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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF10A8 it is the complementary color #20EF57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF10A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF10A8 shade: #E410A3, #F522B6, #FF34C9, #FF46DC and #FF58EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF10A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF10A8 shade: #DF10A8, #CE0095, #BD0082, #AC006F and #9B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF10A8 shade: #E00FA8, #E00F70, #E00F38 and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF10A8 shade: #E00FA8, #DF0FE0, #A70FE0, #6E0FE0 and #360FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF10A8 shade matches the following richer shades: #E00FA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF10A8 shade: #E00FA8, #CC229F, #B93696, #A5498D and #925D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF10A8 shade: #A50FE0, #DC0FE0, #E00FAB, #E00F74 and #E00F3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF10A8 shade: #920A6E, #B90C8B, #E00FA8, #F028BB and #F24FC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF10A8 shade: #DF10A8, #E06D0F and #0FE0C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF10A8 shade: #DF10A8, #ABE00F and #0FABE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF10A8 shade: #DF10A8, #E06D0F, #0FE043 and #0F82E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF10A8 shade: #DF10A8, #E0AB0F, #0FE043 and #0F43E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

Complementary color

CMYK 87 / 0 / 64 / 6

HEX #20EF57

RGB 32 239 87

HSL 135.94, 0.87%, 0.53%

LAB 83.3, -75.95, 58.71

 

CMYK 0 / 93 / 29 / 11

HEX #E410A3

RGB 228 16 163

HSL 318.4, 0.87%, 0.48%

LAB 51.28, 80.89, -22.77

 

CMYK 0 / 86 / 26 / 4

HEX #F522B6

RGB 245 34 182

HSL 317.91, 0.91%, 0.55%

LAB 56.02, 84.03, -26.35

 

CMYK 0 / 80 / 21 / 0

HEX #FF34C9

RGB 255 52 201

HSL 315.96, 1%, 0.6%

LAB 59.83, 84.73, -31.25

 

CMYK 0 / 73 / 14 / 0

HEX #FF46DC

RGB 255 70 220

HSL 311.35, 1%, 0.64%

LAB 62.34, 82.34, -38.1

 

CMYK 0 / 65 / 6 / 0

HEX #FF58EF

RGB 255 88 239

HSL 305.75, 1%, 0.67%

LAB 65.34, 79.07, -44.02

 

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

CMYK 0 / 100 / 28 / 19

HEX #CE0095

RGB 206 0 149

HSL 316.6, 1%, 0.4%

LAB 46.03, 76.35, -22.84

 

CMYK 0 / 100 / 31 / 26

HEX #BD0082

RGB 189 0 130

HSL 318.73, 1%, 0.37%

LAB 41.89, 70.89, -17.9

 

CMYK 0 / 100 / 35 / 33

HEX #AC006F

RGB 172 0 111

HSL 321.28, 1%, 0.34%

LAB 37.7, 65.37, -12.75

 

CMYK 0 / 100 / 41 / 39

HEX #9B005C

RGB 155 0 92

HSL 324.39, 1%, 0.3%

LAB 33.44, 59.78, -7.36

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

CMYK 0 / 93 / 50 / 12

HEX #E00F70

RGB 224 15 112

HSL 332.15, 0.87%, 0.47%

LAB 48.71, 75.45, 4.09

 

CMYK 0 / 93 / 75 / 12

HEX #E00F38

RGB 224 15 56

HSL 348.23, 0.87%, 0.47%

LAB 47.59, 72.37, 36.82

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

CMYK 0 / 93 / 0 / 12

HEX #DF0FE0

RGB 223 15 224

HSL 299.71, 0.87%, 0.47%

LAB 53.4, 87.83, -54.86

 

CMYK 25 / 93 / 0 / 12

HEX #A70FE0

RGB 167 15 224

HSL 283.64, 0.87%, 0.47%

LAB 44.15, 79.52, -70.26

 

CMYK 51 / 93 / 0 / 12

HEX #6E0FE0

RGB 110 15 224

HSL 267.27, 0.87%, 0.47%

LAB 36.06, 73.28, -83.85

 

CMYK 76 / 93 / 0 / 12

HEX #360FE0

RGB 54 15 224

HSL 251.2, 0.87%, 0.47%

LAB 30.66, 69.96, -92.97

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

CMYK 0 / 83 / 22 / 20

HEX #CC229F

RGB 204 34 159

HSL 315.88, 0.71%, 0.47%

LAB 47.6, 72.71, -26.44

 

CMYK 0 / 71 / 19 / 27

HEX #B93696

RGB 185 54 150

HSL 316.03, 0.55%, 0.47%

LAB 45.85, 61.43, -24.04

 

CMYK 0 / 56 / 15 / 35

HEX #A5498D

RGB 165 73 141

HSL 315.65, 0.39%, 0.47%

LAB 45.2, 46.44, -19.88

 

CMYK 0 / 36 / 10 / 43

HEX #925D84

RGB 146 93 132

HSL 315.85, 0.22%, 0.47%

LAB 46.45, 27.87, -12.78

 

CMYK 26 / 93 / 0 / 12

HEX #A50FE0

RGB 165 15 224

HSL 283.06, 0.87%, 0.47%

LAB 43.83, 79.26, -70.79

 

CMYK 2 / 93 / 0 / 12

HEX #DC0FE0

RGB 220 15 224

HSL 298.85, 0.87%, 0.47%

LAB 52.88, 87.35, -55.71

 

CMYK 0 / 93 / 24 / 12

HEX #E00FAB

RGB 224 15 171

HSL 315.22, 0.87%, 0.47%

LAB 50.84, 81.09, -28.24

 

CMYK 0 / 93 / 48 / 12

HEX #E00F74

RGB 224 15 116

HSL 331, 0.87%, 0.47%

LAB 48.82, 75.75, 1.8

 

CMYK 0 / 93 / 73 / 12

HEX #E00F3C

RGB 224 15 60

HSL 347.08, 0.87%, 0.47%

LAB 47.64, 72.52, 34.52

 

CMYK 0 / 93 / 25 / 43

HEX #920A6E

RGB 146 10 110

HSL 315.88, 0.87%, 0.31%

LAB 32.82, 58.43, -20.06

 

CMYK 0 / 94 / 25 / 27

HEX #B90C8B

RGB 185 12 139

HSL 315.95, 0.88%, 0.39%

LAB 41.91, 69.89, -23.47

 

CMYK 0 / 93 / 25 / 12

HEX #E00FA8

RGB 224 15 168

HSL 316.08, 0.87%, 0.47%

LAB 50.71, 80.75, -26.68

 

CMYK 0 / 83 / 22 / 6

HEX #F028BB

RGB 240 40 187

HSL 315.9, 0.87%, 0.55%

LAB 55.72, 82.48, -29.79

 

CMYK 0 / 67 / 18 / 5

HEX #F24FC7

RGB 242 79 199

HSL 315.83, 0.86%, 0.63%

LAB 60.42, 73.48, -29.36

 

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

CMYK 0 / 51 / 93 / 12

HEX #E06D0F

RGB 224 109 15

HSL 26.99, 0.87%, 0.47%

LAB 58.81, 40.31, 64.11

 

CMYK 93 / 0 / 14 / 12

HEX #0FE0C0

RGB 15 224 192

HSL 170.81, 0.87%, 0.47%

LAB 80.3, -52.11, 2.99

 

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

CMYK 24 / 0 / 93 / 12

HEX #ABE00F

RGB 171 224 15

HSL 75.22, 0.87%, 0.47%

LAB 82.92, -40.93, 79.93

 

CMYK 93 / 24 / 0 / 12

HEX #0FABE0

RGB 15 171 224

HSL 195.22, 0.87%, 0.47%

LAB 65.44, -17.51, -36.77

 

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

CMYK 0 / 51 / 93 / 12

HEX #E06D0F

RGB 224 109 15

HSL 26.99, 0.87%, 0.47%

LAB 58.81, 40.31, 64.11

 

CMYK 93 / 0 / 70 / 12

HEX #0FE043

RGB 15 224 67

HSL 134.93, 0.87%, 0.47%

LAB 78.36, -74.54, 61.19

 

CMYK 93 / 42 / 0 / 12

HEX #0F82E0

RGB 15 130 224

HSL 206.99, 0.87%, 0.47%

LAB 53.44, 5.99, -55.74

 

CMYK 0 / 93 / 25 / 13

HEX #DF10A8

RGB 223 16 168

HSL 315.94, 0.87%, 0.47%

LAB 50.55, 80.45, -26.93

 

CMYK 0 / 24 / 93 / 12

HEX #E0AB0F

RGB 224 171 15

HSL 44.78, 0.87%, 0.47%

LAB 72.9, 7.64, 74.13

 

CMYK 93 / 0 / 70 / 12

HEX #0FE043

RGB 15 224 67

HSL 134.93, 0.87%, 0.47%

LAB 78.36, -74.54, 61.19

 

CMYK 93 / 70 / 0 / 12

HEX #0F43E0

RGB 15 67 224

HSL 225.07, 0.87%, 0.47%

LAB 36.93, 45.97, -82.61

 

Description

Color code: HEX #DF10A8 | qconv.com Color code: HEX #DF10A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 16 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 16 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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