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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2AAF it is the complementary color #20D550. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2AAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2AAF shade: #E42AAA, #F53CBD, #FF4ED0, #FF60E3 and #FF72F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2AAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2AAF shade: #DF2AAF, #CE189C, #BD0689, #AC0076 and #9B0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2AAF shade: #DF2AAF, #DF2A7E, #DF2A4D and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2AAF shade: #DF2AAF, #DE2ADF, #AE2ADF, #7D2ADF and #4C2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2AAF shade matches the following richer shades: #DF2AAF and #F316B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2AAF shade: #DF2AAF, #CB3EA6, #B8529D, #A46593 and #90798A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2AAF shade: #AC2ADF, #DC2ADF, #DF2AB2, #DF2A82 and #DF2A51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2AAF shade: #9F187B, #C31D97, #DF2AAF, #E54EBD and #EA72CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2AAF shade: #DF2AAF, #DF7C2A and #2ADFC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2AAF shade: #DF2AAF, #B2DF2A and #2AB2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2AAF shade: #DF2AAF, #DF7C2A, #2ADF57 and #2A8EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2AAF shade: #DF2AAF, #DFB22A, #2ADF57 and #2A57DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

Complementary color

CMYK 85 / 0 / 62 / 16

HEX #20D550

RGB 32 213 80

HSL 135.91, 0.74%, 0.48%

LAB 75.12, -68.87, 52.49

 

CMYK 0 / 82 / 25 / 11

HEX #E42AAA

RGB 228 42 170

HSL 318.71, 0.78%, 0.53%

LAB 53.01, 77.5, -24.24

 

CMYK 0 / 76 / 23 / 4

HEX #F53CBD

RGB 245 60 189

HSL 318.16, 0.9%, 0.6%

LAB 58.34, 79.01, -26.82

 

CMYK 0 / 69 / 18 / 0

HEX #FF4ED0

RGB 255 78 208

HSL 315.93, 1%, 0.65%

LAB 62.73, 78.19, -30.73

 

CMYK 0 / 62 / 11 / 0

HEX #FF60E3

RGB 255 96 227

HSL 310.57, 1%, 0.69%

LAB 65.88, 74.27, -36.5

 

CMYK 0 / 55 / 4 / 0

HEX #FF72F6

RGB 255 114 246

HSL 303.83, 1%, 0.72%

LAB 69.43, 69.75, -41.46

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 88 / 24 / 19

HEX #CE189C

RGB 206 24 156

HSL 316.48, 0.79%, 0.45%

LAB 47.2, 74.61, -25.23

 

CMYK 0 / 97 / 28 / 26

HEX #BD0689

RGB 189 6 137

HSL 317.05, 0.94%, 0.38%

LAB 42.39, 71.07, -21.43

 

CMYK 0 / 100 / 31 / 33

HEX #AC0076

RGB 172 0 118

HSL 318.84, 1%, 0.34%

LAB 37.98, 66.11, -16.72

 

CMYK 0 / 100 / 36 / 39

HEX #9B0063

RGB 155 0 99

HSL 321.68, 1%, 0.3%

LAB 33.71, 60.48, -11.48

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 81 / 43 / 13

HEX #DF2A7E

RGB 223 42 126

HSL 332.15, 0.74%, 0.52%

LAB 50.51, 71.78, -1.84

 

CMYK 0 / 81 / 65 / 13

HEX #DF2A4D

RGB 223 42 77

HSL 348.4, 0.74%, 0.52%

LAB 49.35, 68.31, 26.35

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 81 / 0 / 13

HEX #DE2ADF

RGB 222 42 223

HSL 299.67, 0.74%, 0.52%

LAB 54.57, 83.41, -52.43

 

CMYK 22 / 81 / 0 / 13

HEX #AE2ADF

RGB 174 42 223

HSL 283.76, 0.74%, 0.52%

LAB 46.95, 75.05, -65.08

 

CMYK 44 / 81 / 0 / 13

HEX #7D2ADF

RGB 125 42 223

HSL 267.51, 0.74%, 0.52%

LAB 40.15, 67.74, -76.46

 

CMYK 66 / 81 / 0 / 13

HEX #4C2ADF

RGB 76 42 223

HSL 251.27, 0.74%, 0.52%

LAB 35.04, 62.4, -85.06

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 91 / 24 / 5

HEX #F316B8

RGB 243 22 184

HSL 316.02, 0.9%, 0.52%

LAB 55.16, 85.54, -28.87

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 69 / 18 / 20

HEX #CB3EA6

RGB 203 62 166

HSL 315.74, 0.58%, 0.52%

LAB 50.56, 65.34, -26.01

 

CMYK 0 / 55 / 15 / 28

HEX #B8529D

RGB 184 82 157

HSL 315.88, 0.42%, 0.52%

LAB 50.29, 50.39, -21.37

 

CMYK 0 / 38 / 10 / 36

HEX #A46593

RGB 164 101 147

HSL 316.19, 0.26%, 0.52%

LAB 51.04, 32.36, -14.55

 

CMYK 0 / 16 / 4 / 44

HEX #90798A

RGB 144 121 138

HSL 315.65, 0.09%, 0.52%

LAB 53.43, 11.99, -5.91

 

CMYK 23 / 81 / 0 / 13

HEX #AC2ADF

RGB 172 42 223

HSL 283.09, 0.74%, 0.52%

LAB 46.65, 74.72, -65.59

 

CMYK 1 / 81 / 0 / 13

HEX #DC2ADF

RGB 220 42 223

HSL 299.01, 0.74%, 0.52%

LAB 54.24, 83.05, -52.98

 

CMYK 0 / 81 / 20 / 13

HEX #DF2AB2

RGB 223 42 178

HSL 314.92, 0.74%, 0.52%

LAB 52.46, 77.38, -29.84

 

CMYK 0 / 81 / 42 / 13

HEX #DF2A82

RGB 223 42 130

HSL 330.83, 0.74%, 0.52%

LAB 50.64, 72.14, -4.08

 

CMYK 0 / 81 / 64 / 13

HEX #DF2A51

RGB 223 42 81

HSL 347.07, 0.74%, 0.52%

LAB 49.42, 68.53, 24.02

 

CMYK 0 / 85 / 23 / 38

HEX #9F187B

RGB 159 24 123

HSL 316, 0.74%, 0.36%

LAB 36.84, 60.41, -21.82

 

CMYK 0 / 85 / 23 / 24

HEX #C31D97

RGB 195 29 151

HSL 315.9, 0.74%, 0.44%

LAB 45.24, 70.81, -25.44

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 66 / 17 / 10

HEX #E54EBD

RGB 229 78 189

HSL 315.89, 0.74%, 0.6%

LAB 57.83, 69.21, -27.82

 

CMYK 0 / 51 / 14 / 8

HEX #EA72CA

RGB 234 114 202

HSL 316, 0.74%, 0.68%

LAB 64.8, 57, -24.42

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 44 / 81 / 13

HEX #DF7C2A

RGB 223 124 42

HSL 27.18, 0.74%, 0.52%

LAB 61.89, 32.81, 58.06

 

CMYK 81 / 0 / 12 / 13

HEX #2ADFC4

RGB 42 223 196

HSL 171.05, 0.74%, 0.52%

LAB 80.32, -49.09, 0.92

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 20 / 0 / 81 / 13

HEX #B2DF2A

RGB 178 223 42

HSL 74.92, 0.74%, 0.52%

LAB 83.13, -37.11, 75.41

 

CMYK 81 / 20 / 0 / 13

HEX #2AB2DF

RGB 42 178 223

HSL 194.92, 0.74%, 0.52%

LAB 67.77, -19.91, -32.58

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 44 / 81 / 13

HEX #DF7C2A

RGB 223 124 42

HSL 27.18, 0.74%, 0.52%

LAB 61.89, 32.81, 58.06

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF57

RGB 42 223 87

HSL 134.92, 0.74%, 0.52%

LAB 78.44, -70.2, 53.26

 

CMYK 81 / 36 / 0 / 13

HEX #2A8EDF

RGB 42 142 223

HSL 206.85, 0.74%, 0.52%

LAB 57.24, 0.12, -49.1

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAF

RGB 223 42 175

HSL 315.91, 0.74%, 0.52%

LAB 52.33, 77.01, -28.29

 

CMYK 0 / 20 / 81 / 13

HEX #DFB22A

RGB 223 178 42

HSL 45.08, 0.74%, 0.52%

LAB 74.63, 4.08, 69.36

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF57

RGB 42 223 87

HSL 134.92, 0.74%, 0.52%

LAB 78.44, -70.2, 53.26

 

CMYK 81 / 61 / 0 / 13

HEX #2A57DF

RGB 42 87 223

HSL 225.08, 0.74%, 0.52%

LAB 42.21, 34.53, -73.33

 

Description

Color code: HEX #DF2AAF | qconv.com Color code: HEX #DF2AAF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 42 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 42 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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