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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEE24D it is the complementary color #211DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEE24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEE24D shade: #E3E248, #F4F45B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEE24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEE24D shade: #DEE24D, #CDD03A, #BCBE27, #ABAC14 and #9A9A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEE24D shade: #DEE24B, #E2BD4B, #E2954B, #E26C4B and #E24B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEE24D shade: #DEE24B, #B5E24B, #8CE24B, #64E24B and #4BE25B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEE24D shade matches the following richer shades: #DEE24B and #EEF33A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEE24D shade: #DEE24B, #CED15C, #BEC06D, #AEAF7E and #9E9E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEE24D shade: #E2944B, #E2BC4B, #DFE24B, #B7E24B and #8FE24B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEE24D shade: #B8BC1F, #D7DC28, #DEE24B, #E4E86F and #EBED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEE24D shade: #DEE24D, #4BE26C and #A84BE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEE24D shade: #DEE24D, #4BDFE2 and #E24BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEE24D shade: #DEE24D, #4BE26C, #4E4BE2 and #E24BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEE24D shade: #DEE24D, #4BE299, #4E4BE2 and #E24B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

Complementary color

CMYK 81 / 84 / 0 / 30

HEX #211DB2

RGB 33 29 178

HSL 241.61, 0.72%, 0.41%

LAB 25, 52.02, -75.46

 

CMYK 0 / 0 / 68 / 11

HEX #E3E248

RGB 227 226 72

HSL 59.61, 0.73%, 0.59%

LAB 87.58, -17.43, 71.51

 

CMYK 0 / 0 / 63 / 4

HEX #F4F45B

RGB 244 244 91

HSL 60, 0.87%, 0.66%

LAB 93.75, -18.22, 71.03

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

CMYK 1 / 0 / 72 / 18

HEX #CDD03A

RGB 205 208 58

HSL 61.2, 0.61%, 0.52%

LAB 80.96, -18.39, 69.4

 

CMYK 1 / 0 / 79 / 25

HEX #BCBE27

RGB 188 190 39

HSL 60.79, 0.66%, 0.45%

LAB 74.61, -17.39, 68.99

 

CMYK 1 / 0 / 88 / 33

HEX #ABAC14

RGB 171 172 20

HSL 60.39, 0.79%, 0.38%

LAB 68.18, -16.19, 67.5

 

CMYK 0 / 0 / 99 / 40

HEX #9A9A01

RGB 154 154 1

HSL 60, 0.99%, 0.3%

LAB 61.64, -14.78, 64.69

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 0 / 16 / 67 / 11

HEX #E2BD4B

RGB 226 189 75

HSL 45.3, 0.72%, 0.59%

LAB 77.92, 1.04, 60.45

 

CMYK 0 / 34 / 67 / 11

HEX #E2954B

RGB 226 149 75

HSL 29.4, 0.72%, 0.59%

LAB 68.15, 22.27, 49.89

 

CMYK 0 / 52 / 67 / 11

HEX #E26C4B

RGB 226 108 75

HSL 13.11, 0.72%, 0.59%

LAB 59.34, 43.57, 39.84

 

CMYK 0 / 67 / 67 / 11

HEX #E24B4B

RGB 226 75 75

HSL 0, 0.72%, 0.59%

LAB 53.72, 58.39, 33.1

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 20 / 0 / 67 / 11

HEX #B5E24B

RGB 181 226 75

HSL 77.88, 0.72%, 0.59%

LAB 84.34, -35.66, 66.06

 

CMYK 38 / 0 / 67 / 11

HEX #8CE24B

RGB 140 226 75

HSL 94.17, 0.72%, 0.59%

LAB 82.1, -50.39, 63.02

 

CMYK 56 / 0 / 67 / 11

HEX #64E24B

RGB 100 226 75

HSL 110.07, 0.72%, 0.59%

LAB 80.52, -62.08, 60.88

 

CMYK 67 / 0 / 60 / 11

HEX #4BE25B

RGB 75 226 91

HSL 126.36, 0.72%, 0.59%

LAB 79.98, -65.92, 53.44

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 2 / 0 / 76 / 5

HEX #EEF33A

RGB 238 243 58

HSL 61.62, 0.89%, 0.59%

LAB 92.83, -21.75, 81.33

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 1 / 0 / 56 / 18

HEX #CED15C

RGB 206 209 92

HSL 61.54, 0.56%, 0.59%

LAB 81.56, -16.4, 56.52

 

CMYK 1 / 0 / 43 / 25

HEX #BEC06D

RGB 190 192 109

HSL 61.45, 0.4%, 0.59%

LAB 75.92, -12.81, 41.45

 

CMYK 1 / 0 / 28 / 31

HEX #AEAF7E

RGB 174 175 126

HSL 61.22, 0.23%, 0.59%

LAB 70.29, -8.34, 25.08

 

CMYK 0 / 0 / 9 / 38

HEX #9E9E8F

RGB 158 158 143

HSL 60, 0.07%, 0.59%

LAB 64.73, -2.74, 7.84

 

CMYK 0 / 35 / 67 / 11

HEX #E2944B

RGB 226 148 75

HSL 29.01, 0.72%, 0.59%

LAB 67.91, 22.8, 49.64

 

CMYK 0 / 17 / 67 / 11

HEX #E2BC4B

RGB 226 188 75

HSL 44.9, 0.72%, 0.59%

LAB 77.66, 1.56, 60.19

 

CMYK 1 / 0 / 67 / 11

HEX #DFE24B

RGB 223 226 75

HSL 61.19, 0.72%, 0.59%

LAB 87.28, -18.92, 70.01

 

CMYK 19 / 0 / 67 / 11

HEX #B7E24B

RGB 183 226 75

HSL 77.09, 0.72%, 0.59%

LAB 84.47, -34.89, 66.23

 

CMYK 37 / 0 / 67 / 11

HEX #8FE24B

RGB 143 226 75

HSL 92.98, 0.72%, 0.59%

LAB 82.24, -49.39, 63.22

 

CMYK 2 / 0 / 84 / 26

HEX #B8BC1F

RGB 184 188 31

HSL 61.53, 0.72%, 0.43%

LAB 73.71, -18.35, 70.14

 

CMYK 2 / 0 / 82 / 14

HEX #D7DC28

RGB 215 220 40

HSL 61.67, 0.72%, 0.51%

LAB 84.89, -20.74, 78.43

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 2 / 0 / 52 / 9

HEX #E4E86F

RGB 228 232 111

HSL 61.98, 0.72%, 0.67%

LAB 89.56, -17.39, 57.56

 

CMYK 1 / 0 / 38 / 7

HEX #EBED92

RGB 235 237 146

HSL 61.32, 0.72%, 0.75%

LAB 91.82, -13.79, 43.84

 

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

CMYK 67 / 0 / 52 / 11

HEX #4BE26C

RGB 75 226 108

HSL 133.11, 0.72%, 0.59%

LAB 80.16, -63.77, 45.91

 

CMYK 26 / 67 / 0 / 11

HEX #A84BE2

RGB 168 75 226

HSL 276.95, 0.72%, 0.59%

LAB 50.51, 62.57, -61.08

 

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

CMYK 67 / 1 / 0 / 11

HEX #4BDFE2

RGB 75 223 226

HSL 181.19, 0.72%, 0.59%

LAB 81.71, -37.27, -12.92

 

CMYK 0 / 67 / 1 / 11

HEX #E24BDF

RGB 226 75 223

HSL 301.19, 0.72%, 0.59%

LAB 58.54, 74.67, -46.09

 

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

CMYK 67 / 0 / 52 / 11

HEX #4BE26C

RGB 75 226 108

HSL 133.11, 0.72%, 0.59%

LAB 80.16, -63.77, 45.91

 

CMYK 65 / 67 / 0 / 11

HEX #4E4BE2

RGB 78 75 226

HSL 241.19, 0.72%, 0.59%

LAB 41.44, 46.72, -76.23

 

CMYK 0 / 67 / 15 / 11

HEX #E24BC1

RGB 226 75 193

HSL 313.11, 0.72%, 0.59%

LAB 57.13, 70.14, -31.24

 

CMYK 2 / 0 / 66 / 11

HEX #DEE24D

RGB 222 226 77

HSL 61.61, 0.72%, 0.59%

LAB 87.22, -19.22, 69.17

 

CMYK 67 / 0 / 32 / 11

HEX #4BE299

RGB 75 226 153

HSL 150.99, 0.72%, 0.59%

LAB 80.84, -56.18, 24.36

 

CMYK 65 / 67 / 0 / 11

HEX #4E4BE2

RGB 78 75 226

HSL 241.19, 0.72%, 0.59%

LAB 41.44, 46.72, -76.23

 

CMYK 0 / 67 / 35 / 11

HEX #E24B94

RGB 226 75 148

HSL 330.99, 0.72%, 0.59%

LAB 55.42, 64.42, -7.66

 

Description

Color code: HEX #DEE24D | qconv.com Color code: HEX #DEE24D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 226 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 226 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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