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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2D80 it is the complementary color #20D27F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2D80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2D80 shade: #E42D7B, #F53F8E, #FF51A1, #FF63B4 and #FF75C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2D80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2D80 shade: #DF2D80, #CE1B6D, #BD095A, #AC0047 and #9B0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2D80 shade: #E02E81, #E02E51 and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2D80 shade: #E02E81, #E02EB1, #DF2EE0, #AF2EE0 and #7F2EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2D80 shade matches the following richer shades: #E02E81 and #F31B80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2D80 shade: #E02E81, #CC4282, #B95584, #A66985 and #927C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2D80 shade: #E02EE0, #E02EB1, #E02E81, #E02E52 and #E03A2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2D80 shade: #A31859, #C71E6D, #E02E81, #E55297 and #EB76AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2D80 shade: #DF2D80, #E0B12E and #2EC8E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2D80 shade: #DF2D80, #81E02E and #2E81E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2D80 shade: #DF2D80, #E0B12E, #2EE08D and #2E5EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2D80 shade: #DF2D80, #DAE02E, #2EE08D and #342EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

Complementary color

CMYK 85 / 0 / 40 / 18

HEX #20D27F

RGB 32 210 127

HSL 152.02, 0.74%, 0.47%

LAB 74.78, -60.71, 29.52

 

CMYK 0 / 80 / 46 / 11

HEX #E42D7B

RGB 228 45 123

HSL 334.43, 0.77%, 0.54%

LAB 51.61, 72.03, 1.69

 

CMYK 0 / 74 / 42 / 4

HEX #F53F8E

RGB 245 63 142

HSL 333.96, 0.9%, 0.6%

LAB 57, 73.07, -1.42

 

CMYK 0 / 68 / 37 / 0

HEX #FF51A1

RGB 255 81 161

HSL 332.41, 1%, 0.66%

LAB 61.41, 71.61, -5.83

 

CMYK 0 / 61 / 29 / 0

HEX #FF63B4

RGB 255 99 180

HSL 328.85, 1%, 0.69%

LAB 64.55, 66.78, -12.06

 

CMYK 0 / 54 / 22 / 0

HEX #FF75C7

RGB 255 117 199

HSL 324.35, 1%, 0.73%

LAB 68.1, 61.38, -17.44

 

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

CMYK 0 / 87 / 47 / 19

HEX #CE1B6D

RGB 206 27 109

HSL 332.51, 0.77%, 0.46%

LAB 45.65, 69.35, 1.06

 

CMYK 0 / 95 / 52 / 26

HEX #BD095A

RGB 189 9 90

HSL 333, 0.91%, 0.39%

LAB 40.82, 66.35, 5.58

 

CMYK 0 / 100 / 59 / 33

HEX #AC0047

RGB 172 0 71

HSL 335.23, 1%, 0.34%

LAB 36.42, 62, 11.08

 

CMYK 0 / 100 / 66 / 39

HEX #9B0034

RGB 155 0 52

HSL 339.87, 1%, 0.3%

LAB 32.29, 56.75, 17.36

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 79 / 64 / 12

HEX #E02E51

RGB 224 46 81

HSL 348.2, 0.74%, 0.53%

LAB 49.97, 67.78, 24.77

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 79 / 21 / 12

HEX #E02EB1

RGB 224 46 177

HSL 315.84, 0.74%, 0.53%

LAB 52.92, 76.53, -28.53

 

CMYK 0 / 79 / 0 / 12

HEX #DF2EE0

RGB 223 46 224

HSL 299.66, 0.74%, 0.53%

LAB 55.1, 82.85, -52.14

 

CMYK 22 / 79 / 0 / 12

HEX #AF2EE0

RGB 175 46 224

HSL 283.48, 0.74%, 0.53%

LAB 47.56, 74.27, -64.66

 

CMYK 43 / 79 / 0 / 12

HEX #7F2EE0

RGB 127 46 224

HSL 267.3, 0.74%, 0.53%

LAB 40.97, 66.83, -75.68

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 89 / 47 / 5

HEX #F31B80

RGB 243 27 128

HSL 331.94, 0.9%, 0.53%

LAB 53.38, 79.5, 1.6

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 68 / 36 / 20

HEX #CC4282

RGB 204 66 130

HSL 332.17, 0.58%, 0.53%

LAB 49.91, 59.62, -5.53

 

CMYK 0 / 54 / 29 / 27

HEX #B95584

RGB 185 85 132

HSL 331.8, 0.42%, 0.53%

LAB 50.07, 45.6, -6.82

 

CMYK 0 / 37 / 20 / 35

HEX #A66985

RGB 166 105 133

HSL 332.46, 0.26%, 0.53%

LAB 51.73, 28.48, -5.23

 

CMYK 0 / 15 / 8 / 43

HEX #927C86

RGB 146 124 134

HSL 332.73, 0.09%, 0.53%

LAB 54.29, 10.25, -2.28

 

CMYK 0 / 79 / 0 / 12

HEX #E02EE0

RGB 224 46 224

HSL 300, 0.74%, 0.53%

LAB 55.26, 83.04, -51.87

 

CMYK 0 / 79 / 21 / 12

HEX #E02EB1

RGB 224 46 177

HSL 315.84, 0.74%, 0.53%

LAB 52.92, 76.53, -28.53

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 79 / 63 / 12

HEX #E02E52

RGB 224 46 82

HSL 347.87, 0.74%, 0.53%

LAB 49.99, 67.83, 24.19

 

CMYK 0 / 74 / 79 / 12

HEX #E03A2E

RGB 224 58 46

HSL 4.04, 0.74%, 0.53%

LAB 50.77, 62.72, 45.77

 

CMYK 0 / 85 / 45 / 36

HEX #A31859

RGB 163 24 89

HSL 331.94, 0.74%, 0.37%

LAB 36.29, 57.6, -1

 

CMYK 0 / 85 / 45 / 22

HEX #C71E6D

RGB 199 30 109

HSL 331.95, 0.74%, 0.45%

LAB 44.48, 67.08, -0.8

 

CMYK 0 / 79 / 42 / 12

HEX #E02E81

RGB 224 46 129

HSL 332.02, 0.74%, 0.53%

LAB 51.14, 71.31, -2.72

 

CMYK 0 / 64 / 34 / 10

HEX #E55297

RGB 229 82 151

HSL 331.84, 0.74%, 0.61%

LAB 57, 62.86, -7.01

 

CMYK 0 / 50 / 27 / 8

HEX #EB76AC

RGB 235 118 172

HSL 332.31, 0.75%, 0.69%

LAB 64.64, 51.09, -7.67

 

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

CMYK 0 / 21 / 79 / 12

HEX #E0B12E

RGB 224 177 46

HSL 44.16, 0.74%, 0.53%

LAB 74.5, 5.17, 68.03

 

CMYK 79 / 11 / 0 / 12

HEX #2EC8E0

RGB 46 200 224

HSL 188.09, 0.74%, 0.53%

LAB 74.36, -30.31, -22.99

 

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

CMYK 42 / 0 / 79 / 12

HEX #81E02E

RGB 129 224 46

HSL 92.02, 0.74%, 0.53%

LAB 80.84, -54.96, 71.32

 

CMYK 79 / 42 / 0 / 12

HEX #2E81E0

RGB 46 129 224

HSL 212.02, 0.74%, 0.53%

LAB 53.67, 8.7, -55.34

 

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

CMYK 0 / 21 / 79 / 12

HEX #E0B12E

RGB 224 177 46

HSL 44.16, 0.74%, 0.53%

LAB 74.5, 5.17, 68.03

 

CMYK 79 / 0 / 37 / 12

HEX #2EE08D

RGB 46 224 141

HSL 152.02, 0.74%, 0.53%

LAB 79.51, -61.71, 28.65

 

CMYK 79 / 58 / 0 / 12

HEX #2E5EE0

RGB 46 94 224

HSL 223.82, 0.74%, 0.53%

LAB 44.19, 30.78, -70.66

 

CMYK 0 / 80 / 43 / 13

HEX #DF2D80

RGB 223 45 128

HSL 332.02, 0.74%, 0.53%

LAB 50.83, 71.22, -2.58

 

CMYK 3 / 0 / 79 / 12

HEX #DAE02E

RGB 218 224 46

HSL 62.02, 0.74%, 0.53%

LAB 86.21, -21.25, 78.17

 

CMYK 79 / 0 / 37 / 12

HEX #2EE08D

RGB 46 224 141

HSL 152.02, 0.74%, 0.53%

LAB 79.51, -61.71, 28.65

 

CMYK 77 / 79 / 0 / 12

HEX #342EE0

RGB 52 46 224

HSL 242.02, 0.74%, 0.53%

LAB 34.12, 59.17, -87.22

 

Description

Color code: HEX #DF2D80 | qconv.com Color code: HEX #DF2D80 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 45 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 45 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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