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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2D77 it is the complementary color #20D288. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2D77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2D77 shade: #E42D72, #F53F85, #FF5198, #FF63AB and #FF75BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2D77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2D77 shade: #DF2D77, #CE1B64, #BD0951, #AC003E and #9B002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2D77 shade: #E02E78, #E02E48 and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2D77 shade: #E02E78, #E02EA8, #E02ED8, #B82EE0 and #882EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2D77 shade matches the following richer shades: #E02E78 and #F31B75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2D77 shade: #E02E78, #CC427B, #B9557F, #A66982 and #927C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2D77 shade: #E02ED7, #E02EA8, #E02E78, #E02E49 and #E0432E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2D77 shade: #A31852, #C71E64, #E02E78, #E5528F and #EB76A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2D77 shade: #DF2D77, #E0B92E and #2EBFE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2D77 shade: #DF2D77, #78E02E and #2E78E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2D77 shade: #DF2D77, #E0B92E, #2EE096 and #2E55E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2D77 shade: #DF2D77, #D1E02E, #2EE096 and #3D2EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

Complementary color

CMYK 85 / 0 / 35 / 18

HEX #20D288

RGB 32 210 136

HSL 155.06, 0.74%, 0.47%

LAB 74.94, -58.94, 25.06

 

CMYK 0 / 80 / 50 / 11

HEX #E42D72

RGB 228 45 114

HSL 337.38, 0.77%, 0.54%

LAB 51.37, 71.3, 6.78

 

CMYK 0 / 74 / 46 / 4

HEX #F53F85

RGB 245 63 133

HSL 336.92, 0.9%, 0.6%

LAB 56.74, 72.26, 3.53

 

CMYK 0 / 68 / 40 / 0

HEX #FF5198

RGB 255 81 152

HSL 335.52, 1%, 0.66%

LAB 61.14, 70.71, -1

 

CMYK 0 / 61 / 33 / 0

HEX #FF63AB

RGB 255 99 171

HSL 332.31, 1%, 0.69%

LAB 64.26, 65.73, -7.35

 

CMYK 0 / 54 / 25 / 0

HEX #FF75BE

RGB 255 117 190

HSL 328.26, 1%, 0.73%

LAB 67.8, 60.19, -12.84

 

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

CMYK 0 / 87 / 51 / 19

HEX #CE1B64

RGB 206 27 100

HSL 335.53, 0.77%, 0.46%

LAB 45.39, 68.64, 6.28

 

CMYK 0 / 95 / 57 / 26

HEX #BD0951

RGB 189 9 81

HSL 336, 0.91%, 0.39%

LAB 40.59, 65.71, 10.98

 

CMYK 0 / 100 / 64 / 33

HEX #AC003E

RGB 172 0 62

HSL 338.37, 1%, 0.34%

LAB 36.21, 61.46, 16.65

 

CMYK 0 / 100 / 72 / 39

HEX #9B002B

RGB 155 0 43

HSL 343.35, 1%, 0.3%

LAB 32.13, 56.31, 23.06

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 79 / 68 / 12

HEX #E02E48

RGB 224 46 72

HSL 351.24, 0.74%, 0.53%

LAB 49.82, 67.31, 29.98

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 79 / 25 / 12

HEX #E02EA8

RGB 224 46 168

HSL 318.88, 0.74%, 0.53%

LAB 52.54, 75.43, -23.84

 

CMYK 0 / 79 / 4 / 12

HEX #E02ED8

RGB 224 46 216

HSL 302.7, 0.74%, 0.53%

LAB 54.82, 81.84, -48.03

 

CMYK 18 / 79 / 0 / 12

HEX #B82EE0

RGB 184 46 224

HSL 286.52, 0.74%, 0.53%

LAB 48.92, 75.81, -62.4

 

CMYK 39 / 79 / 0 / 12

HEX #882EE0

RGB 136 46 224

HSL 270.34, 0.74%, 0.53%

LAB 42.11, 68.11, -73.77

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 89 / 52 / 5

HEX #F31B75

RGB 243 27 117

HSL 335, 0.9%, 0.53%

LAB 53.08, 78.68, 7.8

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 68 / 40 / 20

HEX #CC427B

RGB 204 66 123

HSL 335.22, 0.58%, 0.53%

LAB 49.69, 58.87, -1.63

 

CMYK 0 / 54 / 31 / 27

HEX #B9557F

RGB 185 85 127

HSL 334.8, 0.42%, 0.53%

LAB 49.91, 44.94, -4.06

 

CMYK 0 / 37 / 22 / 35

HEX #A66982

RGB 166 105 130

HSL 335.41, 0.26%, 0.53%

LAB 51.64, 28, -3.59

 

CMYK 0 / 15 / 9 / 43

HEX #927C85

RGB 146 124 133

HSL 335.45, 0.09%, 0.53%

LAB 54.26, 10.06, -1.74

 

CMYK 0 / 79 / 4 / 12

HEX #E02ED7

RGB 224 46 215

HSL 303.03, 0.74%, 0.53%

LAB 54.77, 81.7, -47.55

 

CMYK 0 / 79 / 25 / 12

HEX #E02EA8

RGB 224 46 168

HSL 318.88, 0.74%, 0.53%

LAB 52.54, 75.43, -23.84

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 79 / 67 / 12

HEX #E02E49

RGB 224 46 73

HSL 350.9, 0.74%, 0.53%

LAB 49.84, 67.36, 29.41

 

CMYK 0 / 70 / 79 / 12

HEX #E0432E

RGB 224 67 46

HSL 7.08, 0.74%, 0.53%

LAB 51.9, 59.59, 46.89

 

CMYK 0 / 85 / 50 / 36

HEX #A31852

RGB 163 24 82

HSL 334.96, 0.74%, 0.37%

LAB 36.08, 56.98, 3.2

 

CMYK 0 / 85 / 50 / 22

HEX #C71E64

RGB 199 30 100

HSL 335.15, 0.74%, 0.45%

LAB 44.22, 66.32, 4.42

 

CMYK 0 / 79 / 46 / 12

HEX #E02E78

RGB 224 46 120

HSL 335.06, 0.74%, 0.53%

LAB 50.87, 70.51, 2.34

 

CMYK 0 / 64 / 38 / 10

HEX #E5528F

RGB 229 82 143

HSL 335.1, 0.74%, 0.61%

LAB 56.76, 61.98, -2.68

 

CMYK 0 / 50 / 29 / 8

HEX #EB76A7

RGB 235 118 167

HSL 334.87, 0.75%, 0.69%

LAB 64.49, 50.44, -5.05

 

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

CMYK 0 / 17 / 79 / 12

HEX #E0B92E

RGB 224 185 46

HSL 46.85, 0.74%, 0.53%

LAB 76.52, 0.97, 69.84

 

CMYK 79 / 15 / 0 / 12

HEX #2EBFE0

RGB 46 191 224

HSL 191.12, 0.74%, 0.53%

LAB 71.71, -25.87, -27.05

 

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

CMYK 46 / 0 / 79 / 12

HEX #78E02E

RGB 120 224 46

HSL 95.06, 0.74%, 0.53%

LAB 80.46, -57.76, 70.84

 

CMYK 79 / 46 / 0 / 12

HEX #2E78E0

RGB 46 120 224

HSL 215.06, 0.74%, 0.53%

LAB 51.15, 14.27, -59.39

 

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

CMYK 0 / 17 / 79 / 12

HEX #E0B92E

RGB 224 185 46

HSL 46.85, 0.74%, 0.53%

LAB 76.52, 0.97, 69.84

 

CMYK 79 / 0 / 33 / 12

HEX #2EE096

RGB 46 224 150

HSL 155.06, 0.74%, 0.53%

LAB 79.67, -59.92, 24.22

 

CMYK 79 / 62 / 0 / 12

HEX #2E55E0

RGB 46 85 224

HSL 226.85, 0.74%, 0.53%

LAB 41.94, 36.49, -74.34

 

CMYK 0 / 80 / 47 / 13

HEX #DF2D77

RGB 223 45 119

HSL 335.06, 0.74%, 0.53%

LAB 50.57, 70.43, 2.48

 

CMYK 7 / 0 / 79 / 12

HEX #D1E02E

RGB 209 224 46

HSL 65.06, 0.74%, 0.53%

LAB 85.54, -24.97, 77.31

 

CMYK 79 / 0 / 33 / 12

HEX #2EE096

RGB 46 224 150

HSL 155.06, 0.74%, 0.53%

LAB 79.67, -59.92, 24.22

 

CMYK 73 / 79 / 0 / 12

HEX #3D2EE0

RGB 61 46 224

HSL 245.06, 0.74%, 0.53%

LAB 34.66, 59.76, -86.31

 

Description

Color code: HEX #DF2D77 | qconv.com Color code: HEX #DF2D77 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 45 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 45 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 47% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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