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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1A5E it is the complementary color #20E5A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1A5E shade: #E41A59, #F52C6C, #FF3E7F, #FF5092 and #FF62A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1A5E shade: #DF1A5E, #CE084B, #BD0038, #AC0025 and #9B0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1A5E shade: #DF1A5E, #DF1A29 and #DF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1A5E shade: #DF1A5E, #DF1A93, #DF1AC8, #C11ADF and #8B1ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1A5E shade matches the following richer shades: #DF1A5E and #F30658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1A5E shade: #DF1A5E, #CB2E64, #B7426A, #A35671 and #8E6B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1A5E shade: #DF1AC8, #DF1A93, #DF1A5F, #DF1A2A and #DF3E1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1A5E shade: #95113F, #BA154E, #DF1A5E, #E83B76 and #EC6090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1A5E shade: #DF1A5E, #DFC21A and #1AAEDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1A5E shade: #DF1A5E, #5FDF1A and #1A5FDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1A5E shade: #DF1A5E, #DFC21A, #1ADF9A and #1A37DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1A5E shade: #DF1A5E, #C2DF1A, #1ADF9A and #371ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

Complementary color

CMYK 86 / 0 / 30 / 10

HEX #20E5A1

RGB 32 229 161

HSL 159.29, 0.79%, 0.51%

LAB 81.25, -60.62, 20.66

 

CMYK 0 / 89 / 61 / 11

HEX #E41A59

RGB 228 26 89

HSL 341.29, 0.8%, 0.5%

LAB 49.44, 73.45, 19.35

 

CMYK 0 / 82 / 56 / 4

HEX #F52C6C

RGB 245 44 108

HSL 340.9, 0.91%, 0.57%

LAB 54.34, 75.41, 15.05

 

CMYK 0 / 76 / 50 / 0

HEX #FF3E7F

RGB 255 62 127

HSL 339.79, 1%, 0.62%

LAB 58.26, 74.71, 9.49

 

CMYK 0 / 69 / 43 / 0

HEX #FF5092

RGB 255 80 146

HSL 337.37, 1%, 0.66%

LAB 60.85, 70.5, 2.05

 

CMYK 0 / 62 / 35 / 0

HEX #FF62A5

RGB 255 98 165

HSL 334.39, 1%, 0.69%

LAB 63.93, 65.47, -4.41

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 96 / 64 / 19

HEX #CE084B

RGB 206 8 75

HSL 339.7, 0.93%, 0.42%

LAB 43.95, 69.51, 19.92

 

CMYK 0 / 100 / 70 / 26

HEX #BD0038

RGB 189 0 56

HSL 342.22, 1%, 0.37%

LAB 39.76, 65.27, 25.77

 

CMYK 0 / 100 / 78 / 33

HEX #AC0025

RGB 172 0 37

HSL 347.09, 1%, 0.34%

LAB 35.8, 60.35, 32.05

 

CMYK 0 / 100 / 88 / 39

HEX #9B0012

RGB 155 0 18

HSL 353.03, 1%, 0.3%

LAB 31.83, 55.51, 37.87

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 88 / 82 / 13

HEX #DF1A29

RGB 223 26 41

HSL 355.43, 0.79%, 0.49%

LAB 47.74, 70.2, 45.37

 

CMYK 0 / 88 / 88 / 13

HEX #DF1A1A

RGB 223 26 26

HSL 0, 0.79%, 0.49%

LAB 47.63, 69.88, 52.63

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 88 / 34 / 13

HEX #DF1A93

RGB 223 26 147

HSL 323.15, 0.79%, 0.49%

LAB 50.14, 76.92, -15.06

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC8

RGB 223 26 200

HSL 307.01, 0.79%, 0.49%

LAB 52.51, 83.2, -42.55

 

CMYK 13 / 88 / 0 / 13

HEX #C11ADF

RGB 193 26 223

HSL 290.86, 0.79%, 0.49%

LAB 48.77, 81.53, -62

 

CMYK 38 / 88 / 0 / 13

HEX #8B1ADF

RGB 139 26 223

HSL 274.42, 0.79%, 0.49%

LAB 40.5, 73.96, -75.82

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 98 / 64 / 5

HEX #F30658

RGB 243 6 88

HSL 339.24, 0.95%, 0.49%

LAB 51.71, 79.01, 23.52

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 77 / 51 / 20

HEX #CB2E64

RGB 203 46 100

HSL 339.36, 0.63%, 0.49%

LAB 46.41, 63.33, 7.64

 

CMYK 0 / 64 / 42 / 28

HEX #B7426A

RGB 183 66 106

HSL 339.49, 0.47%, 0.49%

LAB 45.64, 50.68, 2.38

 

CMYK 0 / 47 / 31 / 36

HEX #A35671

RGB 163 86 113

HSL 338.96, 0.31%, 0.49%

LAB 46.49, 34.88, -1.02

 

CMYK 0 / 25 / 16 / 44

HEX #8E6B77

RGB 142 107 119

HSL 339.43, 0.14%, 0.49%

LAB 49, 15.92, -1.25

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC8

RGB 223 26 200

HSL 307.01, 0.79%, 0.49%

LAB 52.51, 83.2, -42.55

 

CMYK 0 / 88 / 34 / 13

HEX #DF1A93

RGB 223 26 147

HSL 323.15, 0.79%, 0.49%

LAB 50.14, 76.92, -15.06

 

CMYK 0 / 88 / 57 / 13

HEX #DF1A5F

RGB 223 26 95

HSL 338.98, 0.79%, 0.49%

LAB 48.58, 72.6, 14.33

 

CMYK 0 / 88 / 81 / 13

HEX #DF1A2A

RGB 223 26 42

HSL 355.13, 0.79%, 0.49%

LAB 47.74, 70.22, 44.84

 

CMYK 0 / 72 / 88 / 13

HEX #DF3E1A

RGB 223 62 26

HSL 10.96, 0.79%, 0.49%

LAB 50.93, 60.58, 55.12

 

CMYK 0 / 89 / 58 / 42

HEX #95113F

RGB 149 17 63

HSL 339.09, 0.8%, 0.33%

LAB 32.14, 53.31, 9.66

 

CMYK 0 / 89 / 58 / 27

HEX #BA154E

RGB 186 21 78

HSL 339.27, 0.8%, 0.41%

LAB 40.45, 63.17, 12.6

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 75 / 49 / 9

HEX #E83B76

RGB 232 59 118

HSL 339.54, 0.79%, 0.57%

LAB 53.59, 68.74, 7.64

 

CMYK 0 / 59 / 39 / 7

HEX #EC6090

RGB 236 96 144

HSL 339.43, 0.79%, 0.65%

LAB 60.08, 58.3, 1.73

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 13 / 88 / 13

HEX #DFC21A

RGB 223 194 26

HSL 51.17, 0.79%, 0.49%

LAB 78.66, -4.65, 76.62

 

CMYK 88 / 22 / 0 / 13

HEX #1AAEDF

RGB 26 174 223

HSL 194.92, 0.79%, 0.49%

LAB 66.38, -18.95, -34.75

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 57 / 0 / 88 / 13

HEX #5FDF1A

RGB 95 223 26

HSL 98.98, 0.79%, 0.49%

LAB 79.2, -65.11, 73.91

 

CMYK 88 / 57 / 0 / 13

HEX #1A5FDF

RGB 26 95 223

HSL 218.98, 0.79%, 0.49%

LAB 43.85, 28.31, -70.67

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 13 / 88 / 13

HEX #DFC21A

RGB 223 194 26

HSL 51.17, 0.79%, 0.49%

LAB 78.66, -4.65, 76.62

 

CMYK 88 / 0 / 31 / 13

HEX #1ADF9A

RGB 26 223 154

HSL 158.98, 0.79%, 0.49%

LAB 79.23, -60.31, 21.51

 

CMYK 88 / 75 / 0 / 13

HEX #1A37DF

RGB 26 55 223

HSL 231.17, 0.79%, 0.49%

LAB 34.56, 52.94, -85.95

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 13 / 0 / 88 / 13

HEX #C2DF1A

RGB 194 223 26

HSL 68.83, 0.79%, 0.49%

LAB 84.13, -31.17, 80.01

 

CMYK 88 / 0 / 31 / 13

HEX #1ADF9A

RGB 26 223 154

HSL 158.98, 0.79%, 0.49%

LAB 79.23, -60.31, 21.51

 

CMYK 75 / 88 / 0 / 13

HEX #371ADF

RGB 55 26 223

HSL 248.83, 0.79%, 0.49%

LAB 31.53, 66.91, -90.94

 

Description

Color code: HEX #DF1A5E | qconv.com Color code: HEX #DF1A5E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 26 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 26 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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