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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEE65B it is the complementary color #2119A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEE65B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEE65B shade: #E3E656, #F4F869, #FFFF7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEE65B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEE65B shade: #DEE65B, #CDD448, #BCC235, #ABB022 and #9A9E0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEE65B shade: #DEE65B, #E6C95B, #E6A35B, #E67E5B and #E65B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEE65B shade: #DEE65B, #B9E65B, #93E65B, #6DE65B and #5BE66E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEE65B shade matches the following richer shades: #DEE65B and #ECF64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEE65B shade: #DEE65B, #D1D76A, #C3C879, #B6B989 and #A8A998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEE65B shade: #E6A35B, #E6C85B, #DFE65B, #BAE65B and #95E65B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEE65B shade: #C6D01F, #D7E137, #DEE65B, #E6EC7F and #EDF1A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEE65B shade: #DEE65B, #5BE67E and #B65BE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEE65B shade: #DEE65B, #5BDFE6 and #E65BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEE65B shade: #DEE65B, #5BE67E, #625BE6 and #E65BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEE65B shade: #DEE65B, #5BE6A8, #625BE6 and #E65B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

Complementary color

CMYK 80 / 85 / 0 / 36

HEX #2119A4

RGB 33 25 164

HSL 243.45, 0.74%, 0.37%

LAB 22.65, 49.53, -70.93

 

CMYK 1 / 0 / 63 / 10

HEX #E3E656

RGB 227 230 86

HSL 61.25, 0.74%, 0.62%

LAB 88.73, -18.6, 67.34

 

CMYK 2 / 0 / 58 / 3

HEX #F4F869

RGB 244 248 105

HSL 61.68, 0.91%, 0.69%

LAB 94.9, -19.25, 66.56

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 3 / 0 / 66 / 17

HEX #CDD448

RGB 205 212 72

HSL 63, 0.62%, 0.56%

LAB 82.13, -19.63, 65.47

 

CMYK 3 / 0 / 73 / 24

HEX #BCC235

RGB 188 194 53

HSL 62.55, 0.57%, 0.48%

LAB 75.78, -18.82, 65.71

 

CMYK 3 / 0 / 81 / 31

HEX #ABB022

RGB 171 176 34

HSL 62.11, 0.68%, 0.41%

LAB 69.34, -17.84, 65.23

 

CMYK 3 / 0 / 91 / 38

HEX #9A9E0F

RGB 154 158 15

HSL 61.68, 0.83%, 0.34%

LAB 62.81, -16.63, 63.53

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 0 / 13 / 60 / 10

HEX #E6C95B

RGB 230 201 91

HSL 47.48, 0.74%, 0.63%

LAB 81.48, -2.51, 57.44

 

CMYK 0 / 29 / 60 / 10

HEX #E6A35B

RGB 230 163 91

HSL 31.08, 0.74%, 0.63%

LAB 72.08, 17.48, 46.68

 

CMYK 0 / 45 / 60 / 10

HEX #E67E5B

RGB 230 126 91

HSL 15.11, 0.74%, 0.63%

LAB 63.75, 37.02, 36.66

 

CMYK 0 / 60 / 60 / 10

HEX #E65B5B

RGB 230 91 91

HSL 0, 0.74%, 0.63%

LAB 57.13, 53.95, 28.33

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 20 / 0 / 60 / 10

HEX #B9E65B

RGB 185 230 91

HSL 79.42, 0.74%, 0.63%

LAB 85.84, -34.81, 61.3

 

CMYK 36 / 0 / 60 / 10

HEX #93E65B

RGB 147 230 91

HSL 95.83, 0.74%, 0.63%

LAB 83.73, -48.38, 58.38

 

CMYK 53 / 0 / 60 / 10

HEX #6DE65B

RGB 109 230 91

HSL 112.23, 0.74%, 0.63%

LAB 82.16, -59.71, 56.18

 

CMYK 60 / 0 / 52 / 10

HEX #5BE66E

RGB 91 230 110

HSL 128.2, 0.74%, 0.63%

LAB 81.81, -61.75, 47.06

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 4 / 0 / 69 / 4

HEX #ECF64C

RGB 236 246 76

HSL 63.53, 0.9%, 0.63%

LAB 93.57, -23.22, 76.22

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 3 / 0 / 51 / 16

HEX #D1D76A

RGB 209 215 106

HSL 63.3, 0.58%, 0.63%

LAB 83.55, -17.03, 52.47

 

CMYK 3 / 0 / 40 / 22

HEX #C3C879

RGB 195 200 121

HSL 63.8, 0.42%, 0.63%

LAB 78.63, -13.6, 38.9

 

CMYK 2 / 0 / 26 / 27

HEX #B6B989

RGB 182 185 137

HSL 63.75, 0.26%, 0.63%

LAB 73.84, -8.96, 24.08

 

CMYK 1 / 0 / 10 / 34

HEX #A8A998

RGB 168 169 152

HSL 63.53, 0.09%, 0.63%

LAB 68.73, -3.43, 8.65

 

CMYK 0 / 29 / 60 / 10

HEX #E6A35B

RGB 230 163 91

HSL 31.08, 0.74%, 0.63%

LAB 72.08, 17.48, 46.68

 

CMYK 0 / 13 / 60 / 10

HEX #E6C85B

RGB 230 200 91

HSL 47.05, 0.74%, 0.63%

LAB 81.23, -1.99, 57.15

 

CMYK 3 / 0 / 60 / 10

HEX #DFE65B

RGB 223 230 91

HSL 63.02, 0.74%, 0.63%

LAB 88.47, -19.9, 64.93

 

CMYK 19 / 0 / 60 / 10

HEX #BAE65B

RGB 186 230 91

HSL 78.99, 0.74%, 0.63%

LAB 85.9, -34.43, 61.39

 

CMYK 35 / 0 / 60 / 10

HEX #95E65B

RGB 149 230 91

HSL 94.96, 0.74%, 0.63%

LAB 83.83, -47.72, 58.51

 

CMYK 5 / 0 / 85 / 18

HEX #C6D01F

RGB 198 208 31

HSL 63.39, 0.74%, 0.47%

LAB 80.3, -22.27, 76.07

 

CMYK 4 / 0 / 76 / 12

HEX #D7E137

RGB 215 225 55

HSL 63.53, 0.74%, 0.55%

LAB 86.29, -22.65, 75.62

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 3 / 0 / 46 / 7

HEX #E6EC7F

RGB 230 236 127

HSL 63.3, 0.74%, 0.71%

LAB 90.94, -17.15, 51.82

 

CMYK 2 / 0 / 32 / 5

HEX #EDF1A3

RGB 237 241 163

HSL 63.08, 0.74%, 0.79%

LAB 93.26, -13.07, 37.3

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 60 / 0 / 45 / 10

HEX #5BE67E

RGB 91 230 126

HSL 135.11, 0.74%, 0.63%

LAB 82.01, -59.45, 39.63

 

CMYK 21 / 60 / 0 / 10

HEX #B65BE6

RGB 182 91 230

HSL 279.28, 0.74%, 0.63%

LAB 55.22, 59.15, -55.68

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 0 / 60 / 3 / 10

HEX #E65BDF

RGB 230 91 223

HSL 303.02, 0.74%, 0.63%

LAB 61.34, 69.46, -41.64

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 60 / 0 / 45 / 10

HEX #5BE67E

RGB 91 230 126

HSL 135.11, 0.74%, 0.63%

LAB 82.01, -59.45, 39.63

 

CMYK 57 / 60 / 0 / 10

HEX #625BE6

RGB 98 91 230

HSL 243.02, 0.74%, 0.63%

LAB 46.7, 41.59, -69.85

 

CMYK 0 / 60 / 15 / 10

HEX #E65BC4

RGB 230 91 196

HSL 314.68, 0.74%, 0.63%

LAB 60.15, 65.29, -28.22

 

CMYK 3 / 0 / 60 / 10

HEX #DEE65B

RGB 222 230 91

HSL 63.45, 0.74%, 0.63%

LAB 88.39, -20.3, 64.82

 

CMYK 60 / 0 / 27 / 10

HEX #5BE6A8

RGB 91 230 168

HSL 153.24, 0.74%, 0.63%

LAB 82.72, -51.85, 19.22

 

CMYK 57 / 60 / 0 / 10

HEX #625BE6

RGB 98 91 230

HSL 243.02, 0.74%, 0.63%

LAB 46.7, 41.59, -69.85

 

CMYK 0 / 60 / 33 / 10

HEX #E65B9A

RGB 230 91 154

HSL 332.81, 0.74%, 0.63%

LAB 58.64, 59.75, -6.32

 

Description

Color code: HEX #DEE65B | qconv.com Color code: HEX #DEE65B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 230 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 230 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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