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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF271E it is the complementary color #20D8E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF271E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF271E shade: #E42719, #F5392C, #FF4B3F, #FF5D52 and #FF6F65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF271E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF271E shade: #DF271E, #CE150B, #BD0300, #AC0000 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF271E shade: #E0281F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF271E shade: #E0281F, #E05C1F, #E0901F, #E0C41F and #C8E01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF271E shade matches the following richer shades: #E0281F and #F5150A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF271E shade: #E0281F, #CC3A33, #B74D48, #A3605C and #8E7271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF271E shade: #E01F80, #E01F4C, #E0251F, #E0591F and #E08C1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF271E shade: #981B15, #BC211A, #E0281F, #E54A43 and #EA6D67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF271E shade: #DF271E, #B3E01F and #1F66E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF271E shade: #DF271E, #1FE025 and #251FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF271E shade: #DF271E, #B3E01F, #1FDAE0 and #4C1FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF271E shade: #DF271E, #79E01F, #1FDAE0 and #861FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

Complementary color

CMYK 86 / 4 / 0 / 12

HEX #20D8E1

RGB 32 216 225

HSL 182.8, 0.76%, 0.5%

LAB 78.96, -38.58, -16.59

 

CMYK 0 / 83 / 89 / 11

HEX #E42719

RGB 228 39 25

HSL 4.14, 0.8%, 0.5%

LAB 49.51, 68.66, 54.9

 

CMYK 0 / 77 / 82 / 4

HEX #F5392C

RGB 245 57 44

HSL 3.88, 0.91%, 0.57%

LAB 54.58, 69.16, 51.8

 

CMYK 0 / 71 / 75 / 0

HEX #FF4B3F

RGB 255 75 63

HSL 3.75, 1%, 0.62%

LAB 58.65, 66.93, 46.75

 

CMYK 0 / 64 / 68 / 0

HEX #FF5D52

RGB 255 93 82

HSL 3.82, 1%, 0.66%

LAB 61.39, 60.89, 39.57

 

CMYK 0 / 56 / 60 / 0

HEX #FF6F65

RGB 255 111 101

HSL 3.9, 1%, 0.7%

LAB 64.62, 54.17, 33.03

 

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

CMYK 0 / 90 / 95 / 19

HEX #CE150B

RGB 206 21 11

HSL 3.08, 0.9%, 0.43%

LAB 43.77, 66.02, 54.08

 

CMYK 0 / 98 / 100 / 26

HEX #BD0300

RGB 189 3 0

HSL 0.95, 1%, 0.37%

LAB 39.38, 63.64, 53.7

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

HEX #9B0000

CMYK 0 / 82 / 86 / 12

HEX #E0281F

RGB 224 40 31

HSL 2.8, 0.76%, 0.5%

LAB 48.84, 67.44, 51.43

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 82 / 86 / 12

HEX #E0281F

RGB 224 40 31

HSL 2.8, 0.76%, 0.5%

LAB 48.84, 67.44, 51.43

 

CMYK 0 / 59 / 86 / 12

HEX #E05C1F

RGB 224 92 31

HSL 18.96, 0.76%, 0.5%

LAB 55.69, 48.76, 57.02

 

CMYK 0 / 36 / 86 / 12

HEX #E0901F

RGB 224 144 31

HSL 35.13, 0.76%, 0.5%

LAB 66.44, 22.34, 65.75

 

CMYK 0 / 13 / 86 / 12

HEX #E0C41F

RGB 224 196 31

HSL 51.3, 0.76%, 0.5%

LAB 79.29, -5.14, 76.14

 

CMYK 11 / 0 / 86 / 12

HEX #C8E01F

RGB 200 224 31

HSL 67.46, 0.76%, 0.5%

LAB 84.84, -29.08, 79.86

 

CMYK 0 / 82 / 86 / 12

HEX #E0281F

RGB 224 40 31

HSL 2.8, 0.76%, 0.5%

LAB 48.84, 67.44, 51.43

 

CMYK 0 / 91 / 96 / 4

HEX #F5150A

RGB 245 21 10

HSL 2.81, 0.92%, 0.5%

LAB 51.8, 76.02, 62.93

 

CMYK 0 / 82 / 86 / 12

HEX #E0281F

RGB 224 40 31

HSL 2.8, 0.76%, 0.5%

LAB 48.84, 67.44, 51.43

 

CMYK 0 / 72 / 75 / 20

HEX #CC3A33

RGB 204 58 51

HSL 2.75, 0.6%, 0.5%

LAB 47.11, 56.71, 38.08

 

CMYK 0 / 58 / 61 / 28

HEX #B74D48

RGB 183 77 72

HSL 2.7, 0.44%, 0.5%

LAB 46.77, 42.61, 24.6

 

CMYK 0 / 41 / 44 / 36

HEX #A3605C

RGB 163 96 92

HSL 3.38, 0.28%, 0.5%

LAB 48.17, 26.74, 14.02

 

CMYK 0 / 20 / 20 / 44

HEX #8E7271

RGB 142 114 113

HSL 2.07, 0.11%, 0.5%

LAB 50.66, 10.82, 4.71

 

CMYK 0 / 86 / 43 / 12

HEX #E01F80

RGB 224 31 128

HSL 329.84, 0.76%, 0.5%

LAB 49.96, 74.5, -3.85

 

CMYK 0 / 86 / 66 / 12

HEX #E01F4C

RGB 224 31 76

HSL 346.01, 0.76%, 0.5%

LAB 48.7, 70.9, 26.17

 

CMYK 0 / 83 / 86 / 12

HEX #E0251F

RGB 224 37 31

HSL 1.87, 0.76%, 0.5%

LAB 48.6, 68.12, 51.23

 

CMYK 0 / 60 / 86 / 12

HEX #E0591F

RGB 224 89 31

HSL 18.03, 0.76%, 0.5%

LAB 55.17, 50.13, 56.59

 

CMYK 0 / 38 / 86 / 12

HEX #E08C1F

RGB 224 140 31

HSL 33.89, 0.76%, 0.5%

LAB 65.52, 24.47, 65

 

CMYK 0 / 82 / 86 / 40

HEX #981B15

RGB 152 27 21

HSL 2.75, 0.76%, 0.34%

LAB 32.95, 49.74, 36.99

 

CMYK 0 / 82 / 86 / 26

HEX #BC211A

RGB 188 33 26

HSL 2.59, 0.76%, 0.42%

LAB 40.98, 58.89, 44.33

 

CMYK 0 / 82 / 86 / 12

HEX #E0281F

RGB 224 40 31

HSL 2.8, 0.76%, 0.5%

LAB 48.84, 67.44, 51.43

 

CMYK 0 / 68 / 71 / 10

HEX #E54A43

RGB 229 74 67

HSL 2.59, 0.76%, 0.58%

LAB 53.99, 59.35, 38.09

 

CMYK 0 / 53 / 56 / 8

HEX #EA6D67

RGB 234 109 103

HSL 2.75, 0.76%, 0.66%

LAB 61.14, 47.88, 26.8

 

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

CMYK 20 / 0 / 86 / 12

HEX #B3E01F

RGB 179 224 31

HSL 73.99, 0.76%, 0.5%

LAB 83.44, -37.5, 78.14

 

CMYK 86 / 54 / 0 / 12

HEX #1F66E0

RGB 31 102 224

HSL 217.93, 0.76%, 0.5%

LAB 45.87, 24.48, -67.93

 

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

CMYK 86 / 0 / 83 / 12

HEX #1FE025

RGB 31 224 37

HSL 121.87, 0.76%, 0.5%

LAB 78.31, -75.58, 70.39

 

CMYK 83 / 86 / 0 / 12

HEX #251FE0

RGB 37 31 224

HSL 241.87, 0.76%, 0.5%

LAB 31.24, 64.8, -92.02

 

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

CMYK 20 / 0 / 86 / 12

HEX #B3E01F

RGB 179 224 31

HSL 73.99, 0.76%, 0.5%

LAB 83.44, -37.5, 78.14

 

CMYK 86 / 3 / 0 / 12

HEX #1FDAE0

RGB 31 218 224

HSL 181.87, 0.76%, 0.5%

LAB 79.51, -39.84, -15.22

 

CMYK 66 / 86 / 0 / 12

HEX #4C1FE0

RGB 76 31 224

HSL 253.99, 0.76%, 0.5%

LAB 33.77, 66.77, -87.75

 

CMYK 0 / 83 / 87 / 13

HEX #DF271E

RGB 223 39 30

HSL 2.8, 0.76%, 0.5%

LAB 48.55, 67.37, 51.57

 

CMYK 46 / 0 / 86 / 12

HEX #79E01F

RGB 121 224 31

HSL 92.02, 0.76%, 0.5%

LAB 80.45, -58.06, 74.41

 

CMYK 86 / 3 / 0 / 12

HEX #1FDAE0

RGB 31 218 224

HSL 181.87, 0.76%, 0.5%

LAB 79.51, -39.84, -15.22

 

CMYK 40 / 86 / 0 / 12

HEX #861FE0

RGB 134 31 224

HSL 272.02, 0.76%, 0.5%

LAB 40.3, 72.39, -76.76

 

Description

Color code: HEX #DF271E | qconv.com Color code: HEX #DF271E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 39 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 39 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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