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Color name
HEX #DF12BC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF12BC it is the complementary color #20ED43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF12BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF12BC shade: #E412B7, #F524CA, #FF36DD, #FF48F0 and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF12BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF12BC shade: #DF12BC, #CE00A9, #BD0096, #AC0083 and #9B0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF12BC shade: #DE12BB, #DE1284, #DE124D, #DE1216 and #DE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF12BC shade: #DE12BB, #CA12DE, #9312DE, #5C12DE and #2512DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF12BC shade matches the following richer shades: #DE12BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF12BC shade: #DE12BB, #CA25AE, #B739A1, #A44C95 and #906088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF12BC shade: #9312DE, #C912DE, #DE12BC, #DE1285 and #DE124F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF12BC shade: #910C7B, #B80F9B, #DE12BB, #EE2BCD and #F151D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF12BC shade: #DF12BC, #DE5D12 and #12DEAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF12BC shade: #DF12BC, #BCDE12 and #12BCDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF12BC shade: #DF12BC, #DE5D12, #12DE34 and #1293DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF12BC shade: #DF12BC, #DE9A12, #12DE34 and #1256DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

Complementary color

CMYK 86 / 0 / 72 / 7

HEX #20ED43

RGB 32 237 67

HSL 130.24, 0.85%, 0.53%

LAB 82.53, -77.25, 65.54

 

CMYK 0 / 92 / 20 / 11

HEX #E412B7

RGB 228 18 183

HSL 312.86, 0.85%, 0.48%

LAB 52.23, 82.97, -33.07

 

CMYK 0 / 85 / 18 / 4

HEX #F524CA

RGB 245 36 202

HSL 312.34, 0.91%, 0.55%

LAB 57.02, 86.05, -36.34

 

CMYK 0 / 79 / 13 / 0

HEX #FF36DD

RGB 255 54 221

HSL 310.15, 1%, 0.61%

LAB 60.89, 86.79, -40.95

 

CMYK 0 / 72 / 6 / 0

HEX #FF48F0

RGB 255 72 240

HSL 304.92, 1%, 0.64%

LAB 63.5, 84.55, -47.47

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

CMYK 0 / 100 / 18 / 19

HEX #CE00A9

RGB 206 0 169

HSL 310.78, 1%, 0.4%

LAB 46.96, 78.69, -33.37

 

CMYK 0 / 100 / 21 / 26

HEX #BD0096

RGB 189 0 150

HSL 312.38, 1%, 0.37%

LAB 42.79, 73.18, -28.73

 

CMYK 0 / 100 / 24 / 33

HEX #AC0083

RGB 172 0 131

HSL 314.3, 1%, 0.34%

LAB 38.57, 67.59, -23.93

 

CMYK 0 / 100 / 28 / 39

HEX #9B0070

RGB 155 0 112

HSL 316.65, 1%, 0.3%

LAB 34.27, 61.92, -18.94

 

CMYK 0 / 92 / 16 / 13

HEX #DE12BB

RGB 222 18 187

HSL 310.29, 0.85%, 0.47%

LAB 51.32, 82.34, -36.89

 

CMYK 0 / 92 / 41 / 13

HEX #DE1284

RGB 222 18 132

HSL 326.47, 0.85%, 0.47%

LAB 49.04, 76.33, -7.68

 

CMYK 0 / 92 / 65 / 13

HEX #DE124D

RGB 222 18 77

HSL 342.65, 0.85%, 0.47%

LAB 47.62, 72.44, 24.09

 

CMYK 0 / 92 / 90 / 13

HEX #DE1216

RGB 222 18 22

HSL 358.82, 0.85%, 0.47%

LAB 47, 70.7, 53.78

 

CMYK 0 / 92 / 92 / 13

HEX #DE1212

RGB 222 18 18

HSL 0, 0.85%, 0.47%

LAB 46.98, 70.65, 55.32

 

CMYK 0 / 92 / 16 / 13

HEX #DE12BB

RGB 222 18 187

HSL 310.29, 0.85%, 0.47%

LAB 51.32, 82.34, -36.89

 

CMYK 9 / 92 / 0 / 13

HEX #CA12DE

RGB 202 18 222

HSL 294.12, 0.85%, 0.47%

LAB 49.81, 83.88, -59.67

 

CMYK 34 / 92 / 0 / 13

HEX #9312DE

RGB 147 18 222

HSL 277.94, 0.85%, 0.47%

LAB 41.07, 76.2, -74.27

 

CMYK 59 / 92 / 0 / 13

HEX #5C12DE

RGB 92 18 222

HSL 261.76, 0.85%, 0.47%

LAB 33.95, 70.86, -86.26

 

CMYK 83 / 92 / 0 / 13

HEX #2512DE

RGB 37 18 222

HSL 245.59, 0.85%, 0.47%

LAB 29.66, 68.26, -93.5

 

CMYK 0 / 92 / 16 / 13

HEX #DE12BB

RGB 222 18 187

HSL 310.29, 0.85%, 0.47%

LAB 51.32, 82.34, -36.89

 

CMYK 0 / 92 / 16 / 13

HEX #DE12BB

RGB 222 18 187

HSL 310.29, 0.85%, 0.47%

LAB 51.32, 82.34, -36.89

 

CMYK 0 / 82 / 14 / 21

HEX #CA25AE

RGB 202 37 174

HSL 310.18, 0.69%, 0.47%

LAB 48.18, 73.57, -34.46

 

CMYK 0 / 69 / 12 / 28

HEX #B739A1

RGB 183 57 161

HSL 310.48, 0.53%, 0.47%

LAB 46.4, 61.43, -29.78

 

CMYK 0 / 54 / 9 / 36

HEX #A44C95

RGB 164 76 149

HSL 310.23, 0.37%, 0.47%

LAB 45.95, 45.99, -23.54

 

CMYK 0 / 33 / 6 / 44

HEX #906088

RGB 144 96 136

HSL 310, 0.2%, 0.47%

LAB 47.07, 26.18, -14.27

 

CMYK 34 / 92 / 0 / 13

HEX #9312DE

RGB 147 18 222

HSL 277.94, 0.85%, 0.47%

LAB 41.07, 76.2, -74.27

 

CMYK 9 / 92 / 0 / 13

HEX #C912DE

RGB 201 18 222

HSL 293.82, 0.85%, 0.47%

LAB 49.65, 83.72, -59.95

 

CMYK 0 / 92 / 15 / 13

HEX #DE12BC

RGB 222 18 188

HSL 310, 0.85%, 0.47%

LAB 51.37, 82.46, -37.4

 

CMYK 0 / 92 / 40 / 13

HEX #DE1285

RGB 222 18 133

HSL 326.18, 0.85%, 0.47%

LAB 49.08, 76.42, -8.24

 

CMYK 0 / 92 / 64 / 13

HEX #DE124F

RGB 222 18 79

HSL 342.06, 0.85%, 0.47%

LAB 47.66, 72.55, 22.91

 

CMYK 0 / 92 / 15 / 43

HEX #910C7B

RGB 145 12 123

HSL 309.92, 0.85%, 0.31%

LAB 33.38, 59.65, -27.44

 

CMYK 0 / 92 / 16 / 28

HEX #B80F9B

RGB 184 15 155

HSL 310.3, 0.85%, 0.39%

LAB 42.61, 71.34, -32.11

 

CMYK 0 / 92 / 16 / 13

HEX #DE12BB

RGB 222 18 187

HSL 310.29, 0.85%, 0.47%

LAB 51.32, 82.34, -36.89

 

CMYK 0 / 82 / 14 / 7

HEX #EE2BCD

RGB 238 43 205

HSL 310.15, 0.85%, 0.55%

LAB 56.4, 83.72, -39.11

 

CMYK 0 / 66 / 11 / 5

HEX #F151D6

RGB 241 81 214

HSL 310.13, 0.85%, 0.63%

LAB 61.17, 74.62, -36.72

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

CMYK 0 / 58 / 92 / 13

HEX #DE5D12

RGB 222 93 18

HSL 22.06, 0.85%, 0.47%

LAB 55.48, 47.33, 60.96

 

CMYK 92 / 0 / 22 / 13

HEX #12DEAE

RGB 18 222 174

HSL 165.88, 0.85%, 0.47%

LAB 79.29, -55.75, 11.07

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

CMYK 15 / 0 / 92 / 13

HEX #BCDE12

RGB 188 222 18

HSL 70, 0.85%, 0.47%

LAB 83.43, -33.28, 80.44

 

CMYK 92 / 15 / 0 / 13

HEX #12BCDE

RGB 18 188 222

HSL 190, 0.85%, 0.47%

LAB 70.43, -26.85, -27.95

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

CMYK 0 / 58 / 92 / 13

HEX #DE5D12

RGB 222 93 18

HSL 22.06, 0.85%, 0.47%

LAB 55.48, 47.33, 60.96

 

CMYK 92 / 0 / 77 / 13

HEX #12DE34

RGB 18 222 52

HSL 130, 0.85%, 0.47%

LAB 77.65, -75.02, 65.62

 

CMYK 92 / 34 / 0 / 13

HEX #1293DE

RGB 18 147 222

HSL 202.06, 0.85%, 0.47%

LAB 58.29, -4.78, -46.89

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BC

RGB 223 18 188

HSL 310.24, 0.85%, 0.47%

LAB 51.55, 82.65, -37.1

 

CMYK 0 / 31 / 92 / 13

HEX #DE9A12

RGB 222 154 18

HSL 40, 0.85%, 0.47%

LAB 68.52, 15.88, 70.32

 

CMYK 92 / 0 / 77 / 13

HEX #12DE34

RGB 18 222 52

HSL 130, 0.85%, 0.47%

LAB 77.65, -75.02, 65.62

 

CMYK 92 / 61 / 0 / 13

HEX #1256DE

RGB 18 86 222

HSL 220, 0.85%, 0.47%

LAB 41.31, 33.37, -74.26

 

Description

Color code: HEX #DF12BC | qconv.com Color code: HEX #DF12BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 18 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 18 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 16 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 16% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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