30A8, #DF8730, #30DF64 and #3087DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF30A8 shade: #DF30A8, #DFBC30, #30DF64 and #3053DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

Complementary color

CMYK 85 / 0 / 58 / 19

HEX #20CF57

RGB 32 207 87

HSL 138.86, 0.73%, 0.47%

LAB 73.3, -66.14, 47.28

 

CMYK 0 / 79 / 29 / 11

HEX #E430A3

RGB 228 48 163

HSL 321.67, 0.77%, 0.54%

LAB 53.22, 75.26, -19.79

 

CMYK 0 / 73 / 26 / 4

HEX #F542B6

RGB 245 66 182

HSL 321.12, 0.9%, 0.61%

LAB 58.68, 76.4, -22.25

 

CMYK 0 / 67 / 21 / 0

HEX #FF54C9

RGB 255 84 201

HSL 318.95, 1%, 0.66%

LAB 63.19, 75.19, -26.06

 

CMYK 0 / 60 / 14 / 0

HEX #FF66DC

RGB 255 102 220

HSL 313.73, 1%, 0.7%

LAB 66.47, 70.85, -31.69

 

CMYK 0 / 53 / 6 / 0

HEX #FF78EF

RGB 255 120 239

HSL 307.11, 1%, 0.74%

LAB 70.12, 65.96, -36.54

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 85 / 28 / 19

HEX #CE1E95

RGB 206 30 149

HSL 319.43, 0.75%, 0.46%

LAB 47.26, 72.76, -20.94

 

CMYK 0 / 94 / 31 / 26

HEX #BD0C82

RGB 189 12 130

HSL 320, 0.88%, 0.39%

LAB 42.3, 69.7, -17.28

 

CMYK 0 / 100 / 35 / 33

HEX #AC006F

RGB 172 0 111

HSL 321.28, 1%, 0.34%

LAB 37.7, 65.37, -12.75

 

CMYK 0 / 100 / 41 / 39

HEX #9B005C

RGB 155 0 92

HSL 324.39, 1%, 0.3%

LAB 33.44, 59.78, -7.36

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 78 / 46 / 13

HEX #DF3078

RGB 223 48 120

HSL 335.31, 0.73%, 0.53%

LAB 50.87, 69.73, 2.31

 

CMYK 0 / 78 / 67 / 13

HEX #DF3049

RGB 223 48 73

HSL 351.43, 0.73%, 0.53%

LAB 49.84, 66.54, 29.37

 

CMYK 0 / 78 / 78 / 13

HEX #DF3030

RGB 223 48 48

HSL 0, 0.73%, 0.53%

LAB 49.51, 65.52, 43.37

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 78 / 4 / 13

HEX #DF30D7

RGB 223 48 215

HSL 302.74, 0.73%, 0.53%

LAB 54.77, 81.02, -47.56

 

CMYK 18 / 78 / 0 / 13

HEX #B730DF

RGB 183 48 223

HSL 286.29, 0.73%, 0.53%

LAB 48.89, 74.88, -61.87

 

CMYK 39 / 78 / 0 / 13

HEX #8830DF

RGB 136 48 223

HSL 270.17, 0.73%, 0.53%

LAB 42.27, 67.17, -72.94

 

CMYK 60 / 78 / 0 / 13

HEX #5930DF

RGB 89 48 223

HSL 254.06, 0.73%, 0.53%

LAB 37.05, 61.08, -81.71

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 88 / 28 / 5

HEX #F21CAF

RGB 242 28 175

HSL 318.79, 0.89%, 0.53%

LAB 54.87, 83.57, -24.09

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 67 / 21 / 20

HEX #CB43A0

RGB 203 67 160

HSL 318.97, 0.57%, 0.53%

LAB 50.98, 62.66, -21.83

 

CMYK 0 / 53 / 17 / 28

HEX #B85699

RGB 184 86 153

HSL 318.98, 0.41%, 0.53%

LAB 50.86, 47.83, -18.13

 

CMYK 0 / 35 / 11 / 36

HEX #A46A92

RGB 164 106 146

HSL 318.62, 0.24%, 0.53%

LAB 52.15, 29.38, -12.29

 

CMYK 0 / 14 / 4 / 43

HEX #917D8B

RGB 145 125 139

HSL 318, 0.08%, 0.53%

LAB 54.61, 10.24, -4.73

 

CMYK 18 / 78 / 0 / 13

HEX #B630DF

RGB 182 48 223

HSL 285.94, 0.73%, 0.53%

LAB 48.74, 74.71, -62.12

 

CMYK 0 / 78 / 3 / 13

HEX #DF30D9

RGB 223 48 217

HSL 302.06, 0.73%, 0.53%

LAB 54.88, 81.32, -48.52

 

CMYK 0 / 78 / 24 / 13

HEX #DF30AA

RGB 223 48 170

HSL 318.17, 0.73%, 0.53%

LAB 52.62, 74.94, -24.9

 

CMYK 0 / 78 / 45 / 13

HEX #DF307B

RGB 223 48 123

HSL 334.29, 0.73%, 0.53%

LAB 50.96, 69.99, 0.62

 

CMYK 0 / 78 / 65 / 13

HEX #DF304D

RGB 223 48 77

HSL 350.06, 0.73%, 0.53%

LAB 49.9, 66.74, 27.06

 

CMYK 0 / 85 / 27 / 36

HEX #A21977

RGB 162 25 119

HSL 318.83, 0.73%, 0.37%

LAB 37.31, 60.37, -18.55

 

CMYK 0 / 84 / 26 / 22

HEX #C61F92

RGB 198 31 146

HSL 318.68, 0.73%, 0.45%

LAB 45.72, 70.45, -21.64

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 64 / 20 / 11

HEX #E453B7

RGB 228 83 183

HSL 318.62, 0.73%, 0.61%

LAB 58.13, 66.19, -23.91

 

CMYK 0 / 49 / 15 / 8

HEX #EA77C6

RGB 234 119 198

HSL 318.78, 0.73%, 0.69%

LAB 65.56, 53.99, -21

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 39 / 78 / 13

HEX #DF8730

RGB 223 135 48

HSL 29.83, 0.73%, 0.53%

LAB 64.35, 27.21, 57.95

 

CMYK 78 / 0 / 8 / 13

HEX #30DFCD

RGB 48 223 205

HSL 173.83, 0.73%, 0.53%

LAB 80.63, -46.17, -3.4

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 24 / 0 / 78 / 13

HEX #AADF30

RGB 170 223 48

HSL 78.17, 0.73%, 0.53%

LAB 82.67, -39.97, 73.22

 

CMYK 78 / 24 / 0 / 13

HEX #30AADF

RGB 48 170 223

HSL 198.17, 0.73%, 0.53%

LAB 65.52, -15.1, -36.07

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 39 / 78 / 13

HEX #DF8730

RGB 223 135 48

HSL 29.83, 0.73%, 0.53%

LAB 64.35, 27.21, 57.95

 

CMYK 78 / 0 / 55 / 13

HEX #30DF64

RGB 48 223 100

HSL 137.83, 0.73%, 0.53%

LAB 78.65, -67.9, 47.7

 

CMYK 78 / 39 / 0 / 13

HEX #3087DF

RGB 48 135 223

HSL 210.17, 0.73%, 0.53%

LAB 55.36, 4.89, -52.07

 

CMYK 0 / 78 / 25 / 13

HEX #DF30A8

RGB 223 48 168

HSL 318.86, 0.73%, 0.53%

LAB 52.54, 74.7, -23.86

 

CMYK 0 / 16 / 78 / 13

HEX #DFBC30

RGB 223 188 48

HSL 48, 0.73%, 0.53%

LAB 77.2, -0.95, 69.78

 

CMYK 78 / 0 / 55 / 13

HEX #30DF64

RGB 48 223 100

HSL 137.83, 0.73%, 0.53%

LAB 78.65, -67.9, 47.7

 

CMYK 78 / 63 / 0 / 13

HEX #3053DF

RGB 48 83 223

HSL 228, 0.73%, 0.53%

LAB 41.44, 37.56, -74.58

 

Description

Color code: HEX #DF30A8 | qconv.com Color code: HEX #DF30A8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 48 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 48 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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