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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1DCD it is the complementary color #20E232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1DCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1DCD shade: #E41DC8, #F52FDB, #FF41EE, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1DCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1DCD shade: #DF1DCD, #CE0BBA, #BD00A7, #AC0094 and #9B0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1DCD shade: #DD1DCB, #DD1D97, #DD1D64, #DD1D30 and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1DCD shade: #DD1DCB, #BB1DDD, #871DDD, #531DDD and #1F1DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1DCD shade matches the following richer shades: #DD1DCB and #F109DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1DCD shade: #DD1DCB, #C931BB, #B545AA, #A1599A and #8C6E89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1DCD shade: #871DDD, #BA1DDD, #DD1DCD, #DD1D9A and #DD1D67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1DCD shade: #941388, #B918AA, #DD1DCB, #E63DD6 and #EB62DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1DCD shade: #DF1DCD, #DD531D and #1DDDA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1DCD shade: #DF1DCD, #CDDD1D and #1DCDDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1DCD shade: #DF1DCD, #DD531D, #1DDD2D and #1DA7DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1DCD shade: #DF1DCD, #DD8D1D, #1DDD2D and #1D6DDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

Complementary color

CMYK 86 / 0 / 78 / 11

HEX #20E232

RGB 32 226 50

HSL 125.57, 0.77%, 0.51%

LAB 79, -75.34, 67.57

 

CMYK 0 / 87 / 12 / 11

HEX #E41DC8

RGB 228 29 200

HSL 308.44, 0.79%, 0.5%

LAB 53.54, 83.68, -40.86

 

CMYK 0 / 81 / 11 / 4

HEX #F52FDB

RGB 245 47 219

HSL 307.88, 0.91%, 0.57%

LAB 58.56, 86.12, -43.59

 

CMYK 0 / 75 / 7 / 0

HEX #FF41EE

RGB 255 65 238

HSL 305.37, 1%, 0.63%

LAB 62.69, 86.3, -47.64

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

CMYK 0 / 95 / 10 / 19

HEX #CE0BBA

RGB 206 11 186

HSL 306.15, 0.9%, 0.43%

LAB 48.14, 79.97, -41.52

 

CMYK 0 / 100 / 12 / 26

HEX #BD00A7

RGB 189 0 167

HSL 306.98, 1%, 0.37%

LAB 43.67, 75.36, -37.58

 

CMYK 0 / 100 / 14 / 33

HEX #AC0094

RGB 172 0 148

HSL 308.37, 1%, 0.34%

LAB 39.43, 69.75, -33.03

 

CMYK 0 / 100 / 17 / 39

HEX #9B0081

RGB 155 0 129

HSL 310.06, 1%, 0.3%

LAB 35.11, 64.04, -28.34

 

CMYK 0 / 87 / 8 / 13

HEX #DD1DCB

RGB 221 29 203

HSL 305.63, 0.77%, 0.49%

LAB 52.47, 82.79, -44.36

 

CMYK 0 / 87 / 32 / 13

HEX #DD1D97

RGB 221 29 151

HSL 321.88, 0.77%, 0.49%

LAB 50.08, 76.42, -17.58

 

CMYK 0 / 87 / 55 / 13

HEX #DD1D64

RGB 221 29 100

HSL 337.81, 0.77%, 0.49%

LAB 48.47, 71.94, 11.05

 

CMYK 0 / 87 / 78 / 13

HEX #DD1D30

RGB 221 29 48

HSL 354.06, 0.77%, 0.49%

LAB 47.58, 69.36, 41.24

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 0 / 87 / 8 / 13

HEX #DD1DCB

RGB 221 29 203

HSL 305.63, 0.77%, 0.49%

LAB 52.47, 82.79, -44.36

 

CMYK 15 / 87 / 0 / 13

HEX #BB1DDD

RGB 187 29 221

HSL 289.38, 0.77%, 0.49%

LAB 47.83, 79.73, -62.42

 

CMYK 39 / 87 / 0 / 13

HEX #871DDD

RGB 135 29 221

HSL 273.13, 0.77%, 0.49%

LAB 40, 72.37, -75.52

 

CMYK 62 / 87 / 0 / 13

HEX #531DDD

RGB 83 29 221

HSL 256.88, 0.77%, 0.49%

LAB 33.85, 67.14, -85.87

 

CMYK 86 / 87 / 0 / 13

HEX #1F1DDD

RGB 31 29 221

HSL 240.63, 0.77%, 0.49%

LAB 30.38, 64.51, -91.74

 

CMYK 0 / 87 / 8 / 13

HEX #DD1DCB

RGB 221 29 203

HSL 305.63, 0.77%, 0.49%

LAB 52.47, 82.79, -44.36

 

CMYK 0 / 96 / 9 / 5

HEX #F109DC

RGB 241 9 220

HSL 305.43, 0.93%, 0.49%

LAB 56.15, 90.72, -48.02

 

CMYK 0 / 87 / 8 / 13

HEX #DD1DCB

RGB 221 29 203

HSL 305.63, 0.77%, 0.49%

LAB 52.47, 82.79, -44.36

 

CMYK 0 / 76 / 7 / 21

HEX #C931BB

RGB 201 49 187

HSL 305.53, 0.61%, 0.49%

LAB 49.74, 72.11, -39.63

 

CMYK 0 / 62 / 6 / 29

HEX #B545AA

RGB 181 69 170

HSL 305.89, 0.45%, 0.49%

LAB 48.24, 57.54, -32.26

 

CMYK 0 / 45 / 4 / 37

HEX #A1599A

RGB 161 89 154

HSL 305.83, 0.29%, 0.49%

LAB 48.33, 39.2, -22.88

 

CMYK 0 / 21 / 2 / 45

HEX #8C6E89

RGB 140 110 137

HSL 306, 0.12%, 0.49%

LAB 50.14, 16.75, -10.28

 

CMYK 39 / 87 / 0 / 13

HEX #871DDD

RGB 135 29 221

HSL 273.13, 0.77%, 0.49%

LAB 40, 72.37, -75.52

 

CMYK 16 / 87 / 0 / 13

HEX #BA1DDD

RGB 186 29 221

HSL 289.06, 0.77%, 0.49%

LAB 47.67, 79.58, -62.69

 

CMYK 0 / 87 / 7 / 13

HEX #DD1DCD

RGB 221 29 205

HSL 305, 0.77%, 0.49%

LAB 52.57, 83.06, -45.34

 

CMYK 0 / 87 / 30 / 13

HEX #DD1D9A

RGB 221 29 154

HSL 320.94, 0.77%, 0.49%

LAB 50.2, 76.74, -19.19

 

CMYK 0 / 87 / 53 / 13

HEX #DD1D67

RGB 221 29 103

HSL 336.88, 0.77%, 0.49%

LAB 48.55, 72.15, 9.31

 

CMYK 0 / 87 / 8 / 42

HEX #941388

RGB 148 19 136

HSL 305.58, 0.77%, 0.33%

LAB 35.08, 60.92, -32.83

 

CMYK 0 / 87 / 8 / 27

HEX #B918AA

RGB 185 24 170

HSL 305.59, 0.77%, 0.41%

LAB 44.05, 72.24, -38.82

 

CMYK 0 / 87 / 8 / 13

HEX #DD1DCB

RGB 221 29 203

HSL 305.63, 0.77%, 0.49%

LAB 52.47, 82.79, -44.36

 

CMYK 0 / 73 / 7 / 10

HEX #E63DD6

RGB 230 61 214

HSL 305.68, 0.77%, 0.57%

LAB 57.09, 78.76, -43.24

 

CMYK 0 / 58 / 6 / 8

HEX #EB62DE

RGB 235 98 222

HSL 305.69, 0.77%, 0.65%

LAB 63.07, 67.63, -38.31

 

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

CMYK 0 / 62 / 87 / 13

HEX #DD531D

RGB 221 83 29

HSL 16.88, 0.77%, 0.49%

LAB 53.65, 51.68, 55.93

 

CMYK 87 / 0 / 28 / 13

HEX #1DDDA0

RGB 29 221 160

HSL 160.94, 0.77%, 0.49%

LAB 78.76, -58.06, 17.73

 

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

CMYK 7 / 0 / 87 / 13

HEX #CDDD1D

RGB 205 221 29

HSL 65, 0.77%, 0.49%

LAB 84.37, -25.66, 80

 

CMYK 87 / 7 / 0 / 13

HEX #1DCDDD

RGB 29 205 221

HSL 185, 0.77%, 0.49%

LAB 75.54, -34.87, -19.6

 

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

CMYK 0 / 62 / 87 / 13

HEX #DD531D

RGB 221 83 29

HSL 16.88, 0.77%, 0.49%

LAB 53.65, 51.68, 55.93

 

CMYK 87 / 0 / 80 / 13

HEX #1DDD2D

RGB 29 221 45

HSL 125, 0.77%, 0.49%

LAB 77.38, -74.47, 67.46

 

CMYK 87 / 24 / 0 / 13

HEX #1DA7DD

RGB 29 167 221

HSL 196.88, 0.77%, 0.49%

LAB 64.26, -15.73, -36.96

 

CMYK 0 / 87 / 8 / 13

HEX #DF1DCD

RGB 223 29 205

HSL 305.57, 0.77%, 0.49%

LAB 52.92, 83.43, -44.77

 

CMYK 0 / 36 / 87 / 13

HEX #DD8D1D

RGB 221 141 29

HSL 35, 0.77%, 0.49%

LAB 65.37, 22.62, 65.3

 

CMYK 87 / 0 / 80 / 13

HEX #1DDD2D

RGB 29 221 45

HSL 125, 0.77%, 0.49%

LAB 77.38, -74.47, 67.46

 

CMYK 87 / 51 / 0 / 13

HEX #1D6DDD

RGB 29 109 221

HSL 215, 0.77%, 0.49%

LAB 47.52, 18.7, -63.57

 

Description

Color code: HEX #DF1DCD | qconv.com Color code: HEX #DF1DCD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 29 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 29 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 8 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 8% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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