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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF0A1 it is the complementary color #210F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF0A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF0A1 shade: #E3F09C, #F4FFAF, #FFFFC2, #FFFFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF0A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF0A1 shade: #DEF0A1, #CDDE8E, #BCCC7B, #ABBA68 and #9AA855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF0A1 shade: #DEF0A3, #F0EDA3, #F0D8A3, #F0C3A3 and #F0AEA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF0A1 shade: #DEF0A3, #CAF0A3, #B5F0A3, #A3F0A6 and #A3F0BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF0A1 shade matches the following richer shades: #DEF0A3 and #E3F99A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF0A1 shade: #DEF0A3, #DAE7AC, #D5DFB4, #D0D6BD and #CCCDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF0A1 shade: #F0D8A3, #F0ECA3, #DFF0A3, #CBF0A3 and #B6F0A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF0A1 shade: #C5E45C, #D2EA7F, #DEF0A3, #EBF6C6 and #F8FCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF0A1 shade: #DEF0A1, #A3F0C3 and #E2A3F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF0A1 shade: #DEF0A1, #A3DFF0 and #F0A3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF0A1 shade: #DEF0A1, #A3F0C3, #B4A3F0 and #F0A3D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF0A1 shade: #DEF0A1, #A3F0DA, #B4A3F0 and #F0A3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

Complementary color

CMYK 65 / 84 / 0 / 63

HEX #210F5E

RGB 33 15 94

HSL 253.67, 0.72%, 0.21%

LAB 12.44, 32.19, -43.34

 

CMYK 5 / 0 / 35 / 6

HEX #E3F09C

RGB 227 240 156

HSL 69.29, 0.74%, 0.78%

LAB 92.15, -17.16, 39.21

 

CMYK 4 / 0 / 31 / 0

HEX #F4FFAF

RGB 244 255 175

HSL 68.25, 1%, 0.84%

LAB 97.57, -15.86, 37.1

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

CMYK 8 / 0 / 36 / 13

HEX #CDDE8E

RGB 205 222 142

HSL 72.75, 0.55%, 0.71%

LAB 85.59, -18.28, 37.38

 

CMYK 8 / 0 / 40 / 20

HEX #BCCC7B

RGB 188 204 123

HSL 71.85, 0.44%, 0.64%

LAB 79.22, -18.12, 38.53

 

CMYK 8 / 0 / 44 / 27

HEX #ABBA68

RGB 171 186 104

HSL 70.98, 0.37%, 0.57%

LAB 72.74, -17.92, 39.7

 

CMYK 8 / 0 / 49 / 34

HEX #9AA855

RGB 154 168 85

HSL 70.12, 0.33%, 0.5%

LAB 66.16, -17.65, 40.89

 

CMYK 8 / 0 / 32 / 6

HEX #DEF0A3

RGB 222 240 163

HSL 74.03, 0.72%, 0.79%

LAB 91.91, -18.15, 35.32

 

CMYK 0 / 1 / 32 / 6

HEX #F0EDA3

RGB 240 237 163

HSL 57.66, 0.72%, 0.79%

LAB 92.46, -9.96, 36.29

 

CMYK 0 / 10 / 32 / 6

HEX #F0D8A3

RGB 240 216 163

HSL 41.3, 0.72%, 0.79%

LAB 87.13, 0.67, 29.2

 

CMYK 0 / 19 / 32 / 6

HEX #F0C3A3

RGB 240 195 163

HSL 24.94, 0.72%, 0.79%

LAB 81.95, 11.59, 22.14

 

CMYK 0 / 28 / 32 / 6

HEX #F0AEA3

RGB 240 174 163

HSL 8.57, 0.72%, 0.79%

LAB 76.95, 22.69, 15.2

 

CMYK 8 / 0 / 32 / 6

HEX #DEF0A3

RGB 222 240 163

HSL 74.03, 0.72%, 0.79%

LAB 91.91, -18.15, 35.32

 

CMYK 16 / 0 / 32 / 6

HEX #CAF0A3

RGB 202 240 163

HSL 89.61, 0.72%, 0.79%

LAB 90.56, -25.38, 33.29

 

CMYK 25 / 0 / 32 / 6

HEX #B5F0A3

RGB 181 240 163

HSL 105.97, 0.72%, 0.79%

LAB 89.29, -32.63, 31.37

 

CMYK 32 / 0 / 31 / 6

HEX #A3F0A6

RGB 163 240 166

HSL 122.34, 0.72%, 0.79%

LAB 88.38, -37.99, 28.45

 

CMYK 32 / 0 / 22 / 6

HEX #A3F0BB

RGB 163 240 187

HSL 138.7, 0.72%, 0.79%

LAB 88.78, -34.38, 18.22

 

CMYK 8 / 0 / 32 / 6

HEX #DEF0A3

RGB 222 240 163

HSL 74.03, 0.72%, 0.79%

LAB 91.91, -18.15, 35.32

 

CMYK 9 / 0 / 38 / 2

HEX #E3F99A

RGB 227 249 154

HSL 73.89, 0.89%, 0.79%

LAB 94.49, -21.75, 43.21

 

CMYK 8 / 0 / 32 / 6

HEX #DEF0A3

RGB 222 240 163

HSL 74.03, 0.72%, 0.79%

LAB 91.91, -18.15, 35.32

 

CMYK 6 / 0 / 26 / 9

HEX #DAE7AC

RGB 218 231 172

HSL 73.22, 0.55%, 0.79%

LAB 89.41, -13.98, 27.35

 

CMYK 4 / 0 / 19 / 13

HEX #D5DFB4

RGB 213 223 180

HSL 73.95, 0.4%, 0.79%

LAB 87.1, -10.62, 19.98

 

CMYK 3 / 0 / 12 / 16

HEX #D0D6BD

RGB 208 214 189

HSL 74.4, 0.23%, 0.79%

LAB 84.57, -6.4, 11.65

 

CMYK 0 / 0 / 3 / 20

HEX #CCCDC6

RGB 204 205 198

HSL 68.57, 0.07%, 0.79%

LAB 82.15, -1.6, 3.35

 

CMYK 0 / 10 / 32 / 6

HEX #F0D8A3

RGB 240 216 163

HSL 41.3, 0.72%, 0.79%

LAB 87.13, 0.67, 29.2

 

CMYK 0 / 2 / 32 / 6

HEX #F0ECA3

RGB 240 236 163

HSL 56.88, 0.72%, 0.79%

LAB 92.2, -9.46, 35.95

 

CMYK 7 / 0 / 32 / 6

HEX #DFF0A3

RGB 223 240 163

HSL 73.25, 0.72%, 0.79%

LAB 91.98, -17.78, 35.42

 

CMYK 15 / 0 / 32 / 6

HEX #CBF0A3

RGB 203 240 163

HSL 88.83, 0.72%, 0.79%

LAB 90.62, -25.03, 33.38

 

CMYK 24 / 0 / 32 / 6

HEX #B6F0A3

RGB 182 240 163

HSL 105.19, 0.72%, 0.79%

LAB 89.35, -32.3, 31.46

 

CMYK 14 / 0 / 60 / 11

HEX #C5E45C

RGB 197 228 92

HSL 73.68, 0.72%, 0.63%

LAB 86.07, -29.19, 61.36

 

CMYK 10 / 0 / 46 / 8

HEX #D2EA7F

RGB 210 234 127

HSL 73.46, 0.72%, 0.71%

LAB 88.96, -23.9, 49.08

 

CMYK 8 / 0 / 32 / 6

HEX #DEF0A3

RGB 222 240 163

HSL 74.03, 0.72%, 0.79%

LAB 91.91, -18.15, 35.32

 

CMYK 4 / 0 / 20 / 4

HEX #EBF6C6

RGB 235 246 198

HSL 73.75, 0.73%, 0.87%

LAB 95.01, -11.57, 21.92

 

CMYK 2 / 0 / 7 / 1

HEX #F8FCEA

RGB 248 252 234

HSL 73.33, 0.75%, 0.95%

LAB 98.24, -4.4, 8.15

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

CMYK 32 / 0 / 19 / 6

HEX #A3F0C3

RGB 163 240 195

HSL 144.94, 0.72%, 0.79%

LAB 88.94, -32.9, 14.31

 

CMYK 6 / 32 / 0 / 6

HEX #E2A3F0

RGB 226 163 240

HSL 289.09, 0.72%, 0.79%

LAB 75.24, 36.11, -29.46

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

CMYK 32 / 7 / 0 / 6

HEX #A3DFF0

RGB 163 223 240

HSL 193.25, 0.72%, 0.79%

LAB 85.43, -15.01, -14.42

 

CMYK 0 / 32 / 7 / 6

HEX #F0A3DF

RGB 240 163 223

HSL 313.25, 0.72%, 0.79%

LAB 76.1, 37.47, -18.77

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

CMYK 32 / 0 / 19 / 6

HEX #A3F0C3

RGB 163 240 195

HSL 144.94, 0.72%, 0.79%

LAB 88.94, -32.9, 14.31

 

CMYK 25 / 32 / 0 / 6

HEX #B4A3F0

RGB 180 163 240

HSL 253.25, 0.72%, 0.79%

LAB 71, 22.19, -36.34

 

CMYK 0 / 32 / 13 / 6

HEX #F0A3D0

RGB 240 163 208

HSL 324.94, 0.72%, 0.79%

LAB 75.62, 34.99, -11.29

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A1

RGB 222 240 161

HSL 73.67, 0.72%, 0.79%

LAB 91.87, -18.4, 36.28

 

CMYK 32 / 0 / 9 / 6

HEX #A3F0DA

RGB 163 240 218

HSL 162.86, 0.72%, 0.79%

LAB 89.47, -28.29, 3.1

 

CMYK 25 / 32 / 0 / 6

HEX #B4A3F0

RGB 180 163 240

HSL 253.25, 0.72%, 0.79%

LAB 71, 22.19, -36.34

 

CMYK 0 / 32 / 23 / 6

HEX #F0A3B9

RGB 240 163 185

HSL 342.86, 0.72%, 0.79%

LAB 74.97, 31.49, 0.34

 

Description

Color code: HEX #DEF0A1 | qconv.com Color code: HEX #DEF0A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 240 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 240 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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