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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2FEC it is the complementary color #20D013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2FEC shade: #E42FE7, #F541FA, #FF53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2FEC shade: #DF2FEC, #CE1DD9, #BD0BC6, #AC00B3 and #9B00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2FEC shade: #DE2DEB, #EB2DC5, #EB2D92, #EB2D5F and #EB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2FEC shade: #DE2DEB, #AB2DEB, #782DEB, #442DEB and #2D2DEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2FEC shade matches the following richer shades: #DE2DEB and #EE1AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2FEC shade: #DE2DEB, #CE40D9, #BE52C6, #AE65B4 and #9E77A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2FEC shade: #762DEB, #A92DEB, #DC2DEB, #EB2DC9 and #EB2D96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2FEC shade: #AA11B5, #CD14DB, #DE2DEB, #E453EF and #EA79F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2FEC shade: #DF2FEC, #EB432D and #2DEB8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2FEC shade: #DF2FEC, #EBDC2D and #2DEBDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2FEC shade: #DF2FEC, #EB432D, #3DEB2D and #2DD5EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2FEC shade: #DF2FEC, #EB7C2D, #3DEB2D and #2D9CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

Complementary color

CMYK 85 / 0 / 91 / 18

HEX #20D013

RGB 32 208 19

HSL 115.87, 0.83%, 0.45%

LAB 73.2, -71.68, 69.45

 

CMYK 1 / 80 / 0 / 9

HEX #E42FE7

RGB 228 47 231

HSL 299.02, 0.79%, 0.55%

LAB 56.38, 84.61, -53.99

 

CMYK 2 / 74 / 0 / 2

HEX #F541FA

RGB 245 65 250

HSL 298.38, 0.95%, 0.62%

LAB 61.74, 86.09, -55.91

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

CMYK 5 / 87 / 0 / 15

HEX #CE1DD9

RGB 206 29 217

HSL 296.49, 0.76%, 0.48%

LAB 50.7, 82.19, -55.36

 

CMYK 5 / 94 / 0 / 22

HEX #BD0BC6

RGB 189 11 198

HSL 297.11, 0.89%, 0.41%

LAB 45.82, 78.82, -52.4

 

CMYK 4 / 100 / 0 / 30

HEX #AC00B3

RGB 172 0 179

HSL 297.65, 1%, 0.35%

LAB 41.26, 74.2, -48.75

 

CMYK 3 / 100 / 0 / 37

HEX #9B00A0

RGB 155 0 160

HSL 298.13, 1%, 0.31%

LAB 36.94, 68.52, -44.47

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 0 / 81 / 16 / 8

HEX #EB2DC5

RGB 235 45 197

HSL 312, 0.83%, 0.55%

LAB 55.65, 81.64, -35.73

 

CMYK 0 / 81 / 38 / 8

HEX #EB2D92

RGB 235 45 146

HSL 328.11, 0.83%, 0.55%

LAB 53.62, 75.83, -9

 

CMYK 0 / 81 / 60 / 8

HEX #EB2D5F

RGB 235 45 95

HSL 344.21, 0.83%, 0.55%

LAB 52.25, 71.78, 19.71

 

CMYK 0 / 81 / 81 / 8

HEX #EB2D2D

RGB 235 45 45

HSL 0, 0.83%, 0.55%

LAB 51.53, 69.59, 47.74

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 27 / 81 / 0 / 8

HEX #AB2DEB

RGB 171 45 235

HSL 279.79, 0.83%, 0.55%

LAB 47.67, 76.03, -70.75

 

CMYK 49 / 81 / 0 / 8

HEX #782DEB

RGB 120 45 235

HSL 263.68, 0.83%, 0.55%

LAB 41.01, 68.9, -81.91

 

CMYK 71 / 81 / 0 / 8

HEX #442DEB

RGB 68 45 235

HSL 247.26, 0.83%, 0.55%

LAB 36.18, 63.88, -90.04

 

CMYK 81 / 81 / 0 / 8

HEX #2D2DEB

RGB 45 45 235

HSL 240, 0.83%, 0.55%

LAB 34.87, 62.54, -92.26

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 6 / 90 / 0 / 0

HEX #EE1AFE

RGB 238 26 254

HSL 295.79, 0.99%, 0.55%

LAB 58.11, 93.46, -64

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 5 / 71 / 0 / 15

HEX #CE40D9

RGB 206 64 217

HSL 295.69, 0.67%, 0.55%

LAB 53.81, 73.19, -50.38

 

CMYK 4 / 59 / 0 / 22

HEX #BE52C6

RGB 190 82 198

HSL 295.86, 0.5%, 0.55%

LAB 53.01, 59.01, -40.94

 

CMYK 3 / 44 / 0 / 29

HEX #AE65B4

RGB 174 101 180

HSL 295.44, 0.34%, 0.55%

LAB 53.6, 41.74, -29.8

 

CMYK 2 / 26 / 0 / 37

HEX #9E77A1

RGB 158 119 161

HSL 295.71, 0.18%, 0.55%

LAB 55.11, 22.71, -16.63

 

CMYK 50 / 81 / 0 / 8

HEX #762DEB

RGB 118 45 235

HSL 263.05, 0.83%, 0.55%

LAB 40.78, 68.66, -82.3

 

CMYK 28 / 81 / 0 / 8

HEX #A92DEB

RGB 169 45 235

HSL 279.16, 0.83%, 0.55%

LAB 47.38, 75.72, -71.23

 

CMYK 6 / 81 / 0 / 8

HEX #DC2DEB

RGB 220 45 235

HSL 295.26, 0.83%, 0.55%

LAB 55.17, 84.24, -58.27

 

CMYK 0 / 81 / 14 / 8

HEX #EB2DC9

RGB 235 45 201

HSL 310.74, 0.83%, 0.55%

LAB 55.84, 82.16, -37.73

 

CMYK 0 / 81 / 36 / 8

HEX #EB2D96

RGB 235 45 150

HSL 326.84, 0.83%, 0.55%

LAB 53.75, 76.23, -11.18

 

CMYK 6 / 91 / 0 / 29

HEX #AA11B5

RGB 170 17 181

HSL 295.98, 0.83%, 0.39%

LAB 41.66, 72.32, -49.29

 

CMYK 6 / 91 / 0 / 14

HEX #CD14DB

RGB 205 20 219

HSL 295.78, 0.83%, 0.47%

LAB 50.21, 83.65, -57.3

 

CMYK 6 / 81 / 0 / 8

HEX #DE2DEB

RGB 222 45 235

HSL 295.89, 0.83%, 0.55%

LAB 55.49, 84.6, -57.73

 

CMYK 5 / 65 / 0 / 6

HEX #E453EF

RGB 228 83 239

HSL 295.77, 0.83%, 0.63%

LAB 60.7, 74.8, -51.6

 

CMYK 4 / 50 / 0 / 5

HEX #EA79F3

RGB 234 121 243

HSL 295.57, 0.84%, 0.71%

LAB 67.75, 60.51, -42.64

 

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

CMYK 0 / 71 / 81 / 8

HEX #EB432D

RGB 235 67 45

HSL 6.95, 0.83%, 0.55%

LAB 53.88, 63.01, 50

 

CMYK 81 / 0 / 39 / 8

HEX #2DEB8F

RGB 45 235 143

HSL 150.95, 0.83%, 0.55%

LAB 82.89, -65.34, 32.13

 

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

CMYK 0 / 6 / 81 / 8

HEX #EBDC2D

RGB 235 220 45

HSL 55.26, 0.83%, 0.55%

LAB 86.52, -12.21, 79.23

 

CMYK 81 / 0 / 6 / 8

HEX #2DEBDC

RGB 45 235 220

HSL 175.26, 0.83%, 0.55%

LAB 84.56, -47.5, -5.57

 

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

CMYK 0 / 71 / 81 / 8

HEX #EB432D

RGB 235 67 45

HSL 6.95, 0.83%, 0.55%

LAB 53.88, 63.01, 50

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 81 / 9 / 0 / 8

HEX #2DD5EB

RGB 45 213 235

HSL 186.95, 0.83%, 0.55%

LAB 78.55, -33.23, -22.54

 

CMYK 6 / 80 / 0 / 7

HEX #DF2FEC

RGB 223 47 236

HSL 295.87, 0.83%, 0.55%

LAB 55.86, 84.47, -57.68

 

CMYK 0 / 47 / 81 / 8

HEX #EB7C2D

RGB 235 124 45

HSL 24.95, 0.83%, 0.55%

LAB 63.56, 37.72, 59.01

 

CMYK 74 / 0 / 81 / 8

HEX #3DEB2D

RGB 61 235 45

HSL 114.95, 0.83%, 0.55%

LAB 82.16, -74.89, 72.08

 

CMYK 81 / 34 / 0 / 8

HEX #2D9CEB

RGB 45 156 235

HSL 204.95, 0.83%, 0.55%

LAB 61.94, -3.39, -48.3

 

Description

Color code: HEX #DF2FEC | qconv.com Color code: HEX #DF2FEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 47 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 47 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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