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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2E4D it is the complementary color #20D1B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2E4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2E4D shade: #E42E48, #F5405B, #FF526E, #FF6481 and #FF7694

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2E4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2E4D shade: #DF2E4D, #CE1C3A, #BD0A27, #AC0014 and #9B0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2E4D shade: #DE2F4E and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2E4D shade: #DE2F4E, #DE2F7D, #DE2FAC, #DE2FDB and #B22FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2E4D shade matches the following richer shades: #DE2F4E and #F21C41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2E4D shade: #DE2F4E, #CB435A, #B75667, #A46974 and #917D80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2E4D shade: #DE2FAD, #DE2F7E, #DE2F4F, #DE3E2F and #DE6C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2E4D shade: #A21931, #C61E3C, #DE2F4E, #E4536C and #E9778B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2E4D shade: #DF2E4D, #DBDE2F and #2F95DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2E4D shade: #DF2E4D, #4FDE2F and #2F4FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2E4D shade: #DF2E4D, #DBDE2F, #2FDEBE and #322FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2E4D shade: #DF2E4D, #A7DE2F, #2FDEBE and #672FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

Complementary color

CMYK 85 / 0 / 15 / 18

HEX #20D1B2

RGB 32 209 178

HSL 169.49, 0.73%, 0.47%

LAB 75.53, -48.75, 3.56

 

CMYK 0 / 80 / 68 / 11

HEX #E42E48

RGB 228 46 72

HSL 351.43, 0.77%, 0.54%

LAB 50.59, 68.41, 31.1

 

CMYK 0 / 74 / 63 / 4

HEX #F5405B

RGB 245 64 91

HSL 351.05, 0.9%, 0.61%

LAB 55.92, 68.94, 27.28

 

CMYK 0 / 68 / 57 / 0

HEX #FF526E

RGB 255 82 110

HSL 350.29, 1%, 0.66%

LAB 60.27, 66.85, 22.23

 

CMYK 0 / 61 / 49 / 0

HEX #FF6481

RGB 255 100 129

HSL 348.77, 1%, 0.7%

LAB 63.31, 61.13, 15.4

 

CMYK 0 / 54 / 42 / 0

HEX #FF7694

RGB 255 118 148

HSL 346.86, 1%, 0.73%

LAB 66.79, 54.85, 9.44

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

CMYK 0 / 86 / 72 / 19

HEX #CE1C3A

RGB 206 28 58

HSL 349.89, 0.76%, 0.46%

LAB 44.6, 65.98, 31.22

 

CMYK 0 / 95 / 79 / 26

HEX #BD0A27

RGB 189 10 39

HSL 350.28, 0.9%, 0.39%

LAB 39.89, 63.58, 36.31

 

CMYK 0 / 100 / 88 / 33

HEX #AC0014

RGB 172 0 20

HSL 353.02, 1%, 0.34%

LAB 35.64, 59.91, 41.5

 

CMYK 0 / 100 / 99 / 39

HEX #9B0001

RGB 155 0 1

HSL 359.61, 1%, 0.3%

LAB 31.74, 55.25, 45.26

 

CMYK 0 / 79 / 65 / 13

HEX #DE2F4E

RGB 222 47 78

HSL 349.37, 0.73%, 0.53%

LAB 49.63, 66.8, 26.07

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 0 / 79 / 65 / 13

HEX #DE2F4E

RGB 222 47 78

HSL 349.37, 0.73%, 0.53%

LAB 49.63, 66.8, 26.07

 

CMYK 0 / 79 / 44 / 13

HEX #DE2F7D

RGB 222 47 125

HSL 333.26, 0.73%, 0.53%

LAB 50.74, 70.18, -0.93

 

CMYK 0 / 79 / 23 / 13

HEX #DE2FAC

RGB 222 47 172

HSL 317.14, 0.73%, 0.53%

LAB 52.44, 75.21, -26.37

 

CMYK 0 / 79 / 1 / 13

HEX #DE2FDB

RGB 222 47 219

HSL 301.03, 0.73%, 0.53%

LAB 54.74, 81.67, -49.89

 

CMYK 20 / 79 / 0 / 13

HEX #B22FDE

RGB 178 47 222

HSL 284.91, 0.73%, 0.53%

LAB 47.97, 74.12, -62.83

 

CMYK 0 / 79 / 65 / 13

HEX #DE2F4E

RGB 222 47 78

HSL 349.37, 0.73%, 0.53%

LAB 49.63, 66.8, 26.07

 

CMYK 0 / 88 / 73 / 5

HEX #F21C41

RGB 242 28 65

HSL 349.63, 0.89%, 0.53%

LAB 51.94, 75.46, 37.49

 

CMYK 0 / 79 / 65 / 13

HEX #DE2F4E

RGB 222 47 78

HSL 349.37, 0.73%, 0.53%

LAB 49.63, 66.8, 26.07

 

CMYK 0 / 67 / 56 / 20

HEX #CB435A

RGB 203 67 90

HSL 349.85, 0.57%, 0.53%

LAB 48.82, 55.19, 17.11

 

CMYK 0 / 53 / 44 / 28

HEX #B75667

RGB 183 86 103

HSL 349.48, 0.4%, 0.53%

LAB 49.13, 40.91, 9.2

 

CMYK 0 / 36 / 29 / 36

HEX #A46974

RGB 164 105 116

HSL 348.81, 0.24%, 0.53%

LAB 50.99, 25.15, 3.73

 

CMYK 0 / 14 / 12 / 43

HEX #917D80

RGB 145 125 128

HSL 351, 0.08%, 0.53%

LAB 54.29, 8.2, 1.2

 

CMYK 0 / 79 / 22 / 13

HEX #DE2FAD

RGB 222 47 173

HSL 316.8, 0.73%, 0.53%

LAB 52.49, 75.34, -26.89

 

CMYK 0 / 79 / 43 / 13

HEX #DE2F7E

RGB 222 47 126

HSL 332.91, 0.73%, 0.53%

LAB 50.77, 70.27, -1.49

 

CMYK 0 / 79 / 64 / 13

HEX #DE2F4F

RGB 222 47 79

HSL 349.03, 0.73%, 0.53%

LAB 49.65, 66.85, 25.49

 

CMYK 0 / 72 / 79 / 13

HEX #DE3E2F

RGB 222 62 47

HSL 5.14, 0.73%, 0.53%

LAB 50.9, 60.78, 45.25

 

CMYK 0 / 51 / 79 / 13

HEX #DE6C2F

RGB 222 108 47

HSL 20.91, 0.73%, 0.53%

LAB 58.47, 40.77, 52.72

 

CMYK 0 / 85 / 70 / 36

HEX #A21931

RGB 162 25 49

HSL 349.49, 0.73%, 0.37%

LAB 35.2, 54.25, 23.3

 

CMYK 0 / 85 / 70 / 22

HEX #C61E3C

RGB 198 30 60

HSL 349.29, 0.74%, 0.45%

LAB 43.15, 63.53, 27.88

 

CMYK 0 / 79 / 65 / 13

HEX #DE2F4E

RGB 222 47 78

HSL 349.37, 0.73%, 0.53%

LAB 49.63, 66.8, 26.07

 

CMYK 0 / 64 / 53 / 11

HEX #E4536C

RGB 228 83 108

HSL 349.66, 0.73%, 0.61%

LAB 55.85, 57.98, 16.65

 

CMYK 0 / 49 / 40 / 9

HEX #E9778B

RGB 233 119 139

HSL 349.47, 0.72%, 0.69%

LAB 63.66, 45.95, 9.69

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

CMYK 1 / 0 / 79 / 13

HEX #DBDE2F

RGB 219 222 47

HSL 61.03, 0.73%, 0.53%

LAB 85.76, -19.83, 77.53

 

CMYK 79 / 33 / 0 / 13

HEX #2F95DE

RGB 47 149 222

HSL 205.03, 0.73%, 0.53%

LAB 59.32, -3.84, -45.24

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

CMYK 64 / 0 / 79 / 13

HEX #4FDE2F

RGB 79 222 47

HSL 109.03, 0.73%, 0.53%

LAB 78.53, -67.54, 68.27

 

CMYK 79 / 64 / 0 / 13

HEX #2F4FDE

RGB 47 79 222

HSL 229.03, 0.73%, 0.53%

LAB 40.36, 39.62, -75.78

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

CMYK 1 / 0 / 79 / 13

HEX #DBDE2F

RGB 219 222 47

HSL 61.03, 0.73%, 0.53%

LAB 85.76, -19.83, 77.53

 

CMYK 79 / 0 / 14 / 13

HEX #2FDEBE

RGB 47 222 190

HSL 169.03, 0.73%, 0.53%

LAB 79.93, -49.79, 3.55

 

CMYK 77 / 79 / 0 / 13

HEX #322FDE

RGB 50 47 222

HSL 241.03, 0.73%, 0.53%

LAB 33.95, 57.96, -86.35

 

CMYK 0 / 79 / 65 / 13

HEX #DF2E4D

RGB 223 46 77

HSL 349.49, 0.73%, 0.53%

LAB 49.71, 67.29, 26.81

 

CMYK 25 / 0 / 79 / 13

HEX #A7DE2F

RGB 167 222 47

HSL 78.86, 0.73%, 0.53%

LAB 82.2, -40.71, 73.01

 

CMYK 79 / 0 / 14 / 13

HEX #2FDEBE

RGB 47 222 190

HSL 169.03, 0.73%, 0.53%

LAB 79.93, -49.79, 3.55

 

CMYK 54 / 79 / 0 / 13

HEX #672FDE

RGB 103 47 222

HSL 259.2, 0.73%, 0.53%

LAB 38.18, 62.83, -79.22

 

Description

Color code: HEX #DF2E4D | qconv.com Color code: HEX #DF2E4D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 46 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 46 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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