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Color name
HEX #DF0D9A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF0D9A it is the complementary color #20F265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF0D9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF0D9A shade: #E40D95, #F51FA8, #FF31BB, #FF43CE and #FF55E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF0D9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF0D9A shade: #DF0D9A, #CE0087, #BD0074, #AC0061 and #9B004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF0D9A shade: #DE0D99, #DE0D61, #DE0D28 and #DE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF0D9A shade: #DE0D99, #DE0DD1, #B20DDE, #790DDE and #410DDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF0D9A shade matches the following richer shades: #DE0D99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF0D9A shade: #DE0D99, #CB2093, #B8338C, #A54686 and #92597F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF0D9A shade: #B00DDE, #DE0DD3, #DE0D9C, #DE0D64 and #DE0D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF0D9A shade: #900863, #B70B7E, #DE0D99, #F222AE and #F449BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF0D9A shade: #DF0D9A, #DE790D and #0DDECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF0D9A shade: #DF0D9A, #9CDE0D and #0D9CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF0D9A shade: #DF0D9A, #DE790D, #0DDE4F and #0D72DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF0D9A shade: #DF0D9A, #DEB70D, #0DDE4F and #0D33DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

Complementary color

CMYK 87 / 0 / 58 / 5

HEX #20F265

RGB 32 242 101

HSL 139.71, 0.89%, 0.54%

LAB 84.36, -75.22, 53.95

 

CMYK 0 / 94 / 35 / 11

HEX #E40D95

RGB 228 13 149

HSL 322.05, 0.89%, 0.47%

LAB 50.63, 79.73, -15.42

 

CMYK 0 / 87 / 31 / 4

HEX #F51FA8

RGB 245 31 168

HSL 321.59, 0.91%, 0.54%

LAB 55.3, 83, -19.28

 

CMYK 0 / 81 / 27 / 0

HEX #FF31BB

RGB 255 49 187

HSL 319.81, 1%, 0.6%

LAB 59.02, 83.77, -24.48

 

CMYK 0 / 74 / 19 / 0

HEX #FF43CE

RGB 255 67 206

HSL 315.64, 1%, 0.63%

LAB 61.42, 81.39, -31.63

 

CMYK 0 / 67 / 12 / 0

HEX #FF55E1

RGB 255 85 225

HSL 310.59, 1%, 0.67%

LAB 64.32, 78.1, -37.82

 

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

CMYK 0 / 100 / 34 / 19

HEX #CE0087

RGB 206 0 135

HSL 320.68, 1%, 0.4%

LAB 45.46, 74.87, -15.22

 

CMYK 0 / 100 / 39 / 26

HEX #BD0074

RGB 189 0 116

HSL 323.17, 1%, 0.37%

LAB 41.34, 69.47, -10.04

 

CMYK 0 / 100 / 44 / 33

HEX #AC0061

RGB 172 0 97

HSL 326.16, 1%, 0.34%

LAB 37.18, 64.02, -4.63

 

CMYK 0 / 100 / 50 / 39

HEX #9B004E

RGB 155 0 78

HSL 329.81, 1%, 0.3%

LAB 32.96, 58.52, 1.09

 

CMYK 0 / 94 / 31 / 13

HEX #DE0D99

RGB 222 13 153

HSL 319.81, 0.89%, 0.46%

LAB 49.64, 78.9, -19.44

 

CMYK 0 / 94 / 56 / 13

HEX #DE0D61

RGB 222 13 97

HSL 335.89, 0.89%, 0.46%

LAB 47.85, 74.13, 12.07

 

CMYK 0 / 94 / 82 / 13

HEX #DE0D28

RGB 222 13 40

HSL 352.25, 0.89%, 0.46%

LAB 46.94, 71.6, 45.07

 

CMYK 0 / 94 / 94 / 13

HEX #DE0D0D

RGB 222 13 13

HSL 0, 0.89%, 0.46%

LAB 46.77, 71.15, 56.9

 

CMYK 0 / 94 / 31 / 13

HEX #DE0D99

RGB 222 13 153

HSL 319.81, 0.89%, 0.46%

LAB 49.64, 78.9, -19.44

 

CMYK 0 / 94 / 6 / 13

HEX #DE0DD1

RGB 222 13 209

HSL 303.73, 0.89%, 0.46%

LAB 52.31, 85.72, -48.05

 

CMYK 20 / 94 / 0 / 13

HEX #B20DDE

RGB 178 13 222

HSL 287.37, 0.89%, 0.46%

LAB 45.67, 80.88, -66.56

 

CMYK 45 / 94 / 0 / 13

HEX #790DDE

RGB 121 13 222

HSL 271, 0.89%, 0.46%

LAB 37.16, 74.14, -80.83

 

CMYK 71 / 94 / 0 / 13

HEX #410DDE

RGB 65 13 222

HSL 254.93, 0.89%, 0.46%

LAB 31.08, 70.29, -91.1

 

CMYK 0 / 94 / 31 / 13

HEX #DE0D99

RGB 222 13 153

HSL 319.81, 0.89%, 0.46%

LAB 49.64, 78.9, -19.44

 

CMYK 0 / 94 / 31 / 13

HEX #DE0D99

RGB 222 13 153

HSL 319.81, 0.89%, 0.46%

LAB 49.64, 78.9, -19.44

 

CMYK 0 / 84 / 28 / 20

HEX #CB2093

RGB 203 32 147

HSL 319.65, 0.73%, 0.46%

LAB 46.76, 71.47, -20.56

 

CMYK 0 / 72 / 24 / 28

HEX #B8338C

RGB 184 51 140

HSL 319.85, 0.57%, 0.46%

LAB 44.87, 60.87, -19.52

 

CMYK 0 / 58 / 19 / 35

HEX #A54686

RGB 165 70 134

HSL 319.58, 0.4%, 0.46%

LAB 44.38, 46.8, -16.91

 

CMYK 0 / 39 / 13 / 43

HEX #92597F

RGB 146 89 127

HSL 320, 0.24%, 0.46%

LAB 45.34, 29.26, -11.45

 

CMYK 21 / 94 / 0 / 13

HEX #B00DDE

RGB 176 13 222

HSL 286.79, 0.89%, 0.46%

LAB 45.35, 80.6, -67.1

 

CMYK 0 / 94 / 5 / 13

HEX #DE0DD3

RGB 222 13 211

HSL 303.16, 0.89%, 0.46%

LAB 52.42, 86, -49.02

 

CMYK 0 / 94 / 30 / 13

HEX #DE0D9C

RGB 222 13 156

HSL 318.95, 0.89%, 0.46%

LAB 49.76, 79.22, -21.04

 

CMYK 0 / 94 / 55 / 13

HEX #DE0D64

RGB 222 13 100

HSL 335.02, 0.89%, 0.46%

LAB 47.93, 74.33, 10.32

 

CMYK 0 / 94 / 80 / 13

HEX #DE0D2C

RGB 222 13 44

HSL 351.1, 0.89%, 0.46%

LAB 46.97, 71.71, 42.92

 

CMYK 0 / 94 / 31 / 44

HEX #900863

RGB 144 8 99

HSL 319.85, 0.89%, 0.3%

LAB 31.82, 56.95, -14.57

 

CMYK 0 / 94 / 31 / 28

HEX #B70B7E

RGB 183 11 126

HSL 319.88, 0.89%, 0.38%

LAB 40.92, 68.1, -17.02

 

CMYK 0 / 94 / 31 / 13

HEX #DE0D99

RGB 222 13 153

HSL 319.81, 0.89%, 0.46%

LAB 49.64, 78.9, -19.44

 

CMYK 0 / 86 / 28 / 5

HEX #F222AE

RGB 242 34 174

HSL 319.62, 0.89%, 0.54%

LAB 55.15, 82.52, -23.07

 

CMYK 0 / 70 / 23 / 4

HEX #F449BC

RGB 244 73 188

HSL 319.65, 0.89%, 0.62%

LAB 59.55, 74.63, -24.39

 

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

CMYK 0 / 45 / 94 / 13

HEX #DE790D

RGB 222 121 13

HSL 31, 0.89%, 0.46%

LAB 60.99, 33.35, 65.86

 

CMYK 94 / 0 / 8 / 13

HEX #0DDECC

RGB 13 222 204

HSL 174.83, 0.89%, 0.46%

LAB 80, -48.11, -3.83

 

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

CMYK 30 / 0 / 94 / 13

HEX #9CDE0D

RGB 156 222 13

HSL 78.95, 0.89%, 0.46%

LAB 81.48, -45.77, 78.65

 

CMYK 94 / 30 / 0 / 13

HEX #0D9CDE

RGB 13 156 222

HSL 198.95, 0.89%, 0.46%

LAB 60.9, -10.1, -42.78

 

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

CMYK 0 / 45 / 94 / 13

HEX #DE790D

RGB 222 121 13

HSL 31, 0.89%, 0.46%

LAB 60.99, 33.35, 65.86

 

CMYK 94 / 0 / 64 / 13

HEX #0DDE4F

RGB 13 222 79

HSL 138.95, 0.89%, 0.46%

LAB 77.81, -72.87, 55.88

 

CMYK 94 / 49 / 0 / 13

HEX #0D72DE

RGB 13 114 222

HSL 211, 0.89%, 0.46%

LAB 48.75, 15.12, -62.15

 

CMYK 0 / 94 / 31 / 13

HEX #DF0D9A

RGB 223 13 154

HSL 319.71, 0.89%, 0.46%

LAB 49.87, 79.21, -19.66

 

CMYK 0 / 18 / 94 / 13

HEX #DEB70D

RGB 222 183 13

HSL 48.8, 0.89%, 0.46%

LAB 75.72, 0.43, 76.38

 

CMYK 94 / 0 / 64 / 13

HEX #0DDE4F

RGB 13 222 79

HSL 138.95, 0.89%, 0.46%

LAB 77.81, -72.87, 55.88

 

CMYK 94 / 77 / 0 / 13

HEX #0D33DE

RGB 13 51 222

HSL 229.09, 0.89%, 0.46%

LAB 33.41, 54.41, -87.29

 

Description

Color code: HEX #DF0D9A | qconv.com Color code: HEX #DF0D9A | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 13 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 13 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 31% 13% C M Y K

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