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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2812 it is the complementary color #20D7ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2812 shade: #E4280D, #F53A20, #FF4C33, #FF5E46 and #FF7059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2812 shade: #DF2812, #CE1600, #BD0400, #AC0000 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2812 shade: #DE2812 and #DE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2812 shade: #DE2812, #DE5F12, #DE9612, #DECD12 and #B8DE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2812 shade matches the following richer shades: #DE2812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2812 shade: #DE2812, #CA3725, #B74639, #A4564C and #906560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2812 shade: #DE126A, #DE1234, #DE2612, #DE5D12 and #DE9312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2812 shade: #911A0C, #B8210F, #DE2812, #EE402B and #F16251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2812 shade: #DF2812, #A1DE12 and #124FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2812 shade: #DF2812, #12DE26 and #2612DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2812 shade: #DF2812, #A1DE12, #12C9DE and #4F12DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2812 shade: #DF2812, #63DE12, #12C9DE and #8C12DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

Complementary color

CMYK 86 / 9 / 0 / 7

HEX #20D7ED

RGB 32 215 237

HSL 186.44, 0.85%, 0.53%

LAB 79.05, -34.45, -22.85

 

CMYK 0 / 82 / 94 / 11

HEX #E4280D

RGB 228 40 13

HSL 7.53, 0.89%, 0.47%

LAB 49.55, 68.28, 59.1

 

CMYK 0 / 76 / 87 / 4

HEX #F53A20

RGB 245 58 32

HSL 7.32, 0.91%, 0.54%

LAB 54.6, 68.6, 57.3

 

CMYK 0 / 70 / 80 / 0

HEX #FF4C33

RGB 255 76 51

HSL 7.35, 1%, 0.6%

LAB 58.67, 66.19, 52.89

 

CMYK 0 / 63 / 73 / 0

HEX #FF5E46

RGB 255 94 70

HSL 7.78, 1%, 0.64%

LAB 61.4, 59.93, 46.05

 

CMYK 0 / 56 / 65 / 0

HEX #FF7059

RGB 255 112 89

HSL 8.31, 1%, 0.67%

LAB 64.62, 52.98, 39.62

 

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

CMYK 0 / 89 / 100 / 19

HEX #CE1600

RGB 206 22 0

HSL 6.41, 1%, 0.4%

LAB 43.79, 65.76, 57.54

 

CMYK 0 / 98 / 100 / 26

HEX #BD0400

RGB 189 4 0

HSL 1.27, 1%, 0.37%

LAB 39.42, 63.53, 53.72

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

HEX #9B0000

CMYK 0 / 82 / 92 / 13

HEX #DE2812

RGB 222 40 18

HSL 6.47, 0.85%, 0.47%

LAB 48.37, 66.67, 56.21

 

CMYK 0 / 92 / 92 / 13

HEX #DE1212

RGB 222 18 18

HSL 0, 0.85%, 0.47%

LAB 46.98, 70.65, 55.32

 

CMYK 0 / 82 / 92 / 13

HEX #DE2812

RGB 222 40 18

HSL 6.47, 0.85%, 0.47%

LAB 48.37, 66.67, 56.21

 

CMYK 0 / 57 / 92 / 13

HEX #DE5F12

RGB 222 95 18

HSL 22.65, 0.85%, 0.47%

LAB 55.84, 46.39, 61.21

 

CMYK 0 / 32 / 92 / 13

HEX #DE9612

RGB 222 150 18

HSL 38.82, 0.85%, 0.47%

LAB 67.57, 18.02, 69.61

 

CMYK 0 / 8 / 92 / 13

HEX #DECD12

RGB 222 205 18

HSL 55, 0.85%, 0.47%

LAB 81.42, -10.81, 80.01

 

CMYK 17 / 0 / 92 / 13

HEX #B8DE12

RGB 184 222 18

HSL 71.18, 0.85%, 0.47%

LAB 83.17, -34.88, 80.12

 

CMYK 0 / 82 / 92 / 13

HEX #DE2812

RGB 222 40 18

HSL 6.47, 0.85%, 0.47%

LAB 48.37, 66.67, 56.21

 

CMYK 0 / 82 / 92 / 13

HEX #DE2812

RGB 222 40 18

HSL 6.47, 0.85%, 0.47%

LAB 48.37, 66.67, 56.21

 

CMYK 0 / 73 / 82 / 21

HEX #CA3725

RGB 202 55 37

HSL 6.55, 0.69%, 0.47%

LAB 46.21, 56.68, 44.56

 

CMYK 0 / 62 / 69 / 28

HEX #B74639

RGB 183 70 57

HSL 6.19, 0.53%, 0.47%

LAB 45.28, 44.97, 31.58

 

CMYK 0 / 48 / 54 / 36

HEX #A4564C

RGB 164 86 76

HSL 6.82, 0.37%, 0.47%

LAB 45.73, 31.03, 20.3

 

CMYK 0 / 30 / 33 / 44

HEX #906560

RGB 144 101 96

HSL 6.25, 0.2%, 0.47%

LAB 47.08, 16.64, 9.76

 

CMYK 0 / 92 / 52 / 13

HEX #DE126A

RGB 222 18 106

HSL 334.12, 0.85%, 0.47%

LAB 48.26, 74.22, 7.09

 

CMYK 0 / 92 / 77 / 13

HEX #DE1234

RGB 222 18 52

HSL 350, 0.85%, 0.47%

LAB 47.25, 71.4, 38.66

 

CMYK 0 / 83 / 92 / 13

HEX #DE2612

RGB 222 38 18

HSL 5.88, 0.85%, 0.47%

LAB 48.21, 67.14, 56.1

 

CMYK 0 / 58 / 92 / 13

HEX #DE5D12

RGB 222 93 18

HSL 22.06, 0.85%, 0.47%

LAB 55.48, 47.33, 60.96

 

CMYK 0 / 34 / 92 / 13

HEX #DE9312

RGB 222 147 18

HSL 37.94, 0.85%, 0.47%

LAB 66.86, 19.63, 69.09

 

CMYK 0 / 82 / 92 / 43

HEX #911A0C

RGB 145 26 12

HSL 6.32, 0.85%, 0.31%

LAB 31.31, 47.68, 39.43

 

CMYK 0 / 82 / 92 / 28

HEX #B8210F

RGB 184 33 15

HSL 6.39, 0.85%, 0.39%

LAB 40.1, 57.53, 48.15

 

CMYK 0 / 82 / 92 / 13

HEX #DE2812

RGB 222 40 18

HSL 6.47, 0.85%, 0.47%

LAB 48.37, 66.67, 56.21

 

CMYK 0 / 73 / 82 / 7

HEX #EE402B

RGB 238 64 43

HSL 6.46, 0.85%, 0.55%

LAB 54.05, 64.89, 51.33

 

CMYK 0 / 59 / 66 / 5

HEX #F16251

RGB 241 98 81

HSL 6.38, 0.85%, 0.63%

LAB 59.92, 54, 37.81

 

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

CMYK 27 / 0 / 92 / 13

HEX #A1DE12

RGB 161 222 18

HSL 77.94, 0.85%, 0.47%

LAB 81.76, -43.82, 78.41

 

CMYK 92 / 64 / 0 / 13

HEX #124FDE

RGB 18 79 222

HSL 222.06, 0.85%, 0.47%

LAB 39.57, 37.86, -77.11

 

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

CMYK 92 / 0 / 83 / 13

HEX #12DE26

RGB 18 222 38

HSL 125.88, 0.85%, 0.47%

LAB 77.59, -75.84, 69.46

 

CMYK 83 / 92 / 0 / 13

HEX #2612DE

RGB 38 18 222

HSL 245.88, 0.85%, 0.47%

LAB 29.71, 68.29, -93.42

 

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

CMYK 27 / 0 / 92 / 13

HEX #A1DE12

RGB 161 222 18

HSL 77.94, 0.85%, 0.47%

LAB 81.76, -43.82, 78.41

 

CMYK 92 / 9 / 0 / 13

HEX #12C9DE

RGB 18 201 222

HSL 186.18, 0.85%, 0.47%

LAB 74.3, -33.18, -22.03

 

CMYK 64 / 92 / 0 / 13

HEX #4F12DE

RGB 79 18 222

HSL 257.94, 0.85%, 0.47%

LAB 32.63, 70.01, -88.48

 

CMYK 0 / 82 / 92 / 13

HEX #DF2812

RGB 223 40 18

HSL 6.44, 0.85%, 0.47%

LAB 48.57, 66.95, 56.43

 

CMYK 55 / 0 / 92 / 13

HEX #63DE12

RGB 99 222 18

HSL 96.18, 0.85%, 0.47%

LAB 79.01, -63.95, 75.03

 

CMYK 92 / 9 / 0 / 13

HEX #12C9DE

RGB 18 201 222

HSL 186.18, 0.85%, 0.47%

LAB 74.3, -33.18, -22.03

 

CMYK 37 / 92 / 0 / 13

HEX #8C12DE

RGB 140 18 222

HSL 275.88, 0.85%, 0.47%

LAB 40.05, 75.38, -75.98

 

Description

Color code: HEX #DF2812 | qconv.com Color code: HEX #DF2812 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 40 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 40 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 92 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 92% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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