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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF0CFD it is the complementary color #20F302. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF0CFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF0CFD shade: #E40CF8, #F51EFF, #FF30FF, #FF42FF and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF0CFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF0CFD shade: #DF0CFD, #CE00EA, #BD00D7, #AC00C4 and #9B00B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF0CFD shade: #DF0DFD, #FD0DDA, #FD0D99, #FD0D58 and #FD0D18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF0CFD shade: #DF0DFD, #9E0DFD, #5D0DFD, #1D0DFD and #0D0DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF0CFD shade matches the following richer shades: #DF0DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF0CFD shade: #DF0DFD, #D020E9, #C134D5, #B248C1 and #A35CAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF0CFD shade: #5D0DFD, #9D0DFD, #DD0DFD, #FD0DDD and #FD0D9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF0CFD shade: #9F02B5, #C202DE, #DF0DFD, #E435FD and #EA5EFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF0CFD shade: #DF0CFD, #FD1D0D and #0DFD7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF0CFD shade: #DF0CFD, #FDDD0D and #0DFDDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF0CFD shade: #DF0CFD, #FD1D0D, #2DFD0D and #0DEDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF0CFD shade: #DF0CFD, #FD650D, #2DFD0D and #0DA5FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

Complementary color

CMYK 87 / 0 / 99 / 5

HEX #20F302

RGB 32 243 2

HSL 112.53, 0.98%, 0.48%

LAB 84.18, -81.61, 80.23

 

CMYK 8 / 95 / 0 / 3

HEX #E40CF8

RGB 228 12 248

HSL 294.92, 0.94%, 0.51%

LAB 55.62, 92.41, -64.75

 

CMYK 4 / 88 / 0 / 0

HEX #F51EFF

RGB 245 30 255

HSL 297.33, 1%, 0.56%

LAB 59.49, 94.2, -62.27

 

CMYK 0 / 81 / 0 / 0

HEX #FF30FF

RGB 255 48 255

HSL 300, 1%, 0.59%

LAB 62.16, 92.83, -57.9

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

CMYK 12 / 100 / 0 / 8

HEX #CE00EA

RGB 206 0 234

HSL 292.82, 1%, 0.46%

LAB 50.76, 87.89, -64.91

 

CMYK 12 / 100 / 0 / 16

HEX #BD00D7

RGB 189 0 215

HSL 292.74, 1%, 0.42%

LAB 46.61, 82.44, -60.94

 

CMYK 12 / 100 / 0 / 23

HEX #AC00C4

RGB 172 0 196

HSL 292.65, 1%, 0.38%

LAB 42.39, 76.89, -56.91

 

CMYK 12 / 100 / 0 / 31

HEX #9B00B1

RGB 155 0 177

HSL 292.54, 1%, 0.35%

LAB 38.1, 71.25, -52.8

 

CMYK 12 / 95 / 0 / 1

HEX #DF0DFD

RGB 223 13 253

HSL 292.5, 0.98%, 0.52%

LAB 55.14, 92.37, -68.34

 

CMYK 0 / 95 / 14 / 1

HEX #FD0DDA

RGB 253 13 218

HSL 308.75, 0.98%, 0.52%

LAB 58.26, 92.26, -43.41

 

CMYK 0 / 95 / 40 / 1

HEX #FD0D99

RGB 253 13 153

HSL 325, 0.98%, 0.52%

LAB 55.55, 85.28, -9.91

 

CMYK 0 / 95 / 65 / 1

HEX #FD0D58

RGB 253 13 88

HSL 341.25, 0.98%, 0.52%

LAB 53.89, 80.82, 26.74

 

CMYK 0 / 95 / 91 / 1

HEX #FD0D18

RGB 253 13 24

HSL 357.25, 0.98%, 0.52%

LAB 53.21, 78.92, 60.21

 

CMYK 12 / 95 / 0 / 1

HEX #DF0DFD

RGB 223 13 253

HSL 292.5, 0.98%, 0.52%

LAB 55.14, 92.37, -68.34

 

CMYK 38 / 95 / 0 / 1

HEX #9E0DFD

RGB 158 13 253

HSL 276.25, 0.98%, 0.52%

LAB 45.15, 84.17, -85.06

 

CMYK 63 / 95 / 0 / 1

HEX #5D0DFD

RGB 93 13 253

HSL 260, 0.98%, 0.52%

LAB 37.31, 79, -98.27

 

CMYK 89 / 95 / 0 / 1

HEX #1D0DFD

RGB 29 13 253

HSL 244, 0.98%, 0.52%

LAB 33.22, 76.97, -105.19

 

CMYK 95 / 95 / 0 / 1

HEX #0D0DFD

RGB 13 13 253

HSL 240, 0.98%, 0.52%

LAB 32.84, 76.81, -105.83

 

CMYK 12 / 95 / 0 / 1

HEX #DF0DFD

RGB 223 13 253

HSL 292.5, 0.98%, 0.52%

LAB 55.14, 92.37, -68.34

 

CMYK 12 / 95 / 0 / 1

HEX #DF0DFD

RGB 223 13 253

HSL 292.5, 0.98%, 0.52%

LAB 55.14, 92.37, -68.34

 

CMYK 11 / 86 / 0 / 9

HEX #D020E9

RGB 208 32 233

HSL 292.54, 0.82%, 0.52%

LAB 52.2, 84.53, -62

 

CMYK 9 / 76 / 0 / 16

HEX #C134D5

RGB 193 52 213

HSL 292.55, 0.66%, 0.52%

LAB 50.21, 73.77, -53.97

 

CMYK 8 / 63 / 0 / 24

HEX #B248C1

RGB 178 72 193

HSL 292.56, 0.49%, 0.52%

LAB 49.44, 59.53, -43.83

 

CMYK 6 / 47 / 0 / 32

HEX #A35CAD

RGB 163 92 173

HSL 292.59, 0.33%, 0.52%

LAB 50.05, 41.85, -31.37

 

CMYK 63 / 95 / 0 / 1

HEX #5D0DFD

RGB 93 13 253

HSL 260, 0.98%, 0.52%

LAB 37.31, 79, -98.27

 

CMYK 38 / 95 / 0 / 1

HEX #9D0DFD

RGB 157 13 253

HSL 276, 0.98%, 0.52%

LAB 45.01, 84.06, -85.29

 

CMYK 13 / 95 / 0 / 1

HEX #DD0DFD

RGB 221 13 253

HSL 292, 0.98%, 0.52%

LAB 54.82, 92.08, -68.88

 

CMYK 0 / 95 / 13 / 1

HEX #FD0DDD

RGB 253 13 221

HSL 308, 0.98%, 0.52%

LAB 58.41, 92.64, -44.88

 

CMYK 0 / 95 / 38 / 1

HEX #FD0D9D

RGB 253 13 157

HSL 324, 0.98%, 0.52%

LAB 55.69, 85.64, -12.07

 

CMYK 12 / 99 / 0 / 29

HEX #9F02B5

RGB 159 2 181

HSL 292.63, 0.98%, 0.36%

LAB 39.16, 72.29, -53.43

 

CMYK 13 / 99 / 0 / 13

HEX #C202DE

RGB 194 2 222

HSL 292.36, 0.98%, 0.44%

LAB 47.99, 84.11, -62.68

 

CMYK 12 / 95 / 0 / 1

HEX #DF0DFD

RGB 223 13 253

HSL 292.5, 0.98%, 0.52%

LAB 55.14, 92.37, -68.34

 

CMYK 10 / 79 / 0 / 1

HEX #E435FD

RGB 228 53 253

HSL 292.5, 0.98%, 0.6%

LAB 58.16, 86.63, -63.44

 

CMYK 8 / 63 / 0 / 1

HEX #EA5EFD

RGB 234 94 253

HSL 292.83, 0.98%, 0.68%

LAB 63.83, 74.24, -54.34

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

CMYK 0 / 89 / 95 / 1

HEX #FD1D0D

RGB 253 29 13

HSL 4, 0.98%, 0.52%

LAB 53.8, 76.97, 64.08

 

CMYK 95 / 0 / 51 / 1

HEX #0DFD7D

RGB 13 253 125

HSL 148, 0.98%, 0.52%

LAB 87.88, -76.24, 47.24

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

CMYK 0 / 13 / 95 / 1

HEX #FDDD0D

RGB 253 221 13

HSL 52, 0.98%, 0.52%

LAB 88.27, -5.69, 86.92

 

CMYK 95 / 0 / 13 / 1

HEX #0DFDDD

RGB 13 253 221

HSL 172, 0.98%, 0.52%

LAB 89.65, -56.28, 1.36

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

CMYK 0 / 89 / 95 / 1

HEX #FD1D0D

RGB 253 29 13

HSL 4, 0.98%, 0.52%

LAB 53.8, 76.97, 64.08

 

CMYK 82 / 0 / 95 / 1

HEX #2DFD0D

RGB 45 253 13

HSL 112, 0.98%, 0.52%

LAB 87.41, -83.02, 82.02

 

CMYK 95 / 6 / 0 / 1

HEX #0DEDFD

RGB 13 237 253

HSL 184, 0.98%, 0.52%

LAB 85.88, -40.47, -20.97

 

CMYK 12 / 95 / 0 / 1

HEX #DF0CFD

RGB 223 12 253

HSL 292.53, 0.98%, 0.52%

LAB 55.12, 92.44, -68.38

 

CMYK 0 / 60 / 95 / 1

HEX #FD650D

RGB 253 101 13

HSL 22, 0.98%, 0.52%

LAB 61.84, 54.84, 68.68

 

CMYK 82 / 0 / 95 / 1

HEX #2DFD0D

RGB 45 253 13

HSL 112, 0.98%, 0.52%

LAB 87.41, -83.02, 82.02

 

CMYK 95 / 35 / 0 / 1

HEX #0DA5FD

RGB 13 165 253

HSL 202, 0.98%, 0.52%

LAB 65.03, -3.81, -53.3

 

Description

Color code: HEX #DF0CFD | qconv.com Color code: HEX #DF0CFD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 12 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 12 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 95 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 95% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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