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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1DF1 it is the complementary color #20E20E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1DF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1DF1 shade: #E41DEC, #F52FFF, #FF41FF, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1DF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1DF1 shade: #DF1DF1, #CE0BDE, #BD00CB, #AC00B8 and #9B00A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1DF1 shade: #DF1EF1, #F11ECA, #F11E91, #F11E58 and #F11E1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1DF1 shade: #DF1EF1, #A61EF1, #6D1EF1, #341EF1 and #1E1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1DF1 shade matches the following richer shades: #DF1EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1DF1 shade: #DF1EF1, #CF31DD, #BF44CA, #AE58B6 and #9E6BA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1DF1 shade: #6B1EF1, #A31EF1, #DC1EF1, #F11ECD and #F11E95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1DF1 shade: #A20BB1, #C60ED7, #DF1EF1, #E444F3 and #EA6BF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1DF1 shade: #DF1DF1, #F1331E and #1EF187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1DF1 shade: #DF1DF1, #F1DC1E and #1EF1DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1DF1 shade: #DF1DF1, #F1331E, #33F11E and #1EDCF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1DF1 shade: #DF1DF1, #F1721E, #33F11E and #1E9CF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

Complementary color

CMYK 86 / 0 / 94 / 11

HEX #20E20E

RGB 32 226 14

HSL 114.91, 0.88%, 0.47%

LAB 78.89, -76.81, 74.86

 

CMYK 3 / 88 / 0 / 7

HEX #E41DEC

RGB 228 29 236

HSL 297.68, 0.84%, 0.52%

LAB 55.51, 88.75, -58.2

 

CMYK 4 / 82 / 0 / 0

HEX #F52FFF

RGB 245 47 255

HSL 297.12, 1%, 0.59%

LAB 60.49, 91.28, -60.67

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

CMYK 7 / 95 / 0 / 13

HEX #CE0BDE

RGB 206 11 222

HSL 295.45, 0.91%, 0.46%

LAB 50.26, 85.18, -58.92

 

CMYK 7 / 100 / 0 / 20

HEX #BD00CB

RGB 189 0 203

HSL 295.86, 1%, 0.4%

LAB 45.81, 80.55, -55.32

 

CMYK 7 / 100 / 0 / 28

HEX #AC00B8

RGB 172 0 184

HSL 296.09, 1%, 0.36%

LAB 41.58, 74.98, -51.18

 

CMYK 6 / 100 / 0 / 35

HEX #9B00A5

RGB 155 0 165

HSL 296.36, 1%, 0.32%

LAB 37.27, 69.3, -46.95

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 0 / 88 / 16 / 5

HEX #F11ECA

RGB 241 30 202

HSL 311.09, 0.88%, 0.53%

LAB 55.98, 86.24, -38.01

 

CMYK 0 / 88 / 40 / 5

HEX #F11E91

RGB 241 30 145

HSL 327.3, 0.88%, 0.53%

LAB 53.68, 80.05, -8.2

 

CMYK 0 / 88 / 63 / 5

HEX #F11E58

RGB 241 30 88

HSL 343.51, 0.88%, 0.53%

LAB 52.21, 75.94, 24.1

 

CMYK 0 / 88 / 87 / 5

HEX #F11E1F

RGB 241 30 31

HSL 359.72, 0.88%, 0.53%

LAB 51.53, 73.97, 55

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 31 / 88 / 0 / 5

HEX #A61EF1

RGB 166 30 241

HSL 278.67, 0.88%, 0.53%

LAB 46.16, 80.15, -76.62

 

CMYK 55 / 88 / 0 / 5

HEX #6D1EF1

RGB 109 30 241

HSL 262.46, 0.88%, 0.53%

LAB 38.78, 73.87, -89.03

 

CMYK 78 / 88 / 0 / 5

HEX #341EF1

RGB 52 30 241

HSL 246.26, 0.88%, 0.53%

LAB 34, 70.31, -97.09

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 6 / 78 / 0 / 13

HEX #CF31DD

RGB 207 49 221

HSL 295.12, 0.72%, 0.53%

LAB 52.6, 78.63, -54.58

 

CMYK 5 / 66 / 0 / 21

HEX #BF44CA

RGB 191 68 202

HSL 295.07, 0.56%, 0.53%

LAB 51.24, 65.86, -46.04

 

CMYK 4 / 52 / 0 / 29

HEX #AE58B6

RGB 174 88 182

HSL 294.89, 0.39%, 0.53%

LAB 51.1, 48.88, -34.86

 

CMYK 3 / 34 / 0 / 36

HEX #9E6BA3

RGB 158 107 163

HSL 294.64, 0.23%, 0.53%

LAB 52.32, 29.97, -22.06

 

CMYK 56 / 88 / 0 / 5

HEX #6B1EF1

RGB 107 30 241

HSL 261.9, 0.88%, 0.53%

LAB 38.56, 73.69, -89.39

 

CMYK 32 / 88 / 0 / 5

HEX #A31EF1

RGB 163 30 241

HSL 277.82, 0.88%, 0.53%

LAB 45.72, 79.76, -77.35

 

CMYK 9 / 88 / 0 / 5

HEX #DC1EF1

RGB 220 30 241

HSL 294.03, 0.88%, 0.53%

LAB 54.55, 88.07, -62.62

 

CMYK 0 / 88 / 15 / 5

HEX #F11ECD

RGB 241 30 205

HSL 310.24, 0.88%, 0.53%

LAB 56.12, 86.62, -39.51

 

CMYK 0 / 88 / 38 / 5

HEX #F11E95

RGB 241 30 149

HSL 326.16, 0.88%, 0.53%

LAB 53.81, 80.42, -10.38

 

CMYK 8 / 94 / 0 / 31

HEX #A20BB1

RGB 162 11 177

HSL 294.58, 0.88%, 0.37%

LAB 39.74, 71.12, -50.09

 

CMYK 8 / 93 / 0 / 16

HEX #C60ED7

RGB 198 14 215

HSL 294.93, 0.88%, 0.45%

LAB 48.54, 82.59, -57.75

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 6 / 72 / 0 / 5

HEX #E444F3

RGB 228 68 243

HSL 294.86, 0.88%, 0.61%

LAB 59.07, 80.71, -56.43

 

CMYK 5 / 57 / 0 / 4

HEX #EA6BF6

RGB 234 107 246

HSL 294.82, 0.89%, 0.69%

LAB 65.48, 67.5, -47.86

 

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

CMYK 0 / 79 / 88 / 5

HEX #F1331E

RGB 241 51 30

HSL 5.97, 0.88%, 0.53%

LAB 53.13, 69.39, 56.66

 

CMYK 88 / 0 / 44 / 5

HEX #1EF187

RGB 30 241 135

HSL 149.86, 0.88%, 0.53%

LAB 84.45, -70, 38.12

 

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

CMYK 0 / 9 / 88 / 5

HEX #F1DC1E

RGB 241 220 30

HSL 54.03, 0.88%, 0.53%

LAB 86.99, -10.04, 83.13

 

CMYK 88 / 0 / 9 / 5

HEX #1EF1DC

RGB 30 241 220

HSL 174.03, 0.88%, 0.53%

LAB 86.18, -51.01, -3.19

 

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

CMYK 0 / 79 / 88 / 5

HEX #F1331E

RGB 241 51 30

HSL 5.97, 0.88%, 0.53%

LAB 53.13, 69.39, 56.66

 

CMYK 79 / 0 / 88 / 5

HEX #33F11E

RGB 51 241 30

HSL 114.03, 0.88%, 0.53%

LAB 83.81, -78.61, 76.78

 

CMYK 88 / 9 / 0 / 5

HEX #1EDCF1

RGB 30 220 241

HSL 185.97, 0.88%, 0.53%

LAB 80.63, -35.67, -22.58

 

CMYK 7 / 88 / 0 / 5

HEX #DF1DF1

RGB 223 29 241

HSL 294.91, 0.88%, 0.53%

LAB 54.99, 88.7, -61.89

 

CMYK 0 / 53 / 88 / 5

HEX #F1721E

RGB 241 114 30

HSL 23.89, 0.88%, 0.53%

LAB 62.36, 44.65, 63.79

 

CMYK 79 / 0 / 88 / 5

HEX #33F11E

RGB 51 241 30

HSL 114.03, 0.88%, 0.53%

LAB 83.81, -78.61, 76.78

 

CMYK 88 / 35 / 0 / 5

HEX #1E9CF1

RGB 30 156 241

HSL 204.17, 0.88%, 0.53%

LAB 62, -2.33, -51.53

 

Description

Color code: HEX #DF1DF1 | qconv.com Color code: HEX #DF1DF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 29 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 29 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 88 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 88% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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