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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF0F47 it is the complementary color #20F0B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF0F47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF0F47 shade: #E40F42, #F52155, #FF3368, #FF457B and #FF578E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF0F47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF0F47 shade: #DF0F47, #CE0034, #BD0021, #AC000E and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF0F47 shade: #E01048 and #E01010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF0F47 shade: #E01048, #E01080, #E010B8, #D010E0 and #9810E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF0F47 shade matches the following richer shades: #E01048

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF0F47 shade: #E01048, #CD2351, #B9365A, #A64A63 and #935D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF0F47 shade: #E010BA, #E01082, #E0104B, #E01013 and #E04410

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF0F47 shade: #930A2F, #BA0D3B, #E01048, #F0295E and #F34F7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF0F47 shade: #DF0F47, #E0CF10 and #109EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF0F47 shade: #DF0F47, #4BE010 and #104BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF0F47 shade: #DF0F47, #E0CF10, #10E0A5 and #1021E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF0F47 shade: #DF0F47, #B3E010, #10E0A5 and #3D10E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

Complementary color

CMYK 87 / 0 / 23 / 6

HEX #20F0B8

RGB 32 240 184

HSL 163.85, 0.87%, 0.53%

LAB 85.04, -59.56, 13.99

 

CMYK 0 / 93 / 71 / 11

HEX #E40F42

RGB 228 15 66

HSL 345.63, 0.88%, 0.48%

LAB 48.55, 73.73, 32.2

 

CMYK 0 / 87 / 65 / 4

HEX #F52155

RGB 245 33 85

HSL 345.28, 0.91%, 0.55%

LAB 53.12, 76.26, 27.23

 

CMYK 0 / 80 / 59 / 0

HEX #FF3368

RGB 255 51 104

HSL 344.41, 1%, 0.6%

LAB 56.71, 76.07, 20.97

 

CMYK 0 / 73 / 52 / 0

HEX #FF457B

RGB 255 69 123

HSL 342.58, 1%, 0.64%

LAB 58.92, 72.28, 12.78

 

CMYK 0 / 66 / 44 / 0

HEX #FF578E

RGB 255 87 142

HSL 340.36, 1%, 0.67%

LAB 61.68, 67.53, 5.58

 

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

CMYK 0 / 100 / 75 / 19

HEX #CE0034

RGB 206 0 52

HSL 344.85, 1%, 0.4%

LAB 43.32, 69.21, 33.35

 

CMYK 0 / 100 / 83 / 26

HEX #BD0021

RGB 189 0 33

HSL 349.52, 1%, 0.37%

LAB 39.46, 64.47, 39.33

 

CMYK 0 / 100 / 92 / 33

HEX #AC000E

RGB 172 0 14

HSL 355.12, 1%, 0.34%

LAB 35.6, 59.81, 44.29

 

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

 

CMYK 0 / 93 / 68 / 12

HEX #E01048

RGB 224 16 72

HSL 343.85, 0.87%, 0.47%

LAB 47.86, 72.92, 27.54

 

CMYK 0 / 93 / 93 / 12

HEX #E01010

RGB 224 16 16

HSL 0, 0.87%, 0.47%

LAB 47.31, 71.37, 56.44

 

CMYK 0 / 93 / 68 / 12

HEX #E01048

RGB 224 16 72

HSL 343.85, 0.87%, 0.47%

LAB 47.86, 72.92, 27.54

 

CMYK 0 / 93 / 43 / 12

HEX #E01080

RGB 224 16 128

HSL 327.69, 0.87%, 0.47%

LAB 49.22, 76.64, -4.94

 

CMYK 0 / 93 / 18 / 12

HEX #E010B8

RGB 224 16 184

HSL 311.54, 0.87%, 0.47%

LAB 51.47, 82.54, -34.88

 

CMYK 7 / 93 / 0 / 12

HEX #D010E0

RGB 208 16 224

HSL 295.38, 0.87%, 0.47%

LAB 50.88, 85.34, -59.04

 

CMYK 32 / 93 / 0 / 12

HEX #9810E0

RGB 152 16 224

HSL 279.23, 0.87%, 0.47%

LAB 41.89, 77.49, -74.05

 

CMYK 0 / 93 / 68 / 12

HEX #E01048

RGB 224 16 72

HSL 343.85, 0.87%, 0.47%

LAB 47.86, 72.92, 27.54

 

CMYK 0 / 93 / 68 / 12

HEX #E01048

RGB 224 16 72

HSL 343.85, 0.87%, 0.47%

LAB 47.86, 72.92, 27.54

 

CMYK 0 / 83 / 60 / 20

HEX #CD2351

RGB 205 35 81

HSL 343.76, 0.71%, 0.47%

LAB 45.32, 65.42, 17.97

 

CMYK 0 / 71 / 51 / 27

HEX #B9365A

RGB 185 54 90

HSL 343.51, 0.55%, 0.47%

LAB 43.79, 54.65, 9.67

 

CMYK 0 / 55 / 40 / 35

HEX #A64A63

RGB 166 74 99

HSL 343.7, 0.38%, 0.47%

LAB 44.1, 40.46, 4.1

 

CMYK 0 / 37 / 27 / 42

HEX #935D6C

RGB 147 93 108

HSL 343.33, 0.23%, 0.47%

LAB 45.79, 24.23, 0.73

 

CMYK 0 / 93 / 17 / 12

HEX #E010BA

RGB 224 16 186

HSL 310.96, 0.87%, 0.47%

LAB 51.57, 82.79, -35.9

 

CMYK 0 / 93 / 42 / 12

HEX #E01082

RGB 224 16 130

HSL 327.12, 0.87%, 0.47%

LAB 49.29, 76.81, -6.06

 

CMYK 0 / 93 / 67 / 12

HEX #E0104B

RGB 224 16 75

HSL 342.98, 0.87%, 0.47%

LAB 47.91, 73.06, 25.78

 

CMYK 0 / 93 / 92 / 12

HEX #E01013

RGB 224 16 19

HSL 359.13, 0.87%, 0.47%

LAB 47.32, 71.4, 55.37

 

CMYK 0 / 70 / 93 / 12

HEX #E04410

RGB 224 68 16

HSL 15, 0.87%, 0.47%

LAB 51.86, 58.58, 59.26

 

CMYK 0 / 93 / 68 / 42

HEX #930A2F

RGB 147 10 47

HSL 343.8, 0.87%, 0.31%

LAB 30.94, 52.99, 18.56

 

CMYK 0 / 93 / 68 / 27

HEX #BA0D3B

RGB 186 13 59

HSL 344.05, 0.87%, 0.39%

LAB 39.65, 63.27, 23.61

 

CMYK 0 / 93 / 68 / 12

HEX #E01048

RGB 224 16 72

HSL 343.85, 0.87%, 0.47%

LAB 47.86, 72.92, 27.54

 

CMYK 0 / 83 / 61 / 6

HEX #F0295E

RGB 240 41 94

HSL 344.02, 0.87%, 0.55%

LAB 52.86, 73.93, 21.3

 

CMYK 0 / 67 / 49 / 5

HEX #F34F7B

RGB 243 79 123

HSL 343.9, 0.87%, 0.63%

LAB 58.11, 65.39, 11.33

 

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

CMYK 0 / 8 / 93 / 12

HEX #E0CF10

RGB 224 207 16

HSL 55.1, 0.87%, 0.47%

LAB 82.11, -10.99, 80.87

 

CMYK 93 / 29 / 0 / 12

HEX #109EE0

RGB 16 158 224

HSL 199.04, 0.87%, 0.47%

LAB 61.61, -10.38, -42.77

 

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

CMYK 67 / 0 / 93 / 12

HEX #4BE010

RGB 75 224 16

HSL 102.98, 0.87%, 0.47%

LAB 78.95, -70.17, 74.96

 

CMYK 93 / 67 / 0 / 12

HEX #104BE0

RGB 16 75 224

HSL 222.98, 0.87%, 0.47%

LAB 38.77, 41.07, -79.57

 

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

CMYK 0 / 8 / 93 / 12

HEX #E0CF10

RGB 224 207 16

HSL 55.1, 0.87%, 0.47%

LAB 82.11, -10.99, 80.87

 

CMYK 93 / 0 / 26 / 12

HEX #10E0A5

RGB 16 224 165

HSL 162.98, 0.87%, 0.47%

LAB 79.69, -58.71, 16.39

 

CMYK 93 / 85 / 0 / 12

HEX #1021E0

RGB 16 33 224

HSL 235.1, 0.87%, 0.47%

LAB 30.83, 63.53, -92.72

 

CMYK 0 / 93 / 68 / 13

HEX #DF0F47

RGB 223 15 71

HSL 343.85, 0.87%, 0.47%

LAB 47.6, 72.73, 27.79

 

CMYK 20 / 0 / 93 / 12

HEX #B3E010

RGB 179 224 16

HSL 72.98, 0.87%, 0.47%

LAB 83.41, -37.8, 80.42

 

CMYK 93 / 0 / 26 / 12

HEX #10E0A5

RGB 16 224 165

HSL 162.98, 0.87%, 0.47%

LAB 79.69, -58.71, 16.39

 

CMYK 73 / 93 / 0 / 12

HEX #3D10E0

RGB 61 16 224

HSL 252.98, 0.87%, 0.47%

LAB 31.22, 70.02, -92.02

 

Description

Color code: HEX #DF0F47 | qconv.com Color code: HEX #DF0F47 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 15 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 15 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 68% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Guria Bonita ⋆
Link: http://www.guriabonita.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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