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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2B3C it is the complementary color #20D4C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2B3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2B3C shade: #E42B37, #F53D4A, #FF4F5D, #FF6170 and #FF7383

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2B3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2B3C shade: #DF2B3C, #CE1929, #BD0716, #AC0003 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2B3C shade: #DF2A3B and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2B3C shade: #DF2A3B, #DF2A6C, #DF2A9D, #DF2ACE and #C02ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2B3C shade matches the following richer shades: #DF2A3B and #F3162B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2B3C shade: #DF2A3B, #CB3E4B, #B8525B, #A4656B and #90797B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2B3C shade: #DF2A9D, #DF2A6C, #DF2A3C, #DF482A and #DF792A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2B3C shade: #9F1825, #C31D2D, #DF2A3B, #E54E5C and #EA727D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2B3C shade: #DF2B3C, #CDDF2A and #2A85DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2B3C shade: #DF2B3C, #3CDF2A and #2A3CDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2B3C shade: #DF2B3C, #CDDF2A, #2ADFCD and #3C2ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2B3C shade: #DF2B3C, #97DF2A, #2ADFCD and #722ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

Complementary color

CMYK 85 / 0 / 8 / 17

HEX #20D4C3

RGB 32 212 195

HSL 174.33, 0.74%, 0.48%

LAB 76.88, -45.45, -3.6

 

CMYK 0 / 81 / 76 / 11

HEX #E42B37

RGB 228 43 55

HSL 356.11, 0.77%, 0.53%

LAB 50.09, 68.47, 40.4

 

CMYK 0 / 75 / 70 / 4

HEX #F53D4A

RGB 245 61 74

HSL 355.76, 0.9%, 0.6%

LAB 55.32, 69.01, 36.41

 

CMYK 0 / 69 / 64 / 0

HEX #FF4F5D

RGB 255 79 93

HSL 355.23, 1%, 0.65%

LAB 59.56, 66.89, 31.13

 

CMYK 0 / 62 / 56 / 0

HEX #FF6170

RGB 255 97 112

HSL 354.3, 1%, 0.69%

LAB 62.49, 61.06, 24.05

 

CMYK 0 / 55 / 49 / 0

HEX #FF7383

RGB 255 115 131

HSL 353.14, 1%, 0.73%

LAB 65.87, 54.64, 17.81

 

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

CMYK 0 / 88 / 80 / 19

HEX #CE1929

RGB 206 25 41

HSL 354.7, 0.78%, 0.45%

LAB 44.2, 65.93, 40.72

 

CMYK 0 / 96 / 88 / 26

HEX #BD0716

RGB 189 7 22

HSL 355.05, 0.93%, 0.38%

LAB 39.63, 63.48, 45.25

 

CMYK 0 / 100 / 98 / 33

HEX #AC0003

RGB 172 0 3

HSL 358.95, 1%, 0.34%

LAB 35.55, 59.67, 48.67

 

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A3B

RGB 223 42 59

HSL 354.36, 0.74%, 0.52%

LAB 49.08, 67.49, 36.71

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A3B

RGB 223 42 59

HSL 354.36, 0.74%, 0.52%

LAB 49.08, 67.49, 36.71

 

CMYK 0 / 81 / 52 / 13

HEX #DF2A6C

RGB 223 42 108

HSL 338.12, 0.74%, 0.52%

LAB 50.01, 70.29, 8.37

 

CMYK 0 / 81 / 30 / 13

HEX #DF2A9D

RGB 223 42 157

HSL 321.88, 0.74%, 0.52%

LAB 51.59, 74.9, -18.82

 

CMYK 0 / 81 / 8 / 13

HEX #DF2ACE

RGB 223 42 206

HSL 305.64, 0.74%, 0.52%

LAB 53.81, 81.12, -43.93

 

CMYK 14 / 81 / 0 / 13

HEX #C02ADF

RGB 192 42 223

HSL 289.72, 0.74%, 0.52%

LAB 49.73, 78.08, -60.46

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A3B

RGB 223 42 59

HSL 354.36, 0.74%, 0.52%

LAB 49.08, 67.49, 36.71

 

CMYK 0 / 91 / 82 / 5

HEX #F3162B

RGB 243 22 43

HSL 354.3, 0.9%, 0.52%

LAB 51.61, 75.88, 49.42

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A3B

RGB 223 42 59

HSL 354.36, 0.74%, 0.52%

LAB 49.08, 67.49, 36.71

 

CMYK 0 / 69 / 63 / 20

HEX #CB3E4B

RGB 203 62 75

HSL 354.47, 0.58%, 0.52%

LAB 47.82, 56.12, 24.84

 

CMYK 0 / 55 / 51 / 28

HEX #B8525B

RGB 184 82 91

HSL 354.71, 0.42%, 0.52%

LAB 48.24, 42.08, 15.2

 

CMYK 0 / 38 / 35 / 36

HEX #A4656B

RGB 164 101 107

HSL 354.29, 0.26%, 0.52%

LAB 49.81, 26.17, 7.4

 

CMYK 0 / 16 / 15 / 44

HEX #90797B

RGB 144 121 123

HSL 354.78, 0.09%, 0.52%

LAB 52.99, 9.24, 2.22

 

CMYK 0 / 81 / 30 / 13

HEX #DF2A9D

RGB 223 42 157

HSL 321.88, 0.74%, 0.52%

LAB 51.59, 74.9, -18.82

 

CMYK 0 / 81 / 52 / 13

HEX #DF2A6C

RGB 223 42 108

HSL 338.12, 0.74%, 0.52%

LAB 50.01, 70.29, 8.37

 

CMYK 0 / 81 / 73 / 13

HEX #DF2A3C

RGB 223 42 60

HSL 354.03, 0.74%, 0.52%

LAB 49.09, 67.53, 36.14

 

CMYK 0 / 68 / 81 / 13

HEX #DF482A

RGB 223 72 42

HSL 9.94, 0.74%, 0.52%

LAB 52.39, 57.24, 49.29

 

CMYK 0 / 46 / 81 / 13

HEX #DF792A

RGB 223 121 42

HSL 26.19, 0.74%, 0.52%

LAB 61.25, 34.37, 57.48

 

CMYK 0 / 85 / 77 / 38

HEX #9F1825

RGB 159 24 37

HSL 354.22, 0.74%, 0.36%

LAB 34.31, 53.1, 29.62

 

CMYK 0 / 85 / 77 / 24

HEX #C31D2D

RGB 195 29 45

HSL 354.22, 0.74%, 0.44%

LAB 42.26, 62.33, 35.71

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A3B

RGB 223 42 59

HSL 354.36, 0.74%, 0.52%

LAB 49.08, 67.49, 36.71

 

CMYK 0 / 66 / 60 / 10

HEX #E54E5C

RGB 229 78 92

HSL 354.44, 0.74%, 0.6%

LAB 54.95, 59.17, 24.88

 

CMYK 0 / 51 / 47 / 8

HEX #EA727D

RGB 234 114 125

HSL 354.5, 0.74%, 0.68%

LAB 62.51, 47.34, 16.11

 

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

CMYK 8 / 0 / 81 / 13

HEX #CDDF2A

RGB 205 223 42

HSL 65.97, 0.74%, 0.52%

LAB 84.96, -26.26, 77.71

 

CMYK 81 / 40 / 0 / 13

HEX #2A85DF

RGB 42 133 223

HSL 209.83, 0.74%, 0.52%

LAB 54.65, 5.5, -53.21

 

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

CMYK 73 / 0 / 81 / 13

HEX #3CDF2A

RGB 60 223 42

HSL 114.03, 0.74%, 0.52%

LAB 78.41, -71.6, 69.38

 

CMYK 81 / 73 / 0 / 13

HEX #2A3CDF

RGB 42 60 223

HSL 234.03, 0.74%, 0.52%

LAB 36.08, 50.94, -83.41

 

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

CMYK 8 / 0 / 81 / 13

HEX #CDDF2A

RGB 205 223 42

HSL 65.97, 0.74%, 0.52%

LAB 84.96, -26.26, 77.71

 

CMYK 81 / 0 / 8 / 13

HEX #2ADFCD

RGB 42 223 205

HSL 174.03, 0.74%, 0.52%

LAB 80.56, -46.69, -3.52

 

CMYK 73 / 81 / 0 / 13

HEX #3C2ADF

RGB 60 42 223

HSL 245.97, 0.74%, 0.52%

LAB 33.87, 61.2, -87.05

 

CMYK 0 / 81 / 73 / 13

HEX #DF2B3C

RGB 223 43 60

HSL 354.33, 0.74%, 0.52%

LAB 49.18, 67.28, 36.24

 

CMYK 32 / 0 / 81 / 13

HEX #97DF2A

RGB 151 223 42

HSL 83.87, 0.74%, 0.52%

LAB 81.58, -47.25, 73.44

 

CMYK 81 / 0 / 8 / 13

HEX #2ADFCD

RGB 42 223 205

HSL 174.03, 0.74%, 0.52%

LAB 80.56, -46.69, -3.52

 

CMYK 49 / 81 / 0 / 13

HEX #722ADF

RGB 114 42 223

HSL 263.87, 0.74%, 0.52%

LAB 38.83, 66.35, -78.68

 

Description

Color code: HEX #DF2B3C | qconv.com Color code: HEX #DF2B3C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 43 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 43 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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