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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1CDD it is the complementary color #20E322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1CDD shade: #E41CD8, #F52EEB, #FF40FE, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1CDD shade: #DF1CDD, #CE0ACA, #BD00B7, #AC00A4 and #9B0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1CDD shade: #DE1BDC, #DE1BA8, #DE1B73, #DE1B3F and #DE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1CDD shade: #DE1BDC, #AC1BDE, #771BDE, #431BDE and #1B1BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1CDD shade matches the following richer shades: #DE1BDC and #F307F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1CDD shade: #DE1BDC, #CA30C9, #B644B5, #A258A1 and #8E6C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1CDD shade: #761BDE, #AA1BDE, #DE1BDE, #DE1BAA and #DE1B76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1CDD shade: #951294, #BA17B8, #DE1BDC, #E73CE5 and #EB61EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1CDD shade: #DF1CDD, #DE421B and #1BDE90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1CDD shade: #DF1CDD, #DEDE1B and #1BDEDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1CDD shade: #DF1CDD, #DE421B, #1BDE1B and #1BB7DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1CDD shade: #DF1CDD, #DE7D1B, #1BDE1B and #1B7DDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

Complementary color

CMYK 86 / 0 / 85 / 11

HEX #20E322

RGB 32 227 34

HSL 120.62, 0.78%, 0.51%

LAB 79.25, -76.47, 71.91

 

CMYK 0 / 88 / 5 / 11

HEX #E41CD8

RGB 228 28 216

HSL 303.6, 0.79%, 0.5%

LAB 54.33, 86.01, -48.78

 

CMYK 0 / 81 / 4 / 4

HEX #F52EEB

RGB 245 46 235

HSL 303.02, 0.91%, 0.57%

LAB 59.31, 88.55, -51.41

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FE

RGB 255 64 254

HSL 300.31, 1%, 0.63%

LAB 63.41, 88.91, -55.36

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

CMYK 0 / 95 / 2 / 19

HEX #CE0ACA

RGB 206 10 202

HSL 301.22, 0.91%, 0.42%

LAB 49.01, 82.29, -49.44

 

CMYK 0 / 100 / 3 / 26

HEX #BD00B7

RGB 189 0 183

HSL 301.9, 1%, 0.37%

LAB 44.57, 77.57, -45.63

 

CMYK 0 / 100 / 5 / 33

HEX #AC00A4

RGB 172 0 164

HSL 302.79, 1%, 0.34%

LAB 40.33, 71.97, -41.28

 

CMYK 0 / 100 / 6 / 39

HEX #9B0091

RGB 155 0 145

HSL 303.87, 1%, 0.3%

LAB 36.01, 66.26, -36.82

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDC

RGB 222 27 220

HSL 300.62, 0.78%, 0.49%

LAB 53.47, 85.68, -52.48

 

CMYK 0 / 88 / 24 / 13

HEX #DE1BA8

RGB 222 27 168

HSL 316.62, 0.78%, 0.49%

LAB 50.85, 78.84, -26.48

 

CMYK 0 / 88 / 48 / 13

HEX #DE1B73

RGB 222 27 115

HSL 332.92, 0.78%, 0.49%

LAB 48.95, 73.63, 2.55

 

CMYK 0 / 88 / 72 / 13

HEX #DE1B3F

RGB 222 27 63

HSL 348.92, 0.78%, 0.49%

LAB 47.84, 70.5, 32.86

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDC

RGB 222 27 220

HSL 300.62, 0.78%, 0.49%

LAB 53.47, 85.68, -52.48

 

CMYK 23 / 88 / 0 / 13

HEX #AC1BDE

RGB 172 27 222

HSL 284.62, 0.78%, 0.49%

LAB 45.4, 78, -67.05

 

CMYK 46 / 88 / 0 / 13

HEX #771BDE

RGB 119 27 222

HSL 268.31, 0.78%, 0.49%

LAB 37.81, 71.23, -79.78

 

CMYK 70 / 88 / 0 / 13

HEX #431BDE

RGB 67 27 222

HSL 252.31, 0.78%, 0.49%

LAB 32.37, 66.95, -88.94

 

CMYK 88 / 88 / 0 / 13

HEX #1B1BDE

RGB 27 27 222

HSL 240, 0.78%, 0.49%

LAB 30.13, 65.38, -92.73

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDC

RGB 222 27 220

HSL 300.62, 0.78%, 0.49%

LAB 53.47, 85.68, -52.48

 

CMYK 0 / 97 / 1 / 5

HEX #F307F0

RGB 243 7 240

HSL 300.76, 0.94%, 0.49%

LAB 57.56, 93.88, -57.03

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDC

RGB 222 27 220

HSL 300.62, 0.78%, 0.49%

LAB 53.47, 85.68, -52.48

 

CMYK 0 / 76 / 0 / 21

HEX #CA30C9

RGB 202 48 201

HSL 300.39, 0.62%, 0.49%

LAB 50.56, 74.74, -46.45

 

CMYK 0 / 63 / 1 / 29

HEX #B644B5

RGB 182 68 181

HSL 300.53, 0.46%, 0.49%

LAB 48.78, 60.07, -37.85

 

CMYK 0 / 46 / 1 / 36

HEX #A258A1

RGB 162 88 161

HSL 300.81, 0.3%, 0.49%

LAB 48.55, 41.35, -26.66

 

CMYK 0 / 24 / 1 / 44

HEX #8E6C8D

RGB 142 108 141

HSL 301.76, 0.14%, 0.49%

LAB 49.98, 19.44, -12.86

 

CMYK 47 / 88 / 0 / 13

HEX #761BDE

RGB 118 27 222

HSL 268, 0.78%, 0.49%

LAB 37.68, 71.13, -79.99

 

CMYK 23 / 88 / 0 / 13

HEX #AA1BDE

RGB 170 27 222

HSL 284, 0.78%, 0.49%

LAB 45.09, 77.71, -67.57

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 88 / 23 / 13

HEX #DE1BAA

RGB 222 27 170

HSL 316, 0.78%, 0.49%

LAB 50.94, 79.07, -27.53

 

CMYK 0 / 88 / 47 / 13

HEX #DE1B76

RGB 222 27 118

HSL 332, 0.78%, 0.49%

LAB 49.03, 73.87, 0.84

 

CMYK 0 / 88 / 1 / 42

HEX #951294

RGB 149 18 148

HSL 300.46, 0.78%, 0.33%

LAB 35.91, 63.16, -38.89

 

CMYK 0 / 88 / 1 / 27

HEX #BA17B8

RGB 186 23 184

HSL 300.74, 0.78%, 0.41%

LAB 44.96, 74.65, -45.63

 

CMYK 0 / 88 / 1 / 13

HEX #DE1BDC

RGB 222 27 220

HSL 300.62, 0.78%, 0.49%

LAB 53.47, 85.68, -52.48

 

CMYK 0 / 74 / 1 / 9

HEX #E73CE5

RGB 231 60 229

HSL 300.7, 0.78%, 0.57%

LAB 57.92, 81.51, -50.39

 

CMYK 0 / 59 / 0 / 8

HEX #EB61EA

RGB 235 97 234

HSL 300.43, 0.78%, 0.65%

LAB 63.47, 70.01, -44.38

 

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

CMYK 0 / 70 / 88 / 13

HEX #DE421B

RGB 222 66 27

HSL 12, 0.78%, 0.49%

LAB 51.27, 58.84, 54.91

 

CMYK 88 / 0 / 35 / 13

HEX #1BDE90

RGB 27 222 144

HSL 156, 0.78%, 0.49%

LAB 78.75, -61.98, 26.04

 

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

CMYK 0 / 0 / 88 / 13

HEX #DEDE1B

RGB 222 222 27

HSL 60, 0.78%, 0.49%

LAB 85.93, -19.09, 82.15

 

CMYK 88 / 0 / 0 / 13

HEX #1BDEDE

RGB 27 222 222

HSL 180, 0.78%, 0.49%

LAB 80.6, -42.44, -12.52

 

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

CMYK 0 / 70 / 88 / 13

HEX #DE421B

RGB 222 66 27

HSL 12, 0.78%, 0.49%

LAB 51.27, 58.84, 54.91

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 18 / 0 / 13

HEX #1BB7DE

RGB 27 183 222

HSL 192, 0.78%, 0.49%

LAB 69.02, -23.89, -30.12

 

CMYK 0 / 87 / 1 / 13

HEX #DF1CDD

RGB 223 28 221

HSL 300.62, 0.78%, 0.49%

LAB 53.75, 85.85, -52.59

 

CMYK 0 / 44 / 88 / 13

HEX #DE7D1B

RGB 222 125 27

HSL 30.15, 0.78%, 0.49%

LAB 61.89, 31.49, 63.18

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 44 / 0 / 13

HEX #1B7DDE

RGB 27 125 222

HSL 209.85, 0.78%, 0.49%

LAB 52.03, 8.88, -56.86

 

Description

Color code: HEX #DF1CDD | qconv.com Color code: HEX #DF1CDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 28 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 28 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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