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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF047E it is the complementary color #20FB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF047E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF047E shade: #E40479, #F5168C, #FF289F, #FF3AB2 and #FF4CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF047E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF047E shade: #DF047E, #CE006B, #BD0058, #AC0045 and #9B0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF047E shade: #E1057F, #E10544, #E10508 and #E10505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF047E shade: #E1057F, #E105BB, #CC05E1, #9005E1 and #5505E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF047E shade matches the following richer shades: #E1057F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF047E shade: #E1057F, #CE177D, #BC2A7B, #A93C79 and #974F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF047E shade: #CB05E1, #E105BC, #E10581, #E10547 and #E1050C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF047E shade: #900352, #B80468, #E1057F, #FA1594 and #FB3DA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF047E shade: #DF047E, #E19005 and #05DAE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF047E shade: #DF047E, #81E105 and #0581E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF047E shade: #DF047E, #E19005, #05E164 and #0555E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF047E shade: #DF047E, #E1D205, #05E164 and #0513E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

Complementary color

CMYK 87 / 0 / 49 / 2

HEX #20FB81

RGB 32 251 129

HSL 146.58, 0.96%, 0.55%

LAB 87.43, -74.1, 44.81

 

CMYK 0 / 98 / 47 / 11

HEX #E40479

RGB 228 4 121

HSL 328.66, 0.97%, 0.45%

LAB 49.45, 77.94, -0.25

 

CMYK 0 / 91 / 43 / 4

HEX #F5168C

RGB 245 22 140

HSL 328.25, 0.92%, 0.52%

LAB 53.9, 81.58, -4.8

 

CMYK 0 / 84 / 38 / 0

HEX #FF289F

RGB 255 40 159

HSL 326.79, 1%, 0.58%

LAB 57.35, 82.73, -10.72

 

CMYK 0 / 77 / 30 / 0

HEX #FF3AB2

RGB 255 58 178

HSL 323.45, 1%, 0.61%

LAB 59.43, 80.59, -18.64

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC5

RGB 255 76 197

HSL 319.44, 1%, 0.65%

LAB 62.05, 77.45, -25.54

 

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

CMYK 0 / 100 / 48 / 19

HEX #CE006B

RGB 206 0 107

HSL 328.83, 1%, 0.4%

LAB 44.49, 72.36, 0.63

 

CMYK 0 / 100 / 53 / 26

HEX #BD0058

RGB 189 0 88

HSL 332.06, 1%, 0.37%

LAB 40.45, 67.12, 6.32

 

CMYK 0 / 100 / 60 / 33

HEX #AC0045

RGB 172 0 69

HSL 335.93, 1%, 0.34%

LAB 36.37, 61.88, 12.31

 

CMYK 0 / 100 / 68 / 39

HEX #9B0032

RGB 155 0 50

HSL 340.65, 1%, 0.3%

LAB 32.26, 56.65, 18.63

 

CMYK 0 / 98 / 44 / 12

HEX #E1057F

RGB 225 5 127

HSL 326.73, 0.96%, 0.45%

LAB 49.07, 77.7, -4.54

 

CMYK 0 / 98 / 70 / 12

HEX #E10544

RGB 225 5 68

HSL 342.82, 0.96%, 0.45%

LAB 47.67, 73.95, 29.78

 

CMYK 0 / 98 / 96 / 12

HEX #E10508

RGB 225 5 8

HSL 359.18, 0.96%, 0.45%

LAB 47.15, 72.53, 58.87

 

CMYK 0 / 98 / 98 / 12

HEX #E10505

RGB 225 5 5

HSL 0, 0.96%, 0.45%

LAB 47.14, 72.51, 59.72

 

CMYK 0 / 98 / 44 / 12

HEX #E1057F

RGB 225 5 127

HSL 326.73, 0.96%, 0.45%

LAB 49.07, 77.7, -4.54

 

CMYK 0 / 98 / 17 / 12

HEX #E105BB

RGB 225 5 187

HSL 310.36, 0.96%, 0.45%

LAB 51.5, 83.98, -36.58

 

CMYK 9 / 98 / 0 / 12

HEX #CC05E1

RGB 204 5 225

HSL 294.27, 0.96%, 0.45%

LAB 49.96, 85.81, -61.13

 

CMYK 36 / 98 / 0 / 12

HEX #9005E1

RGB 144 5 225

HSL 277.91, 0.96%, 0.45%

LAB 40.37, 78.02, -77.16

 

CMYK 62 / 98 / 0 / 12

HEX #5505E1

RGB 85 5 225

HSL 261.82, 0.96%, 0.45%

LAB 32.87, 73.22, -89.8

 

CMYK 0 / 98 / 44 / 12

HEX #E1057F

RGB 225 5 127

HSL 326.73, 0.96%, 0.45%

LAB 49.07, 77.7, -4.54

 

CMYK 0 / 98 / 44 / 12

HEX #E1057F

RGB 225 5 127

HSL 326.73, 0.96%, 0.45%

LAB 49.07, 77.7, -4.54

 

CMYK 0 / 89 / 39 / 19

HEX #CE177D

RGB 206 23 125

HSL 326.56, 0.8%, 0.45%

LAB 45.93, 71.45, -8.39

 

CMYK 0 / 78 / 35 / 26

HEX #BC2A7B

RGB 188 42 123

HSL 326.71, 0.63%, 0.45%

LAB 43.91, 62.72, -10.53

 

CMYK 0 / 64 / 28 / 34

HEX #A93C79

RGB 169 60 121

HSL 326.42, 0.48%, 0.45%

LAB 42.83, 50.72, -11.25

 

CMYK 0 / 48 / 21 / 41

HEX #974F77

RGB 151 79 119

HSL 326.67, 0.31%, 0.45%

LAB 43.51, 35.26, -9.28

 

CMYK 10 / 98 / 0 / 12

HEX #CB05E1

RGB 203 5 225

HSL 294, 0.96%, 0.45%

LAB 49.79, 85.66, -61.41

 

CMYK 0 / 98 / 16 / 12

HEX #E105BC

RGB 225 5 188

HSL 310.09, 0.96%, 0.45%

LAB 51.55, 84.1, -37.08

 

CMYK 0 / 98 / 43 / 12

HEX #E10581

RGB 225 5 129

HSL 326.18, 0.96%, 0.45%

LAB 49.13, 77.88, -5.66

 

CMYK 0 / 98 / 68 / 12

HEX #E10547

RGB 225 5 71

HSL 342, 0.96%, 0.45%

LAB 47.71, 74.08, 28.01

 

CMYK 0 / 98 / 95 / 12

HEX #E1050C

RGB 225 5 12

HSL 358.09, 0.96%, 0.45%

LAB 47.16, 72.56, 57.75

 

CMYK 0 / 98 / 43 / 44

HEX #900352

RGB 144 3 82

HSL 326.38, 0.96%, 0.29%

LAB 30.89, 55.89, -4.87

 

CMYK 0 / 98 / 43 / 28

HEX #B80468

RGB 184 4 104

HSL 326.67, 0.96%, 0.37%

LAB 40.04, 66.86, -4.55

 

CMYK 0 / 98 / 44 / 12

HEX #E1057F

RGB 225 5 127

HSL 326.73, 0.96%, 0.45%

LAB 49.07, 77.7, -4.54

 

CMYK 0 / 92 / 41 / 2

HEX #FA1594

RGB 250 21 148

HSL 326.72, 0.96%, 0.53%

LAB 55.07, 83.47, -7.73

 

CMYK 0 / 76 / 33 / 2

HEX #FB3DA7

RGB 251 61 167

HSL 326.53, 0.96%, 0.61%

LAB 58.64, 77.64, -13.53

 

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

CMYK 0 / 36 / 98 / 12

HEX #E19005

RGB 225 144 5

HSL 37.91, 0.96%, 0.45%

LAB 66.49, 22.38, 70.98

 

CMYK 98 / 3 / 0 / 12

HEX #05DAE1

RGB 5 218 225

HSL 181.91, 0.96%, 0.45%

LAB 79.39, -40.5, -15.95

 

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

CMYK 43 / 0 / 98 / 12

HEX #81E105

RGB 129 225 5

HSL 86.18, 0.96%, 0.45%

LAB 81.03, -56.46, 78.46

 

CMYK 98 / 43 / 0 / 12

HEX #0581E1

RGB 5 129 225

HSL 206.18, 0.96%, 0.45%

LAB 53.13, 6.68, -56.79

 

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

CMYK 0 / 36 / 98 / 12

HEX #E19005

RGB 225 144 5

HSL 37.91, 0.96%, 0.45%

LAB 66.49, 22.38, 70.98

 

CMYK 98 / 0 / 56 / 12

HEX #05E164

RGB 5 225 100

HSL 145.91, 0.96%, 0.45%

LAB 78.93, -71.45, 47.95

 

CMYK 98 / 62 / 0 / 12

HEX #0555E1

RGB 5 85 225

HSL 218.18, 0.96%, 0.45%

LAB 41.16, 34.78, -76.21

 

CMYK 0 / 98 / 43 / 13

HEX #DF047E

RGB 223 4 126

HSL 326.58, 0.96%, 0.45%

LAB 48.61, 77.27, -4.65

 

CMYK 0 / 7 / 98 / 12

HEX #E1D205

RGB 225 210 5

HSL 55.91, 0.96%, 0.45%

LAB 82.97, -12.17, 82.63

 

CMYK 98 / 0 / 56 / 12

HEX #05E164

RGB 5 225 100

HSL 145.91, 0.96%, 0.45%

LAB 78.93, -71.45, 47.95

 

CMYK 98 / 92 / 0 / 12

HEX #0513E1

RGB 5 19 225

HSL 236.18, 0.96%, 0.45%

LAB 29.25, 68.31, -95.95

 

Description

Color code: HEX #DF047E | qconv.com Color code: HEX #DF047E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 4 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 4 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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