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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF0C8C it is the complementary color #20F373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF0C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF0C8C shade: #E40C87, #F51E9A, #FF30AD, #FF42C0 and #FF54D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF0C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF0C8C shade: #DF0C8C, #CE0079, #BD0066, #AC0053 and #9B0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF0C8C shade: #DF0C8C, #DF0C53, #DF0C1A and #DF0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF0C8C shade: #DF0C8C, #DF0CC5, #C00CDF, #870CDF and #4E0CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF0C8C shade matches the following richer shades: #DF0C8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF0C8C shade: #DF0C8C, #CC1F88, #B93284, #A64580 and #93587C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF0C8C shade: #BF0CDF, #DF0CC6, #DF0C8E, #DF0C56 and #DF0C1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF0C8C shade: #90085B, #B80A73, #DF0C8C, #F321A0 and #F548B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF0C8C shade: #DF0C8C, #DF870C and #0CDFDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF0C8C shade: #DF0C8C, #8EDF0C and #0C8EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF0C8C shade: #DF0C8C, #DF870C, #0CDF5D and #0C64DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF0C8C shade: #DF0C8C, #DFC60C, #0CDF5D and #0C24DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

Complementary color

CMYK 87 / 0 / 53 / 5

HEX #20F373

RGB 32 243 115

HSL 143.6, 0.9%, 0.54%

LAB 84.82, -73.66, 48.16

 

CMYK 0 / 95 / 41 / 11

HEX #E40C87

RGB 228 12 135

HSL 325.83, 0.9%, 0.47%

LAB 50.1, 78.5, -7.79

 

CMYK 0 / 88 / 37 / 4

HEX #F51E9A

RGB 245 30 154

HSL 325.4, 0.91%, 0.54%

LAB 54.74, 81.76, -11.88

 

CMYK 0 / 81 / 32 / 0

HEX #FF30AD

RGB 255 48 173

HSL 323.77, 1%, 0.59%

LAB 58.41, 82.48, -17.3

 

CMYK 0 / 74 / 25 / 0

HEX #FF42C0

RGB 255 66 192

HSL 320, 1%, 0.63%

LAB 60.75, 79.96, -24.69

 

CMYK 0 / 67 / 17 / 0

HEX #FF54D3

RGB 255 84 211

HSL 315.44, 1%, 0.66%

LAB 63.59, 76.51, -31.09

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 100 / 41 / 19

HEX #CE0079

RGB 206 0 121

HSL 324.76, 1%, 0.4%

LAB 44.94, 73.55, -7.4

 

CMYK 0 / 100 / 46 / 26

HEX #BD0066

RGB 189 0 102

HSL 327.62, 1%, 0.37%

LAB 40.86, 68.21, -1.97

 

CMYK 0 / 100 / 52 / 33

HEX #AC0053

RGB 172 0 83

HSL 331.05, 1%, 0.34%

LAB 36.73, 62.85, 3.74

 

CMYK 0 / 100 / 59 / 39

HEX #9B0040

RGB 155 0 64

HSL 335.23, 1%, 0.3%

LAB 32.57, 57.48, 9.78

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 95 / 63 / 13

HEX #DF0C53

RGB 223 12 83

HSL 339.81, 0.9%, 0.46%

LAB 47.72, 73.63, 20.57

 

CMYK 0 / 95 / 88 / 13

HEX #DF0C1A

RGB 223 12 26

HSL 356.02, 0.9%, 0.46%

LAB 47.01, 71.66, 52.17

 

CMYK 0 / 95 / 95 / 13

HEX #DF0C0C

RGB 223 12 12

HSL 0, 0.9%, 0.46%

LAB 46.94, 71.48, 57.41

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 95 / 12 / 13

HEX #DF0CC5

RGB 223 12 197

HSL 307.39, 0.9%, 0.46%

LAB 51.82, 84.37, -41.91

 

CMYK 14 / 95 / 0 / 13

HEX #C00CDF

RGB 192 12 223

HSL 291.18, 0.9%, 0.46%

LAB 48, 83.15, -63.24

 

CMYK 39 / 95 / 0 / 13

HEX #870CDF

RGB 135 12 223

HSL 274.98, 0.9%, 0.46%

LAB 39.14, 75.88, -78.07

 

CMYK 65 / 95 / 0 / 13

HEX #4E0CDF

RGB 78 12 223

HSL 258.77, 0.9%, 0.46%

LAB 32.28, 71.34, -89.64

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 85 / 33 / 20

HEX #CC1F88

RGB 204 31 136

HSL 323.58, 0.74%, 0.46%

LAB 46.44, 70.68, -14.37

 

CMYK 0 / 73 / 29 / 27

HEX #B93284

RGB 185 50 132

HSL 323.56, 0.57%, 0.46%

LAB 44.61, 60.46, -15.05

 

CMYK 0 / 58 / 23 / 35

HEX #A64580

RGB 166 69 128

HSL 323.51, 0.41%, 0.46%

LAB 44.12, 46.69, -13.64

 

CMYK 0 / 40 / 16 / 42

HEX #93587C

RGB 147 88 124

HSL 323.39, 0.25%, 0.46%

LAB 45.13, 29.67, -9.94

 

CMYK 14 / 95 / 0 / 13

HEX #BF0CDF

RGB 191 12 223

HSL 290.9, 0.9%, 0.46%

LAB 47.84, 83, -63.52

 

CMYK 0 / 95 / 11 / 13

HEX #DF0CC6

RGB 223 12 198

HSL 307.11, 0.9%, 0.46%

LAB 51.87, 84.5, -42.4

 

CMYK 0 / 95 / 36 / 13

HEX #DF0C8E

RGB 223 12 142

HSL 323.03, 0.9%, 0.46%

LAB 49.38, 78.09, -13.2

 

CMYK 0 / 95 / 61 / 13

HEX #DF0C56

RGB 223 12 86

HSL 338.96, 0.9%, 0.46%

LAB 47.78, 73.79, 18.8

 

CMYK 0 / 95 / 87 / 13

HEX #DF0C1D

RGB 223 12 29

HSL 355.17, 0.9%, 0.46%

LAB 47.03, 71.71, 50.81

 

CMYK 0 / 94 / 37 / 44

HEX #90085B

RGB 144 8 91

HSL 323.38, 0.89%, 0.3%

LAB 31.48, 56.06, -9.88

 

CMYK 0 / 95 / 38 / 28

HEX #B80A73

RGB 184 10 115

HSL 323.79, 0.9%, 0.38%

LAB 40.65, 67.28, -10.57

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 86 / 34 / 5

HEX #F321A0

RGB 243 33 160

HSL 323.71, 0.9%, 0.54%

LAB 54.74, 81.43, -15.46

 

CMYK 0 / 71 / 28 / 4

HEX #F548B1

RGB 245 72 177

HSL 323.58, 0.9%, 0.62%

LAB 59.18, 73.87, -18.61

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 39 / 95 / 13

HEX #DF870C

RGB 223 135 12

HSL 34.98, 0.9%, 0.46%

LAB 64.2, 26.39, 68.3

 

CMYK 95 / 0 / 2 / 13

HEX #0CDFDB

RGB 12 223 219

HSL 178.86, 0.9%, 0.46%

LAB 80.72, -44.32, -10.76

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 36 / 0 / 95 / 13

HEX #8EDF0C

RGB 142 223 12

HSL 83.03, 0.9%, 0.46%

LAB 81.05, -51.22, 78.1

 

CMYK 95 / 36 / 0 / 13

HEX #0C8EDF

RGB 12 142 223

HSL 203.03, 0.9%, 0.46%

LAB 56.83, -1.71, -49.77

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 39 / 95 / 13

HEX #DF870C

RGB 223 135 12

HSL 34.98, 0.9%, 0.46%

LAB 64.2, 26.39, 68.3

 

CMYK 95 / 0 / 58 / 13

HEX #0CDF5D

RGB 12 223 93

HSL 143.03, 0.9%, 0.46%

LAB 78.25, -71.55, 50.34

 

CMYK 95 / 55 / 0 / 13

HEX #0C64DF

RGB 12 100 223

HSL 214.98, 0.9%, 0.46%

LAB 44.97, 24.48, -68.85

 

CMYK 0 / 95 / 37 / 13

HEX #DF0C8C

RGB 223 12 140

HSL 323.6, 0.9%, 0.46%

LAB 49.31, 77.9, -12.11

 

CMYK 0 / 11 / 95 / 13

HEX #DFC60C

RGB 223 198 12

HSL 52.89, 0.9%, 0.46%

LAB 79.67, -6.9, 79.46

 

CMYK 95 / 0 / 58 / 13

HEX #0CDF5D

RGB 12 223 93

HSL 143.03, 0.9%, 0.46%

LAB 78.25, -71.55, 50.34

 

CMYK 95 / 84 / 0 / 13

HEX #0C24DF

RGB 12 36 223

HSL 233.18, 0.9%, 0.46%

LAB 31.04, 61.95, -91.81

 

Description

Color code: HEX #DF0C8C | qconv.com Color code: HEX #DF0C8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 12 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 12 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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