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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2FC6 it is the complementary color #20D039. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2FC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2FC6 shade: #E42FC1, #F541D4, #FF53E7, #FF65FA and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2FC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2FC6 shade: #DF2FC6, #CE1DB3, #BD0BA0, #AC008D and #9B007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2FC6 shade: #DF30C6, #DF3097, #DF3067, #DF3038 and #DF3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2FC6 shade: #DF30C6, #C830DF, #9930DF, #6A30DF and #3B30DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2FC6 shade matches the following richer shades: #DF30C6 and #F21CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2FC6 shade: #DF30C6, #CB43B8, #B856AA, #A46A9C and #917D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2FC6 shade: #9930DF, #C730DF, #DF30C7, #DF3099 and #DF306A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2FC6 shade: #A2198F, #C61FAE, #DF30C6, #E453D0 and #EA77D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2FC6 shade: #DF2FC6, #DF6A30 and #30DFB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2FC6 shade: #DF2FC6, #C7DF30 and #30C7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2FC6 shade: #DF2FC6, #DF6A30, #30DF47 and #30A4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2FC6 shade: #DF2FC6, #DF9E30, #30DF47 and #3070DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

Complementary color

CMYK 85 / 0 / 73 / 18

HEX #20D039

RGB 32 208 57

HSL 128.52, 0.73%, 0.47%

LAB 73.36, -69.63, 59.71

 

CMYK 0 / 79 / 15 / 11

HEX #E42FC1

RGB 228 47 193

HSL 311.6, 0.77%, 0.54%

LAB 54.43, 79.2, -35.43

 

CMYK 0 / 73 / 13 / 4

HEX #F541D4

RGB 245 65 212

HSL 311, 0.9%, 0.61%

LAB 59.84, 80.54, -37.62

 

CMYK 0 / 67 / 9 / 0

HEX #FF53E7

RGB 255 83 231

HSL 308.37, 1%, 0.66%

LAB 64.34, 79.66, -41.14

 

CMYK 0 / 60 / 2 / 0

HEX #FF65FA

RGB 255 101 250

HSL 301.95, 1%, 0.7%

LAB 67.63, 75.83, -46.49

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

CMYK 0 / 86 / 13 / 19

HEX #CE1DB3

RGB 206 29 179

HSL 309.15, 0.75%, 0.46%

LAB 48.58, 76.68, -36.73

 

CMYK 0 / 94 / 15 / 26

HEX #BD0BA0

RGB 189 11 160

HSL 309.78, 0.89%, 0.39%

LAB 43.65, 73.4, -33.42

 

CMYK 0 / 100 / 18 / 33

HEX #AC008D

RGB 172 0 141

HSL 310.81, 1%, 0.34%

LAB 39.06, 68.83, -29.33

 

CMYK 0 / 100 / 21 / 39

HEX #9B007A

RGB 155 0 122

HSL 312.77, 1%, 0.3%

LAB 34.75, 63.13, -24.52

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C6

RGB 223 48 198

HSL 308.57, 0.73%, 0.53%

LAB 53.9, 78.59, -39.2

 

CMYK 0 / 78 / 32 / 13

HEX #DF3097

RGB 223 48 151

HSL 324.69, 0.73%, 0.53%

LAB 51.88, 72.75, -14.81

 

CMYK 0 / 78 / 54 / 13

HEX #DF3067

RGB 223 48 103

HSL 341.14, 0.73%, 0.53%

LAB 50.43, 68.38, 12.01

 

CMYK 0 / 78 / 75 / 13

HEX #DF3038

RGB 223 48 56

HSL 357.26, 0.73%, 0.53%

LAB 49.6, 65.8, 39.02

 

CMYK 0 / 78 / 78 / 13

HEX #DF3030

RGB 223 48 48

HSL 0, 0.73%, 0.53%

LAB 49.51, 65.52, 43.37

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C6

RGB 223 48 198

HSL 308.57, 0.73%, 0.53%

LAB 53.9, 78.59, -39.2

 

CMYK 10 / 78 / 0 / 13

HEX #C830DF

RGB 200 48 223

HSL 292.11, 0.73%, 0.53%

LAB 51.52, 77.94, -57.51

 

CMYK 31 / 78 / 0 / 13

HEX #9930DF

RGB 153 48 223

HSL 276, 0.73%, 0.53%

LAB 44.54, 69.81, -69.14

 

CMYK 52 / 78 / 0 / 13

HEX #6A30DF

RGB 106 48 223

HSL 259.89, 0.73%, 0.53%

LAB 38.74, 63.05, -78.87

 

CMYK 74 / 78 / 0 / 13

HEX #3B30DF

RGB 59 48 223

HSL 243.77, 0.73%, 0.53%

LAB 34.74, 58.38, -85.59

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C6

RGB 223 48 198

HSL 308.57, 0.73%, 0.53%

LAB 53.9, 78.59, -39.2

 

CMYK 0 / 88 / 12 / 5

HEX #F21CD4

RGB 242 28 212

HSL 308.41, 0.89%, 0.53%

LAB 56.55, 87.99, -42.83

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C6

RGB 223 48 198

HSL 308.57, 0.73%, 0.53%

LAB 53.9, 78.59, -39.2

 

CMYK 0 / 67 / 9 / 20

HEX #CB43B8

RGB 203 67 184

HSL 308.38, 0.57%, 0.53%

LAB 52.03, 66.13, -34.26

 

CMYK 0 / 53 / 8 / 28

HEX #B856AA

RGB 184 86 170

HSL 308.57, 0.41%, 0.53%

LAB 51.55, 50.58, -27.06

 

CMYK 0 / 35 / 5 / 36

HEX #A46A9C

RGB 164 106 156

HSL 308.28, 0.24%, 0.53%

LAB 52.51, 31.2, -17.61

 

CMYK 0 / 14 / 2 / 43

HEX #917D8E

RGB 145 125 142

HSL 309, 0.08%, 0.53%

LAB 54.7, 10.82, -6.34

 

CMYK 31 / 78 / 0 / 13

HEX #9930DF

RGB 153 48 223

HSL 276, 0.73%, 0.53%

LAB 44.54, 69.81, -69.14

 

CMYK 11 / 78 / 0 / 13

HEX #C730DF

RGB 199 48 223

HSL 291.77, 0.73%, 0.53%

LAB 51.36, 77.76, -57.77

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C7

RGB 223 48 199

HSL 308.23, 0.73%, 0.53%

LAB 53.95, 78.73, -39.7

 

CMYK 0 / 78 / 31 / 13

HEX #DF3099

RGB 223 48 153

HSL 324, 0.73%, 0.53%

LAB 51.95, 72.97, -15.89

 

CMYK 0 / 78 / 52 / 13

HEX #DF306A

RGB 223 48 106

HSL 340.11, 0.73%, 0.53%

LAB 50.5, 68.6, 10.28

 

CMYK 0 / 85 / 12 / 36

HEX #A2198F

RGB 162 25 143

HSL 308.32, 0.73%, 0.37%

LAB 38.48, 63.58, -31.6

 

CMYK 0 / 84 / 12 / 22

HEX #C61FAE

RGB 198 31 174

HSL 308.62, 0.73%, 0.45%

LAB 47.03, 74.04, -36.32

 

CMYK 0 / 78 / 11 / 13

HEX #DF30C6

RGB 223 48 198

HSL 308.57, 0.73%, 0.53%

LAB 53.9, 78.59, -39.2

 

CMYK 0 / 64 / 9 / 11

HEX #E453D0

RGB 228 83 208

HSL 308.28, 0.73%, 0.61%

LAB 59.19, 69.81, -36.56

 

CMYK 0 / 49 / 7 / 8

HEX #EA77D9

RGB 234 119 217

HSL 308.87, 0.73%, 0.69%

LAB 66.29, 57, -30.53

 

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

CMYK 0 / 52 / 78 / 13

HEX #DF6A30

RGB 223 106 48

HSL 19.89, 0.73%, 0.53%

LAB 58.24, 42.18, 52.09

 

CMYK 78 / 0 / 21 / 13

HEX #30DFB0

RGB 48 223 176

HSL 163.89, 0.73%, 0.53%

LAB 79.92, -53.56, 10.96

 

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

CMYK 11 / 0 / 78 / 13

HEX #C7DF30

RGB 199 223 48

HSL 68.23, 0.73%, 0.53%

LAB 84.55, -28.51, 75.63

 

CMYK 78 / 11 / 0 / 13

HEX #30C7DF

RGB 48 199 223

HSL 188.23, 0.73%, 0.53%

LAB 74.06, -29.95, -22.91

 

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

CMYK 0 / 52 / 78 / 13

HEX #DF6A30

RGB 223 106 48

HSL 19.89, 0.73%, 0.53%

LAB 58.24, 42.18, 52.09

 

CMYK 78 / 0 / 68 / 13

HEX #30DF47

RGB 48 223 71

HSL 127.89, 0.73%, 0.53%

LAB 78.38, -71.19, 59.79

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DF

RGB 48 164 223

HSL 200.23, 0.73%, 0.53%

LAB 63.76, -11.84, -38.81

 

CMYK 0 / 79 / 11 / 13

HEX #DF2FC6

RGB 223 47 198

HSL 308.52, 0.73%, 0.53%

LAB 53.81, 78.83, -39.34

 

CMYK 0 / 29 / 78 / 13

HEX #DF9E30

RGB 223 158 48

HSL 37.71, 0.73%, 0.53%

LAB 69.72, 14.92, 62.96

 

CMYK 78 / 0 / 68 / 13

HEX #30DF47

RGB 48 223 71

HSL 127.89, 0.73%, 0.53%

LAB 78.38, -71.19, 59.79

 

CMYK 78 / 50 / 0 / 13

HEX #3070DF

RGB 48 112 223

HSL 218.06, 0.73%, 0.53%

LAB 48.94, 19.12, -62.38

 

Description

Color code: HEX #DF2FC6 | qconv.com Color code: HEX #DF2FC6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 47 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 47 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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