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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEE54F it is the complementary color #211AB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEE54F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEE54F shade: #E3E54A, #F4F75D, #FFFF70, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEE54F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEE54F shade: #DEE54F, #CDD33C, #BCC129, #ABAF16 and #9A9D03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEE54F shade: #DDE44E, #E4C34E, #E49A4E, #E4714E and #E44E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEE54F shade: #DDE44E, #B5E44E, #8CE44E, #63E44E and #4EE460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEE54F shade matches the following richer shades: #DDE44E and #ECF53D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEE54F shade: #DDE44E, #CED45E, #C0C36F, #B1B37F and #A2A290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEE54F shade: #E4994E, #E4C14E, #DFE44E, #B7E44E and #8FE44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEE54F shade: #BBC21D, #D7DF2A, #DDE44E, #E4EA71 and #EBEF95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEE54F shade: #DEE54F, #4EE471 and #AD4EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEE54F shade: #DEE54F, #4EDFE4 and #E44EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEE54F shade: #DEE54F, #4EE471, #534EE4 and #E44EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEE54F shade: #DEE54F, #4EE49E, #534EE4 and #E44E94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

Complementary color

CMYK 81 / 85 / 0 / 31

HEX #211AB0

RGB 33 26 176

HSL 242.8, 0.74%, 0.4%

LAB 24.31, 52.72, -75.41

 

CMYK 1 / 0 / 68 / 10

HEX #E3E54A

RGB 227 229 74

HSL 60.77, 0.75%, 0.59%

LAB 88.38, -18.79, 71.58

 

CMYK 1 / 0 / 62 / 3

HEX #F4F75D

RGB 244 247 93

HSL 61.17, 0.91%, 0.67%

LAB 94.54, -19.55, 71.08

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

CMYK 3 / 0 / 72 / 17

HEX #CDD33C

RGB 205 211 60

HSL 62.38, 0.63%, 0.53%

LAB 81.78, -19.77, 69.51

 

CMYK 3 / 0 / 79 / 24

HEX #BCC129

RGB 188 193 41

HSL 61.97, 0.65%, 0.46%

LAB 75.45, -18.82, 69.16

 

CMYK 2 / 0 / 87 / 31

HEX #ABAF16

RGB 171 175 22

HSL 61.57, 0.78%, 0.39%

LAB 69.02, -17.67, 67.79

 

CMYK 2 / 0 / 98 / 38

HEX #9A9D03

RGB 154 157 3

HSL 61.17, 0.96%, 0.31%

LAB 62.5, -16.3, 65.04

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 0 / 14 / 66 / 11

HEX #E4C34E

RGB 228 195 78

HSL 46.8, 0.74%, 0.6%

LAB 79.66, -1.06, 61.07

 

CMYK 0 / 32 / 66 / 11

HEX #E49A4E

RGB 228 154 78

HSL 30.4, 0.74%, 0.6%

LAB 69.58, 20.6, 50.11

 

CMYK 0 / 50 / 66 / 11

HEX #E4714E

RGB 228 113 78

HSL 14, 0.74%, 0.6%

LAB 60.65, 42.02, 39.85

 

CMYK 0 / 66 / 66 / 11

HEX #E44E4E

RGB 228 78 78

HSL 0, 0.74%, 0.6%

LAB 54.55, 58, 32.47

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 21 / 0 / 66 / 11

HEX #B5E44E

RGB 181 228 78

HSL 78.8, 0.74%, 0.6%

LAB 84.93, -36.37, 65.52

 

CMYK 39 / 0 / 66 / 11

HEX #8CE44E

RGB 140 228 78

HSL 95.2, 0.74%, 0.6%

LAB 82.71, -50.97, 62.5

 

CMYK 57 / 0 / 66 / 11

HEX #63E44E

RGB 99 228 78

HSL 111.6, 0.74%, 0.6%

LAB 81.12, -62.77, 60.33

 

CMYK 66 / 0 / 58 / 11

HEX #4EE460

RGB 78 228 96

HSL 127.2, 0.74%, 0.6%

LAB 80.71, -65.45, 52.09

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 4 / 0 / 75 / 4

HEX #ECF53D

RGB 236 245 61

HSL 62.93, 0.9%, 0.6%

LAB 93.22, -23.4, 80.75

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 3 / 0 / 56 / 17

HEX #CED45E

RGB 206 212 94

HSL 63.05, 0.58%, 0.6%

LAB 82.39, -17.74, 56.56

 

CMYK 2 / 0 / 43 / 24

HEX #C0C36F

RGB 192 195 111

HSL 62.14, 0.41%, 0.6%

LAB 76.91, -13.33, 41.72

 

CMYK 1 / 0 / 29 / 30

HEX #B1B37F

RGB 177 179 127

HSL 62.31, 0.25%, 0.6%

LAB 71.64, -9.13, 26.39

 

CMYK 0 / 0 / 11 / 36

HEX #A2A290

RGB 162 162 144

HSL 60, 0.09%, 0.6%

LAB 66.16, -3.25, 9.37

 

CMYK 0 / 33 / 66 / 11

HEX #E4994E

RGB 228 153 78

HSL 30, 0.74%, 0.6%

LAB 69.35, 21.14, 49.85

 

CMYK 0 / 15 / 66 / 11

HEX #E4C14E

RGB 228 193 78

HSL 46, 0.74%, 0.6%

LAB 79.15, -0.03, 60.53

 

CMYK 2 / 0 / 66 / 11

HEX #DFE44E

RGB 223 228 78

HSL 62, 0.74%, 0.6%

LAB 87.84, -19.73, 69.44

 

CMYK 20 / 0 / 66 / 11

HEX #B7E44E

RGB 183 228 78

HSL 78, 0.74%, 0.6%

LAB 85.05, -35.61, 65.68

 

CMYK 37 / 0 / 66 / 11

HEX #8FE44E

RGB 143 228 78

HSL 94, 0.74%, 0.6%

LAB 82.85, -49.99, 62.69

 

CMYK 4 / 0 / 85 / 24

HEX #BBC21D

RGB 187 194 29

HSL 62.55, 0.74%, 0.44%

LAB 75.6, -20.1, 72.26

 

CMYK 4 / 0 / 81 / 13

HEX #D7DF2A

RGB 215 223 42

HSL 62.65, 0.74%, 0.52%

LAB 85.7, -22.14, 78.64

 

CMYK 3 / 0 / 66 / 11

HEX #DDE44E

RGB 221 228 78

HSL 62.8, 0.74%, 0.6%

LAB 87.68, -20.54, 69.23

 

CMYK 3 / 0 / 52 / 8

HEX #E4EA71

RGB 228 234 113

HSL 62.98, 0.74%, 0.68%

LAB 90.11, -18.2, 57.29

 

CMYK 2 / 0 / 38 / 6

HEX #EBEF95

RGB 235 239 149

HSL 62.67, 0.74%, 0.76%

LAB 92.38, -14.45, 43.08

 

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

CMYK 66 / 0 / 50 / 11

HEX #4EE471

RGB 78 228 113

HSL 134, 0.74%, 0.6%

LAB 80.9, -63.22, 44.46

 

CMYK 24 / 66 / 0 / 11

HEX #AD4EE4

RGB 173 78 228

HSL 278, 0.74%, 0.6%

LAB 51.76, 62.72, -60.15

 

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

CMYK 66 / 2 / 0 / 11

HEX #4EDFE4

RGB 78 223 228

HSL 182, 0.74%, 0.6%

LAB 81.84, -36.29, -13.78

 

CMYK 0 / 66 / 2 / 11

HEX #E44EDF

RGB 228 78 223

HSL 302, 0.74%, 0.6%

LAB 59.22, 74.04, -44.98

 

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

CMYK 66 / 0 / 50 / 11

HEX #4EE471

RGB 78 228 113

HSL 134, 0.74%, 0.6%

LAB 80.9, -63.22, 44.46

 

CMYK 64 / 66 / 0 / 11

HEX #534EE4

RGB 83 78 228

HSL 242, 0.74%, 0.6%

LAB 42.6, 46.28, -75.46

 

CMYK 0 / 66 / 15 / 11

HEX #E44EC1

RGB 228 78 193

HSL 314, 0.74%, 0.6%

LAB 57.84, 69.52, -30.11

 

CMYK 3 / 0 / 66 / 10

HEX #DEE54F

RGB 222 229 79

HSL 62.8, 0.74%, 0.6%

LAB 88.03, -20.56, 69.23

 

CMYK 66 / 0 / 31 / 11

HEX #4EE49E

RGB 78 228 158

HSL 152, 0.74%, 0.6%

LAB 81.61, -55.45, 22.82

 

CMYK 64 / 66 / 0 / 11

HEX #534EE4

RGB 83 78 228

HSL 242, 0.74%, 0.6%

LAB 42.6, 46.28, -75.46

 

CMYK 0 / 66 / 35 / 11

HEX #E44E94

RGB 228 78 148

HSL 332, 0.74%, 0.6%

LAB 56.17, 63.82, -6.51

 

Description

Color code: HEX #DEE54F | qconv.com Color code: HEX #DEE54F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 229 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 229 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 66 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 66% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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