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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEEFE64C it is the complementary color #2110194C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEEFE64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEEFE64C shade: #E3EFE14C, #F4FFF44C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEEFE64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEEFE64C shade: #DEEFE64C, #CDDDD34C, #BCCBC04C, #ABB9AD4C and #9AA79A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEEFE64C shade: #DDEEE5, #DDEEE0, #DEEEDD, #E3EEDD and #E7EEDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEEFE64C shade: #DDEEE5, #DDEEEA, #DDEEEE, #DDE9EE and #DDE5EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEEFE64C shade matches the following richer shades: #DDEEE5, #D8F3E5, #D4F7E4, #D0FBE4 and #CCFFE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEEFE64C shade: #DDEEE5, #E1EAE5, #E5E6E5, #E9E2E6 and #EDDEE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEEFE64C shade: #DEEEDD, #DDEEE0, #DDEEE5, #DDEEEA and #DDEEEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEEFE64C shade: #A5D4BB, #C1E1D0, #DDEEE5, #F8FCFA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEEFE64C shade: #DEEFE6, #DDE3EE and #EEDEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEEFE64C shade: #DEEFE6, #E5DDEE and #EEE5DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEEFE64C shade: #DEEFE6, #DDE3EE, #EEDDE6 and #EEE8DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEEFE64C shade: #DEEFE6, #DDDDEE, #EEDDE6 and #EEEEDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 1 / 2

HEX #DEEFE64C

RGBA 222 239 230 0.3

HSLA 148.24, 0.35%, 0.9%, 0.3

LABA 93, -7.24, 2.41, 0.3

 

Complementary color

CMYK 0 / 15 / 7 / 26

HEX #2110194C

RGBA 33 16 25 0.3

HSLA 328.24, 0.35%, 0.1%, 0.3

LABA 6.9, 10.4, -2.61, 0.3

 

CMYK 2 / 0 / 2 / 2

HEX #E3EFE14C

RGBA 227 239 225 0.3

HSLA 111.43, 0.3%, 0.91%, 0.3

LABA 93.23, -6.47, 5.39, 0.3

 

CMYK 1 / 0 / 1 / 0

HEX #F4FFF44C

RGBA 244 255 244 0.3

HSLA 120, 1%, 0.98%, 0.3

LABA 98.94, -5.54, 3.99, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 2 / 0 / 1 / 2

HEX #DEEFE64C

RGBA 222 239 230 0.3

HSLA 148.24, 0.35%, 0.9%, 0.3

LABA 93, -7.24, 2.41, 0.3

 

CMYK 2 / 0 / 1 / 4

HEX #CDDDD34C

RGBA 205 221 211 0.3

HSLA 142.5, 0.19%, 0.84%, 0.3

LABA 86.7, -7.2, 3.06, 0.3

 

CMYK 2 / 0 / 2 / 6

HEX #BCCBC04C

RGBA 188 203 192 0.3

HSLA 136, 0.13%, 0.77%, 0.3

LABA 80.3, -7.16, 3.73, 0.3

 

CMYK 2 / 0 / 2 / 8

HEX #ABB9AD4C

RGBA 171 185 173 0.3

HSLA 128.57, 0.09%, 0.7%, 0.3

LABA 73.79, -7.12, 4.42, 0.3

 

CMYK 2 / 0 / 2 / 10

HEX #9AA79A4C

RGBA 154 167 154 0.3

HSLA 120, 0.07%, 0.63%, 0.3

LABA 67.16, -7.09, 5.15, 0.3

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 7 / 0 / 6 / 7

HEX #DDEEE0

RGB 221 238 224

HSL 130.59, 0.33%, 0.9%

LAB 92.53, -8.15, 4.84

 

CMYK 7 / 0 / 7 / 7

HEX #DEEEDD

RGB 222 238 221

HSL 116.47, 0.33%, 0.9%

LAB 92.53, -8.35, 6.4

 

CMYK 5 / 0 / 7 / 7

HEX #E3EEDD

RGB 227 238 221

HSL 98.82, 0.33%, 0.9%

LAB 92.88, -6.66, 6.96

 

CMYK 3 / 0 / 7 / 7

HEX #E7EEDD

RGB 231 238 221

HSL 84.71, 0.33%, 0.9%

LAB 93.17, -5.3, 7.41

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 7 / 0 / 2 / 7

HEX #DDEEEA

RGB 221 238 234

HSL 165.88, 0.33%, 0.9%

LAB 92.78, -6.33, -0

 

CMYK 7 / 0 / 0 / 7

HEX #DDEEEE

RGB 221 238 238

HSL 180, 0.33%, 0.9%

LAB 92.88, -5.58, -1.94

 

CMYK 7 / 2 / 0 / 7

HEX #DDE9EE

RGB 221 233 238

HSL 197.65, 0.33%, 0.9%

LAB 91.61, -3.03, -3.81

 

CMYK 7 / 4 / 0 / 7

HEX #DDE5EE

RGB 221 229 238

HSL 211.76, 0.33%, 0.9%

LAB 90.59, -0.98, -5.3

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 11 / 0 / 6 / 5

HEX #D8F3E5

RGB 216 243 229

HSL 148.89, 0.53%, 0.9%

LAB 93.61, -11.4, 3.75

 

CMYK 14 / 0 / 8 / 3

HEX #D4F7E4

RGB 212 247 228

HSL 147.43, 0.69%, 0.9%

LAB 94.36, -14.87, 5.34

 

CMYK 17 / 0 / 9 / 2

HEX #D0FBE4

RGB 208 251 228

HSL 147.91, 0.84%, 0.9%

LAB 95.16, -18.12, 6.46

 

CMYK 20 / 0 / 11 / 0

HEX #CCFFE4

RGB 204 255 228

HSL 148.24, 1%, 0.9%

LAB 95.98, -21.32, 7.6

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 4 / 0 / 2 / 8

HEX #E1EAE5

RGB 225 234 229

HSL 146.67, 0.18%, 0.9%

LAB 91.91, -3.89, 1.37

 

CMYK 0 / 0 / 0 / 10

HEX #E5E6E5

RGB 229 230 229

HSL 120, 0.02%, 0.9%

LAB 91.19, -0.51, 0.36

 

CMYK 0 / 3 / 1 / 9

HEX #E9E2E6

RGB 233 226 230

HSL 325.71, 0.14%, 0.9%

LAB 90.52, 3.08, -1.11

 

CMYK 0 / 6 / 3 / 7

HEX #EDDEE6

RGB 237 222 230

HSL 328, 0.29%, 0.9%

LAB 89.84, 6.5, -2.07

 

CMYK 7 / 0 / 7 / 7

HEX #DEEEDD

RGB 222 238 221

HSL 116.47, 0.33%, 0.9%

LAB 92.53, -8.35, 6.4

 

CMYK 7 / 0 / 6 / 7

HEX #DDEEE0

RGB 221 238 224

HSL 130.59, 0.33%, 0.9%

LAB 92.53, -8.15, 4.84

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 7 / 0 / 2 / 7

HEX #DDEEEA

RGB 221 238 234

HSL 165.88, 0.33%, 0.9%

LAB 92.78, -6.33, -0

 

CMYK 7 / 0 / 0 / 7

HEX #DDEEEE

RGB 221 238 238

HSL 180, 0.33%, 0.9%

LAB 92.88, -5.58, -1.94

 

CMYK 22 / 0 / 12 / 17

HEX #A5D4BB

RGB 165 212 187

HSL 148.09, 0.35%, 0.74%

LAB 81.11, -20.33, 7.38

 

CMYK 14 / 0 / 8 / 12

HEX #C1E1D0

RGB 193 225 208

HSL 148.13, 0.35%, 0.82%

LAB 86.87, -13.77, 4.78

 

CMYK 7 / 0 / 4 / 7

HEX #DDEEE5

RGB 221 238 229

HSL 148.24, 0.33%, 0.9%

LAB 92.65, -7.25, 2.41

 

CMYK 2 / 0 / 1 / 1

HEX #F8FCFA

RGB 248 252 250

HSL 150, 0.4%, 0.98%

LAB 98.62, -1.66, 0.48

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 0 / 4 / 6

HEX #DEEFE6

RGB 222 239 230

HSL 148.24, 0.35%, 0.9%

LAB 93, -7.24, 2.41

 

CMYK 7 / 5 / 0 / 7

HEX #DDE3EE

RGB 221 227 238

HSL 218.82, 0.33%, 0.9%

LAB 90.08, 0.05, -6.05

 

CMYK 0 / 7 / 7 / 7

HEX #EEDEDD

RGB 238 222 221

HSL 3.53, 0.33%, 0.9%

LAB 89.69, 5.3, 2.45

 

CMYK 7 / 0 / 4 / 6

HEX #DEEFE6

RGB 222 239 230

HSL 148.24, 0.35%, 0.9%

LAB 93, -7.24, 2.41

 

CMYK 4 / 7 / 0 / 7

HEX #E5DDEE

RGB 229 221 238

HSL 268.24, 0.33%, 0.9%

LAB 89.18, 5.79, -7.32

 

CMYK 0 / 4 / 7 / 7

HEX #EEE5DD

RGB 238 229 221

HSL 28.24, 0.33%, 0.9%

LAB 91.43, 1.69, 4.97

 

CMYK 7 / 0 / 4 / 6

HEX #DEEFE6

RGB 222 239 230

HSL 148.24, 0.35%, 0.9%

LAB 93, -7.24, 2.41

 

CMYK 7 / 5 / 0 / 7

HEX #DDE3EE

RGB 221 227 238

HSL 218.82, 0.33%, 0.9%

LAB 90.08, 0.05, -6.05

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE6

RGB 238 221 230

HSL 328.24, 0.33%, 0.9%

LAB 89.67, 7.36, -2.3

 

CMYK 0 / 3 / 7 / 7

HEX #EEE8DD

RGB 238 232 221

HSL 38.82, 0.33%, 0.9%

LAB 92.18, 0.15, 6.05

 

CMYK 7 / 0 / 4 / 6

HEX #DEEFE6

RGB 222 239 230

HSL 148.24, 0.35%, 0.9%

LAB 93, -7.24, 2.41

 

CMYK 7 / 7 / 0 / 7

HEX #DDDDEE

RGB 221 221 238

HSL 240, 0.33%, 0.9%

LAB 88.57, 3.17, -8.29

 

CMYK 0 / 7 / 3 / 7

HEX #EEDDE6

RGB 238 221 230

HSL 328.24, 0.33%, 0.9%

LAB 89.67, 7.36, -2.3

 

CMYK 0 / 0 / 7 / 7

HEX #EEEEDD

RGB 238 238 221

HSL 60, 0.33%, 0.9%

LAB 93.69, -2.91, 8.22

 

Description

Color code: HEX #DEEFE64C | qconv.com Color code: HEX #DEEFE64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 239 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 239 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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