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Color name
HEX #DF1683

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF1683 it is the complementary color #20E97C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF1683. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF1683 shade: #E4167E, #F52891, #FF3AA4, #FF4CB7 and #FF5ECA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF1683. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF1683 shade: #DF1683, #CE0470, #BD005D, #AC004A and #9B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF1683 shade: #DF1683, #DF164D, #DF1617 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF1683 shade: #DF1683, #DF16B9, #CE16DF, #9816DF and #6216DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF1683 shade matches the following richer shades: #DF1683 and #F30285

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF1683 shade: #DF1683, #CB2A81, #B73E80, #A3517E and #90657C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF1683 shade: #CE16DF, #DF16BA, #DF1684, #DF164F and #DF1619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF1683 shade: #940F57, #B9126D, #DF1683, #EB3397 and #EF59AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF1683 shade: #DF1683, #DF9916 and #16D5DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF1683 shade: #DF1683, #84DF16 and #1684DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF1683 shade: #DF1683, #DF9916, #16DF70 and #165CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF1683 shade: #DF1683, #DFD516, #16DF70 and #1620DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

Complementary color

CMYK 86 / 0 / 47 / 9

HEX #20E97C

RGB 32 233 124

HSL 147.46, 0.82%, 0.52%

LAB 81.86, -69.07, 40.19

 

CMYK 0 / 90 / 45 / 11

HEX #E4167E

RGB 228 22 126

HSL 329.71, 0.82%, 0.49%

LAB 50.19, 76.64, -2.21

 

CMYK 0 / 84 / 41 / 4

HEX #F52891

RGB 245 40 145

HSL 329.27, 0.91%, 0.56%

LAB 55.05, 79.16, -6.08

 

CMYK 0 / 77 / 36 / 0

HEX #FF3AA4

RGB 255 58 164

HSL 327.72, 1%, 0.61%

LAB 58.94, 79.12, -11.25

 

CMYK 0 / 70 / 28 / 0

HEX #FF4CB7

RGB 255 76 183

HSL 324.13, 1%, 0.65%

LAB 61.52, 75.76, -18.34

 

CMYK 0 / 63 / 21 / 0

HEX #FF5ECA

RGB 255 94 202

HSL 319.75, 1%, 0.68%

LAB 64.59, 71.57, -24.48

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 98 / 46 / 19

HEX #CE0470

RGB 206 4 112

HSL 327.92, 0.96%, 0.41%

LAB 44.77, 72.41, -2.08

 

CMYK 0 / 100 / 51 / 26

HEX #BD005D

RGB 189 0 93

HSL 330.48, 1%, 0.37%

LAB 40.59, 67.49, 3.34

 

CMYK 0 / 100 / 57 / 33

HEX #AC004A

RGB 172 0 74

HSL 334.19, 1%, 0.34%

LAB 36.49, 62.2, 9.23

 

CMYK 0 / 100 / 65 / 39

HEX #9B0037

RGB 155 0 55

HSL 338.71, 1%, 0.3%

LAB 32.36, 56.92, 15.46

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 90 / 65 / 13

HEX #DF164D

RGB 223 22 77

HSL 343.58, 0.82%, 0.48%

LAB 48, 72.17, 24.63

 

CMYK 0 / 90 / 90 / 13

HEX #DF1617

RGB 223 22 23

HSL 359.7, 0.82%, 0.48%

LAB 47.4, 70.44, 53.74

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 90 / 17 / 13

HEX #DF16B9

RGB 223 22 185

HSL 311.34, 0.82%, 0.48%

LAB 51.57, 81.8, -35.33

 

CMYK 8 / 90 / 0 / 13

HEX #CE16DF

RGB 206 22 223

HSL 294.93, 0.82%, 0.48%

LAB 50.71, 84.17, -58.75

 

CMYK 32 / 90 / 0 / 13

HEX #9816DF

RGB 152 22 223

HSL 278.81, 0.82%, 0.48%

LAB 42.12, 76.36, -73.1

 

CMYK 56 / 90 / 0 / 13

HEX #6216DF

RGB 98 22 223

HSL 262.69, 0.82%, 0.48%

LAB 35, 70.69, -85.07

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 99 / 45 / 5

HEX #F30285

RGB 243 2 133

HSL 327.39, 0.98%, 0.48%

LAB 52.72, 82.25, -2.38

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 79 / 36 / 20

HEX #CB2A81

RGB 203 42 129

HSL 327.58, 0.66%, 0.48%

LAB 46.89, 67.13, -9.45

 

CMYK 0 / 66 / 30 / 28

HEX #B73E80

RGB 183 62 128

HSL 327.27, 0.49%, 0.48%

LAB 45.73, 54.9, -10.94

 

CMYK 0 / 50 / 23 / 36

HEX #A3517E

RGB 163 81 126

HSL 327.07, 0.34%, 0.48%

LAB 45.88, 39.41, -9.81

 

CMYK 0 / 30 / 14 / 44

HEX #90657C

RGB 144 101 124

HSL 327.91, 0.18%, 0.48%

LAB 47.87, 21.07, -5.89

 

CMYK 8 / 90 / 0 / 13

HEX #CE16DF

RGB 206 22 223

HSL 294.93, 0.82%, 0.48%

LAB 50.71, 84.17, -58.75

 

CMYK 0 / 90 / 17 / 13

HEX #DF16BA

RGB 223 22 186

HSL 311.04, 0.82%, 0.48%

LAB 51.62, 81.92, -35.83

 

CMYK 0 / 90 / 41 / 13

HEX #DF1684

RGB 223 22 132

HSL 327.16, 0.82%, 0.48%

LAB 49.41, 76.05, -7.11

 

CMYK 0 / 90 / 65 / 13

HEX #DF164F

RGB 223 22 79

HSL 342.99, 0.82%, 0.48%

LAB 48.04, 72.27, 23.45

 

CMYK 0 / 90 / 89 / 13

HEX #DF1619

RGB 223 22 25

HSL 359.1, 0.82%, 0.48%

LAB 47.41, 70.47, 52.91

 

CMYK 0 / 90 / 41 / 42

HEX #940F57

RGB 148 15 87

HSL 327.52, 0.82%, 0.32%

LAB 32.54, 55.5, -5.6

 

CMYK 0 / 90 / 41 / 27

HEX #B9126D

RGB 185 18 109

HSL 327.31, 0.82%, 0.4%

LAB 40.98, 65.91, -6.29

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 78 / 36 / 8

HEX #EB3397

RGB 235 51 151

HSL 327.39, 0.82%, 0.56%

LAB 54.31, 74.84, -10.94

 

CMYK 0 / 63 / 29 / 6

HEX #EF59AA

RGB 239 89 170

HSL 327.6, 0.82%, 0.64%

LAB 60.25, 65.12, -13.04

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 31 / 90 / 13

HEX #DF9916

RGB 223 153 22

HSL 39.1, 0.82%, 0.48%

LAB 68.41, 16.91, 69.49

 

CMYK 90 / 4 / 0 / 13

HEX #16D5DF

RGB 22 213 223

HSL 182.99, 0.82%, 0.48%

LAB 77.93, -38.32, -17.08

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 41 / 0 / 90 / 13

HEX #84DF16

RGB 132 223 22

HSL 87.16, 0.82%, 0.48%

LAB 80.59, -54.43, 76.29

 

CMYK 90 / 41 / 0 / 13

HEX #1684DF

RGB 22 132 223

HSL 207.16, 0.82%, 0.48%

LAB 54.03, 4.69, -54.23

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 31 / 90 / 13

HEX #DF9916

RGB 223 153 22

HSL 39.1, 0.82%, 0.48%

LAB 68.41, 16.91, 69.49

 

CMYK 90 / 0 / 50 / 13

HEX #16DF70

RGB 22 223 112

HSL 146.87, 0.82%, 0.48%

LAB 78.53, -68.38, 41.81

 

CMYK 90 / 59 / 0 / 13

HEX #165CDF

RGB 22 92 223

HSL 219.1, 0.82%, 0.48%

LAB 42.99, 30.05, -72.07

 

CMYK 0 / 90 / 41 / 13

HEX #DF1683

RGB 223 22 131

HSL 327.46, 0.82%, 0.48%

LAB 49.38, 75.96, -6.56

 

CMYK 0 / 4 / 90 / 13

HEX #DFD516

RGB 223 213 22

HSL 57.01, 0.82%, 0.48%

LAB 83.62, -14.33, 81.17

 

CMYK 90 / 0 / 50 / 13

HEX #16DF70

RGB 22 223 112

HSL 146.87, 0.82%, 0.48%

LAB 78.53, -68.38, 41.81

 

CMYK 90 / 86 / 0 / 13

HEX #1620DF

RGB 22 32 223

HSL 237.01, 0.82%, 0.48%

LAB 30.72, 63.74, -92.34

 

Description

Color code: HEX #DF1683 | qconv.com Color code: HEX #DF1683 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 22 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 22 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 41% 13% C M Y K

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Provide designers and agencies with accurate color values.

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