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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1FF3 it is the complementary color #20E00C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1FF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1FF3 shade: #E41FEE, #F531FF, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1FF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1FF3 shade: #DF1FF3, #CE0DE0, #BD00CD, #AC00BA and #9B00A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1FF3 shade: #DF20F3, #F320CE, #F32095, #F3205C and #F32023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1FF3 shade: #DF20F3, #A620F3, #6D20F3, #3520F3 and #2020F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1FF3 shade matches the following richer shades: #DF20F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1FF3 shade: #DF20F3, #D033E0, #C146CD, #B159BA and #A26CA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1FF3 shade: #6E20F3, #A620F3, #DE20F3, #F320D0 and #F32098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1FF3 shade: #A70AB7, #CB0CDE, #DF20F3, #E547F5 and #EA6FF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1FF3 shade: #DF1FF3, #F33520 and #20F38A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1FF3 shade: #DF1FF3, #F3DE20 and #20F3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1FF3 shade: #DF1FF3, #F33520, #35F320 and #20DEF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1FF3 shade: #DF1FF3, #F37520, #35F320 and #209FF3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

Complementary color

CMYK 86 / 0 / 95 / 12

HEX #20E00C

RGB 32 224 12

HSL 114.34, 0.9%, 0.46%

LAB 78.25, -76.3, 74.55

 

CMYK 4 / 87 / 0 / 7

HEX #E41FEE

RGB 228 31 238

HSL 297.1, 0.86%, 0.53%

LAB 55.73, 88.75, -58.97

 

CMYK 4 / 81 / 0 / 0

HEX #F531FF

RGB 245 49 255

HSL 297.09, 1%, 0.6%

LAB 60.63, 90.86, -60.44

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

CMYK 8 / 94 / 0 / 12

HEX #CE0DE0

RGB 206 13 224

HSL 294.88, 0.89%, 0.46%

LAB 50.44, 85.32, -59.76

 

CMYK 8 / 100 / 0 / 20

HEX #BD00CD

RGB 189 0 205

HSL 295.32, 1%, 0.4%

LAB 45.94, 80.86, -56.26

 

CMYK 8 / 100 / 0 / 27

HEX #AC00BA

RGB 172 0 186

HSL 295.48, 1%, 0.36%

LAB 41.71, 75.29, -52.14

 

CMYK 7 / 100 / 0 / 35

HEX #9B00A7

RGB 155 0 167

HSL 295.69, 1%, 0.33%

LAB 37.41, 69.62, -47.94

 

CMYK 8 / 87 / 0 / 5

HEX #DF20F3

RGB 223 32 243

HSL 294.31, 0.9%, 0.54%

LAB 55.27, 88.54, -62.56

 

CMYK 0 / 87 / 15 / 5

HEX #F320CE

RGB 243 32 206

HSL 310.52, 0.9%, 0.54%

LAB 56.63, 86.82, -39.26

 

CMYK 0 / 87 / 39 / 5

HEX #F32095

RGB 243 32 149

HSL 326.73, 0.9%, 0.54%

LAB 54.3, 80.54, -9.61

 

CMYK 0 / 87 / 62 / 5

HEX #F3205C

RGB 243 32 92

HSL 342.94, 0.9%, 0.54%

LAB 52.8, 76.31, 22.53

 

CMYK 0 / 87 / 86 / 5

HEX #F32023

RGB 243 32 35

HSL 359.15, 0.9%, 0.54%

LAB 52.07, 74.22, 53.78

 

CMYK 8 / 87 / 0 / 5

HEX #DF20F3

RGB 223 32 243

HSL 294.31, 0.9%, 0.54%

LAB 55.27, 88.54, -62.56

 

CMYK 32 / 87 / 0 / 5

HEX #A620F3

RGB 166 32 243

HSL 278.1, 0.9%, 0.54%

LAB 46.46, 80.13, -77.25

 

CMYK 55 / 87 / 0 / 5

HEX #6D20F3

RGB 109 32 243

HSL 261.9, 0.9%, 0.54%

LAB 39.17, 73.8, -89.52

 

CMYK 78 / 87 / 0 / 5

HEX #3520F3

RGB 53 32 243

HSL 245.97, 0.9%, 0.54%

LAB 34.52, 70.23, -97.36

 

CMYK 87 / 87 / 0 / 5

HEX #2020F3

RGB 32 32 243

HSL 240, 0.9%, 0.54%

LAB 33.59, 69.57, -98.94

 

CMYK 8 / 87 / 0 / 5

HEX #DF20F3

RGB 223 32 243

HSL 294.31, 0.9%, 0.54%

LAB 55.27, 88.54, -62.56

 

CMYK 8 / 87 / 0 / 5

HEX #DF20F3

RGB 223 32 243

HSL 294.31, 0.9%, 0.54%

LAB 55.27, 88.54, -62.56

 

CMYK 7 / 77 / 0 / 12

HEX #D033E0

RGB 208 51 224

HSL 294.45, 0.74%, 0.54%

LAB 53.12, 78.77, -55.44

 

CMYK 6 / 66 / 0 / 20

HEX #C146CD

RGB 193 70 205

HSL 294.67, 0.57%, 0.54%

LAB 51.98, 66.06, -46.57

 

CMYK 5 / 52 / 0 / 27

HEX #B159BA

RGB 177 89 186

HSL 294.43, 0.41%, 0.54%

LAB 51.88, 49.98, -35.93

 

CMYK 3 / 35 / 0 / 35

HEX #A26CA7

RGB 162 108 167

HSL 294.92, 0.25%, 0.54%

LAB 53.16, 31.53, -23.05

 

CMYK 55 / 87 / 0 / 5

HEX #6E20F3

RGB 110 32 243

HSL 262.18, 0.9%, 0.54%

LAB 39.27, 73.89, -89.33

 

CMYK 32 / 87 / 0 / 5

HEX #A620F3

RGB 166 32 243

HSL 278.1, 0.9%, 0.54%

LAB 46.46, 80.13, -77.25

 

CMYK 9 / 87 / 0 / 5

HEX #DE20F3

RGB 222 32 243

HSL 294.03, 0.9%, 0.54%

LAB 55.11, 88.38, -62.83

 

CMYK 0 / 87 / 14 / 5

HEX #F320D0

RGB 243 32 208

HSL 309.95, 0.9%, 0.54%

LAB 56.72, 87.08, -40.25

 

CMYK 0 / 87 / 37 / 5

HEX #F32098

RGB 243 32 152

HSL 325.88, 0.9%, 0.54%

LAB 54.4, 80.82, -11.24

 

CMYK 9 / 95 / 0 / 28

HEX #A70AB7

RGB 167 10 183

HSL 294.45, 0.9%, 0.38%

LAB 40.98, 73.01, -51.6

 

CMYK 9 / 95 / 0 / 13

HEX #CB0CDE

RGB 203 12 222

HSL 294.57, 0.9%, 0.46%

LAB 49.78, 84.64, -59.72

 

CMYK 8 / 87 / 0 / 5

HEX #DF20F3

RGB 223 32 243

HSL 294.31, 0.9%, 0.54%

LAB 55.27, 88.54, -62.56

 

CMYK 7 / 71 / 0 / 4

HEX #E547F5

RGB 229 71 245

HSL 294.48, 0.9%, 0.62%

LAB 59.67, 80.27, -56.57

 

CMYK 5 / 55 / 0 / 3

HEX #EA6FF7

RGB 234 111 247

HSL 294.26, 0.89%, 0.7%

LAB 66.2, 65.88, -47.29

 

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

CMYK 0 / 78 / 87 / 5

HEX #F33520

RGB 243 53 32

HSL 5.97, 0.9%, 0.54%

LAB 53.71, 69.45, 56.44

 

CMYK 87 / 0 / 43 / 5

HEX #20F38A

RGB 32 243 138

HSL 150.14, 0.9%, 0.54%

LAB 85.12, -70.01, 37.51

 

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

CMYK 0 / 9 / 87 / 5

HEX #F3DE20

RGB 243 222 32

HSL 54.03, 0.9%, 0.54%

LAB 87.68, -10.15, 83.38

 

CMYK 87 / 0 / 9 / 5

HEX #20F3DE

RGB 32 243 222

HSL 174.03, 0.9%, 0.54%

LAB 86.84, -51.2, -3.27

 

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

CMYK 0 / 78 / 87 / 5

HEX #F33520

RGB 243 53 32

HSL 5.97, 0.9%, 0.54%

LAB 53.71, 69.45, 56.44

 

CMYK 78 / 0 / 87 / 5

HEX #35F320

RGB 53 243 32

HSL 114.03, 0.9%, 0.54%

LAB 84.46, -78.87, 76.99

 

CMYK 87 / 9 / 0 / 5

HEX #20DEF3

RGB 32 222 243

HSL 185.97, 0.9%, 0.54%

LAB 81.3, -35.89, -22.62

 

CMYK 8 / 87 / 0 / 5

HEX #DF1FF3

RGB 223 31 243

HSL 294.34, 0.9%, 0.54%

LAB 55.22, 88.7, -62.64

 

CMYK 0 / 52 / 87 / 5

HEX #F37520

RGB 243 117 32

HSL 24.17, 0.9%, 0.54%

LAB 63.24, 43.99, 63.96

 

CMYK 78 / 0 / 87 / 5

HEX #35F320

RGB 53 243 32

HSL 114.03, 0.9%, 0.54%

LAB 84.46, -78.87, 76.99

 

CMYK 87 / 35 / 0 / 5

HEX #209FF3

RGB 32 159 243

HSL 203.89, 0.9%, 0.54%

LAB 62.99, -3.2, -51.06

 

Description

Color code: HEX #DF1FF3 | qconv.com Color code: HEX #DF1FF3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 31 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 31 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 87 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 87% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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