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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF3016 it is the complementary color #20CFE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF3016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF3016 shade: #E43011, #F54224, #FF5437, #FF664A and #FF785D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF3016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF3016 shade: #DF3016, #CE1E03, #BD0C00, #AC0000 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF3016 shade: #DF3016 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF3016 shade: #DF3016, #DF6616, #DF9C16, #DFD216 and #B5DF16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF3016 shade matches the following richer shades: #DF3016 and #F32102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF3016 shade: #DF3016, #CB3F2A, #B74D3E, #A35C51 and #906B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF3016 shade: #DF166A, #DF1634, #DF2D16, #DF6316 and #DF9916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF3016 shade: #94200F, #B92812, #DF3016, #EB4B33 and #EF6C59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF3016 shade: #DF3016, #9FDF16 and #164FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF3016 shade: #DF3016, #16DF2D and #2D16DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF3016 shade: #DF3016, #9FDF16, #16C7DF and #5616DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF3016 shade: #DF3016, #63DF16, #16C7DF and #9216DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

Complementary color

CMYK 86 / 11 / 0 / 9

HEX #20CFE9

RGB 32 207 233

HSL 187.76, 0.82%, 0.52%

LAB 76.57, -31.9, -24.5

 

CMYK 0 / 79 / 93 / 11

HEX #E43011

RGB 228 48 17

HSL 8.82, 0.86%, 0.48%

LAB 50.27, 66.3, 58.32

 

CMYK 0 / 73 / 85 / 4

HEX #F54224

RGB 245 66 36

HSL 8.61, 0.91%, 0.55%

LAB 55.52, 66.18, 56.34

 

CMYK 0 / 67 / 78 / 0

HEX #FF5437

RGB 255 84 55

HSL 8.7, 1%, 0.61%

LAB 59.78, 63.36, 52.01

 

CMYK 0 / 60 / 71 / 0

HEX #FF664A

RGB 255 102 74

HSL 9.28, 1%, 0.65%

LAB 62.72, 56.7, 45.43

 

CMYK 0 / 53 / 64 / 0

HEX #FF785D

RGB 255 120 93

HSL 10, 1%, 0.68%

LAB 66.12, 49.47, 39.29

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 85 / 99 / 19

HEX #CE1E03

RGB 206 30 3

HSL 7.98, 0.97%, 0.41%

LAB 44.31, 64.33, 56.78

 

CMYK 0 / 94 / 100 / 26

HEX #BD0C00

RGB 189 12 0

HSL 3.81, 1%, 0.37%

LAB 39.72, 62.67, 53.82

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

HEX #9B0000

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 54 / 90 / 13

HEX #DF6616

RGB 223 102 22

HSL 23.88, 0.82%, 0.48%

LAB 57.32, 43.48, 61.22

 

CMYK 0 / 30 / 90 / 13

HEX #DF9C16

RGB 223 156 22

HSL 40, 0.82%, 0.48%

LAB 69.13, 15.31, 70.04

 

CMYK 0 / 6 / 90 / 13

HEX #DFD216

RGB 223 210 22

HSL 56.12, 0.82%, 0.48%

LAB 82.83, -12.83, 80.55

 

CMYK 19 / 0 / 90 / 13

HEX #B5DF16

RGB 181 223 22

HSL 72.54, 0.82%, 0.48%

LAB 83.26, -36.46, 79.57

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 86 / 99 / 5

HEX #F32102

RGB 243 33 2

HSL 7.72, 0.98%, 0.48%

LAB 52, 73.66, 64.75

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 69 / 79 / 20

HEX #CB3F2A

RGB 203 63 42

HSL 7.83, 0.66%, 0.48%

LAB 47.52, 54.18, 43.33

 

CMYK 0 / 58 / 66 / 28

HEX #B74D3E

RGB 183 77 62

HSL 7.44, 0.49%, 0.48%

LAB 46.61, 41.95, 30.28

 

CMYK 0 / 44 / 50 / 36

HEX #A35C51

RGB 163 92 81

HSL 8.05, 0.34%, 0.48%

LAB 47.02, 27.81, 19.02

 

CMYK 0 / 26 / 30 / 44

HEX #906B65

RGB 144 107 101

HSL 8.37, 0.18%, 0.48%

LAB 48.74, 13.85, 9.11

 

CMYK 0 / 90 / 52 / 13

HEX #DF166A

RGB 223 22 106

HSL 334.93, 0.82%, 0.48%

LAB 48.64, 73.94, 7.65

 

CMYK 0 / 90 / 77 / 13

HEX #DF1634

RGB 223 22 52

HSL 351.04, 0.82%, 0.48%

LAB 47.64, 71.13, 39.15

 

CMYK 0 / 80 / 90 / 13

HEX #DF2D16

RGB 223 45 22

HSL 6.87, 0.82%, 0.48%

LAB 49.04, 65.74, 55.29

 

CMYK 0 / 56 / 90 / 13

HEX #DF6316

RGB 223 99 22

HSL 22.99, 0.82%, 0.48%

LAB 56.75, 44.93, 60.81

 

CMYK 0 / 31 / 90 / 13

HEX #DF9916

RGB 223 153 22

HSL 39.1, 0.82%, 0.48%

LAB 68.41, 16.91, 69.49

 

CMYK 0 / 78 / 90 / 42

HEX #94200F

RGB 148 32 15

HSL 7.67, 0.82%, 0.32%

LAB 32.62, 46.82, 39.35

 

CMYK 0 / 78 / 90 / 27

HEX #B92812

RGB 185 40 18

HSL 7.9, 0.82%, 0.4%

LAB 41.02, 55.91, 47.7

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 0 / 68 / 78 / 8

HEX #EB4B33

RGB 235 75 51

HSL 7.83, 0.82%, 0.56%

LAB 55, 60.26, 48.09

 

CMYK 0 / 55 / 63 / 6

HEX #EF6C59

RGB 239 108 89

HSL 7.6, 0.82%, 0.64%

LAB 61.48, 49.17, 35.23

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 29 / 0 / 90 / 13

HEX #9FDF16

RGB 159 223 22

HSL 79.1, 0.82%, 0.48%

LAB 81.95, -44.92, 77.96

 

CMYK 90 / 65 / 0 / 13

HEX #164FDF

RGB 22 79 223

HSL 222.99, 0.82%, 0.48%

LAB 39.73, 38.4, -77.41

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 90 / 0 / 80 / 13

HEX #16DF2D

RGB 22 223 45

HSL 126.87, 0.82%, 0.48%

LAB 77.95, -75.52, 67.99

 

CMYK 80 / 90 / 0 / 13

HEX #2D16DF

RGB 45 22 223

HSL 246.87, 0.82%, 0.48%

LAB 30.54, 67.7, -92.6

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 29 / 0 / 90 / 13

HEX #9FDF16

RGB 159 223 22

HSL 79.1, 0.82%, 0.48%

LAB 81.95, -44.92, 77.96

 

CMYK 90 / 11 / 0 / 13

HEX #16C7DF

RGB 22 199 223

HSL 187.16, 0.82%, 0.48%

LAB 73.77, -31.74, -23.38

 

CMYK 61 / 90 / 0 / 13

HEX #5616DF

RGB 86 22 223

HSL 259.1, 0.82%, 0.48%

LAB 33.73, 69.78, -87.21

 

CMYK 0 / 78 / 90 / 13

HEX #DF3016

RGB 223 48 22

HSL 7.76, 0.82%, 0.48%

LAB 49.33, 64.93, 55.49

 

CMYK 56 / 0 / 90 / 13

HEX #63DF16

RGB 99 223 22

HSL 97.01, 0.82%, 0.48%

LAB 79.32, -64.2, 74.72

 

CMYK 90 / 11 / 0 / 13

HEX #16C7DF

RGB 22 199 223

HSL 187.16, 0.82%, 0.48%

LAB 73.77, -31.74, -23.38

 

CMYK 35 / 90 / 0 / 13

HEX #9216DF

RGB 146 22 223

HSL 277.01, 0.82%, 0.48%

LAB 41.24, 75.61, -74.58

 

Description

Color code: HEX #DF3016 | qconv.com Color code: HEX #DF3016 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 48 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 48 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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