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Color name
HEX #DF1AE4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1AE4 it is the complementary color #20E51B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1AE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1AE4 shade: #E41ADF, #F52CF2, #FF3EFF, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1AE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1AE4 shade: #DF1AE4, #CE08D1, #BD00BE, #AC00AB and #9B0098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1AE4 shade: #E019E5, #E519B3, #E5197C, #E51945 and #E51919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1AE4 shade: #E019E5, #A919E5, #7219E5, #3B19E5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1AE4 shade matches the following richer shades: #E019E5 and #F404FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1AE4 shade: #E019E5, #CC2ED0, #B942BC, #A557A7 and #926C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1AE4 shade: #7119E5, #A819E5, #DE19E5, #E519B5 and #E5197F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1AE4 shade: #97119B, #BC15C0, #E019E5, #E53EE9 and #EA63ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1AE4 shade: #DF1AE4, #E53B19 and #19E58D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1AE4 shade: #DF1AE4, #E5DE19 and #19E5DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1AE4 shade: #DF1AE4, #E53B19, #20E519 and #19C3E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1AE4 shade: #DF1AE4, #E57819, #20E519 and #1986E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

Complementary color

CMYK 86 / 0 / 88 / 10

HEX #20E51B

RGB 32 229 27

HSL 118.51, 0.8%, 0.5%

LAB 79.85, -77.29, 73.82

 

CMYK 0 / 89 / 2 / 11

HEX #E41ADF

RGB 228 26 223

HSL 301.49, 0.8%, 0.5%

LAB 54.62, 87.28, -52.29

 

CMYK 0 / 82 / 1 / 4

HEX #F52CF2

RGB 245 44 242

HSL 300.9, 0.91%, 0.57%

LAB 59.55, 89.96, -54.95

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

CMYK 1 / 96 / 0 / 18

HEX #CE08D1

RGB 206 8 209

HSL 299.1, 0.93%, 0.43%

LAB 49.37, 83.46, -52.9

 

CMYK 1 / 100 / 0 / 25

HEX #BD00BE

RGB 189 0 190

HSL 299.68, 1%, 0.37%

LAB 44.99, 78.59, -49.06

 

CMYK 0 / 100 / 1 / 33

HEX #AC00AB

RGB 172 0 171

HSL 300.35, 1%, 0.34%

LAB 40.75, 72.99, -44.8

 

CMYK 0 / 100 / 2 / 39

HEX #9B0098

RGB 155 0 152

HSL 301.16, 1%, 0.3%

LAB 36.43, 67.29, -40.43

 

CMYK 2 / 89 / 0 / 10

HEX #E019E5

RGB 224 25 229

HSL 298.53, 0.8%, 0.5%

LAB 54.24, 87.61, -56.33

 

CMYK 0 / 89 / 22 / 10

HEX #E519B3

RGB 229 25 179

HSL 314.71, 0.8%, 0.5%

LAB 52.52, 81.83, -30.26

 

CMYK 0 / 89 / 46 / 10

HEX #E5197C

RGB 229 25 124

HSL 330.88, 0.8%, 0.5%

LAB 50.46, 76.29, -0.57

 

CMYK 0 / 89 / 70 / 10

HEX #E51945

RGB 229 25 69

HSL 347.06, 0.8%, 0.5%

LAB 49.23, 72.84, 31.28

 

CMYK 0 / 89 / 89 / 10

HEX #E51919

RGB 229 25 25

HSL 0, 0.8%, 0.5%

LAB 48.79, 71.58, 54.47

 

CMYK 2 / 89 / 0 / 10

HEX #E019E5

RGB 224 25 229

HSL 298.53, 0.8%, 0.5%

LAB 54.24, 87.61, -56.33

 

CMYK 26 / 89 / 0 / 10

HEX #A919E5

RGB 169 25 229

HSL 282.35, 0.8%, 0.5%

LAB 45.34, 79.22, -71.15

 

CMYK 50 / 89 / 0 / 10

HEX #7219E5

RGB 114 25 229

HSL 266.18, 0.8%, 0.5%

LAB 37.72, 72.78, -83.95

 

CMYK 74 / 89 / 0 / 10

HEX #3B19E5

RGB 59 25 229

HSL 250, 0.8%, 0.5%

LAB 32.44, 68.96, -92.86

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 2 / 89 / 0 / 10

HEX #E019E5

RGB 224 25 229

HSL 298.53, 0.8%, 0.5%

LAB 54.24, 87.61, -56.33

 

CMYK 2 / 98 / 0 / 2

HEX #F404FA

RGB 244 4 250

HSL 298.54, 0.97%, 0.5%

LAB 58.25, 95.63, -61.49

 

CMYK 2 / 89 / 0 / 10

HEX #E019E5

RGB 224 25 229

HSL 298.53, 0.8%, 0.5%

LAB 54.24, 87.61, -56.33

 

CMYK 2 / 78 / 0 / 18

HEX #CC2ED0

RGB 204 46 208

HSL 298.52, 0.64%, 0.5%

LAB 51.09, 76.77, -49.6

 

CMYK 2 / 65 / 0 / 26

HEX #B942BC

RGB 185 66 188

HSL 298.52, 0.48%, 0.5%

LAB 49.3, 62.82, -41.07

 

CMYK 1 / 48 / 0 / 35

HEX #A557A7

RGB 165 87 167

HSL 298.5, 0.31%, 0.5%

LAB 49.01, 43.93, -29.45

 

CMYK 0 / 26 / 0 / 43

HEX #926C92

RGB 146 108 146

HSL 300, 0.15%, 0.5%

LAB 50.58, 21.87, -14.85

 

CMYK 51 / 89 / 0 / 10

HEX #7119E5

RGB 113 25 229

HSL 265.88, 0.8%, 0.5%

LAB 37.6, 72.69, -84.15

 

CMYK 27 / 89 / 0 / 10

HEX #A819E5

RGB 168 25 229

HSL 282.06, 0.8%, 0.5%

LAB 45.19, 79.09, -71.4

 

CMYK 3 / 89 / 0 / 10

HEX #DE19E5

RGB 222 25 229

HSL 297.94, 0.8%, 0.5%

LAB 53.9, 87.28, -56.89

 

CMYK 0 / 89 / 21 / 10

HEX #E519B5

RGB 229 25 181

HSL 314.12, 0.8%, 0.5%

LAB 52.61, 82.07, -31.29

 

CMYK 0 / 89 / 45 / 10

HEX #E5197F

RGB 229 25 127

HSL 330, 0.8%, 0.5%

LAB 50.55, 76.54, -2.26

 

CMYK 3 / 89 / 0 / 39

HEX #97119B

RGB 151 17 155

HSL 298.26, 0.8%, 0.34%

LAB 36.64, 64.82, -41.96

 

CMYK 2 / 89 / 0 / 25

HEX #BC15C0

RGB 188 21 192

HSL 298.6, 0.8%, 0.42%

LAB 45.68, 76.53, -49.14

 

CMYK 2 / 89 / 0 / 10

HEX #E019E5

RGB 224 25 229

HSL 298.53, 0.8%, 0.5%

LAB 54.24, 87.61, -56.33

 

CMYK 2 / 73 / 0 / 9

HEX #E53EE9

RGB 229 62 233

HSL 298.6, 0.8%, 0.58%

LAB 58.02, 81.15, -52.49

 

CMYK 1 / 58 / 0 / 7

HEX #EA63ED

RGB 234 99 237

HSL 298.7, 0.79%, 0.66%

LAB 63.78, 69.42, -45.57

 

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

CMYK 0 / 74 / 89 / 10

HEX #E53B19

RGB 229 59 25

HSL 10, 0.8%, 0.5%

LAB 51.67, 63.42, 56.56

 

CMYK 89 / 0 / 38 / 10

HEX #19E58D

RGB 25 229 141

HSL 154.12, 0.8%, 0.5%

LAB 80.83, -65.15, 30.37

 

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

CMYK 0 / 3 / 89 / 10

HEX #E5DE19

RGB 229 222 25

HSL 57.94, 0.8%, 0.5%

LAB 86.49, -16.19, 83.16

 

CMYK 89 / 0 / 3 / 10

HEX #19E5DE

RGB 25 229 222

HSL 177.94, 0.8%, 0.5%

LAB 82.66, -45.61, -9.46

 

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

CMYK 0 / 74 / 89 / 10

HEX #E53B19

RGB 229 59 25

HSL 10, 0.8%, 0.5%

LAB 51.67, 63.42, 56.56

 

CMYK 86 / 0 / 89 / 10

HEX #20E519

RGB 32 229 25

HSL 117.94, 0.8%, 0.5%

LAB 79.85, -77.35, 74.15

 

CMYK 89 / 15 / 0 / 10

HEX #19C3E5

RGB 25 195 229

HSL 190, 0.8%, 0.5%

LAB 72.82, -27.71, -28.08

 

CMYK 2 / 89 / 0 / 11

HEX #DF1AE4

RGB 223 26 228

HSL 298.51, 0.8%, 0.5%

LAB 54.06, 87.16, -56.07

 

CMYK 0 / 48 / 89 / 10

HEX #E57819

RGB 229 120 25

HSL 27.94, 0.8%, 0.5%

LAB 61.79, 36.88, 64.09

 

CMYK 86 / 0 / 89 / 10

HEX #20E519

RGB 32 229 25

HSL 117.94, 0.8%, 0.5%

LAB 79.85, -77.35, 74.15

 

CMYK 89 / 41 / 0 / 10

HEX #1986E5

RGB 25 134 229

HSL 207.94, 0.8%, 0.5%

LAB 54.98, 5.92, -56.06

 

Description

Color code: HEX #DF1AE4 | qconv.com Color code: HEX #DF1AE4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 26 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 26 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 89 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 89% 0% 11% C M Y K

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