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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEDF58 it is the complementary color #2120A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEDF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEDF58 shade: #E3DF53, #F4F166, #FFFF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEDF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEDF58 shade: #DEDF58, #CDCD45, #BCBB32, #ABA91F and #9A970C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEDF58 shade: #DEDF58, #DFBC58, #DF9758, #DF7358 and #DF5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEDF58 shade: #DEDF58, #BADF58, #95DF58, #71DF58 and #58DF64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEDF58 shade matches the following richer shades: #DEDF58 and #EEEF48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEDF58 shade: #DEDF58, #CECF68, #BEBF78, #AFAF88 and #9F9F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEDF58 shade: #DF9758, #DFBB58, #DFDF58, #BBDF58 and #97DF58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEDF58 shade: #BFC025, #D7D935, #DEDF58, #E5E67B and #ECEC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEDF58 shade: #DEDF58, #58DF73 and #A958DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEDF58 shade: #DEDF58, #58DFDF and #DF58DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEDF58 shade: #DEDF58, #58DF73, #5858DF and #DF58C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEDF58 shade: #DEDF58, #58DF9C, #5858DF and #DF589C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

Complementary color

CMYK 80 / 81 / 0 / 35

HEX #2120A7

RGB 33 32 167

HSL 240.44, 0.68%, 0.39%

LAB 24.15, 47.14, -70.26

 

CMYK 0 / 2 / 63 / 11

HEX #E3DF53

RGB 227 223 83

HSL 58.33, 0.72%, 0.61%

LAB 86.86, -15.35, 66.58

 

CMYK 0 / 1 / 58 / 4

HEX #F4F166

RGB 244 241 102

HSL 58.73, 0.87%, 0.68%

LAB 93.06, -16.07, 65.79

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 0 / 0 / 66 / 20

HEX #CDCD45

RGB 205 205 69

HSL 60, 0.58%, 0.54%

LAB 80.22, -16.34, 64.68

 

CMYK 0 / 1 / 73 / 26

HEX #BCBB32

RGB 188 187 50

HSL 59.57, 0.58%, 0.47%

LAB 73.84, -15.45, 64.89

 

CMYK 0 / 1 / 82 / 33

HEX #ABA91F

RGB 171 169 31

HSL 59.14, 0.69%, 0.4%

LAB 67.38, -14.36, 64.33

 

CMYK 0 / 2 / 92 / 40

HEX #9A970C

RGB 154 151 12

HSL 58.73, 0.86%, 0.33%

LAB 60.81, -13.04, 62.46

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 0 / 16 / 61 / 13

HEX #DFBC58

RGB 223 188 88

HSL 44.44, 0.68%, 0.61%

LAB 77.5, 1.1, 54.15

 

CMYK 0 / 32 / 61 / 13

HEX #DF9758

RGB 223 151 88

HSL 28, 0.68%, 0.61%

LAB 68.41, 20.79, 43.66

 

CMYK 0 / 48 / 61 / 13

HEX #DF7358

RGB 223 115 88

HSL 12, 0.68%, 0.61%

LAB 60.48, 39.75, 34.02

 

CMYK 0 / 61 / 61 / 13

HEX #DF5858

RGB 223 88 88

HSL 0, 0.68%, 0.61%

LAB 55.45, 52.71, 27.67

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 17 / 0 / 61 / 13

HEX #BADF58

RGB 186 223 88

HSL 76.44, 0.68%, 0.61%

LAB 83.92, -31.43, 60.48

 

CMYK 33 / 0 / 61 / 13

HEX #95DF58

RGB 149 223 88

HSL 92.89, 0.68%, 0.61%

LAB 81.77, -45.03, 57.49

 

CMYK 49 / 0 / 61 / 13

HEX #71DF58

RGB 113 223 88

HSL 108.89, 0.68%, 0.61%

LAB 80.17, -56.3, 55.26

 

CMYK 61 / 0 / 55 / 13

HEX #58DF64

RGB 88 223 100

HSL 125.33, 0.68%, 0.61%

LAB 79.48, -61.17, 48.89

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 0 / 0 / 70 / 6

HEX #EEEF48

RGB 238 239 72

HSL 60.36, 0.84%, 0.61%

LAB 91.85, -19.25, 75.99

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 0 / 0 / 50 / 19

HEX #CECF68

RGB 206 207 104

HSL 60.58, 0.52%, 0.61%

LAB 81.15, -14.42, 50.53

 

CMYK 1 / 0 / 37 / 25

HEX #BEBF78

RGB 190 191 120

HSL 60.85, 0.36%, 0.61%

LAB 75.8, -11.1, 35.72

 

CMYK 0 / 0 / 22 / 31

HEX #AFAF88

RGB 175 175 136

HSL 60, 0.2%, 0.61%

LAB 70.56, -6.54, 20.06

 

CMYK 0 / 0 / 4 / 38

HEX #9F9F98

RGB 159 159 152

HSL 60, 0.04%, 0.61%

LAB 65.31, -1.31, 3.64

 

CMYK 0 / 32 / 61 / 13

HEX #DF9758

RGB 223 151 88

HSL 28, 0.68%, 0.61%

LAB 68.41, 20.79, 43.66

 

CMYK 0 / 16 / 61 / 13

HEX #DFBB58

RGB 223 187 88

HSL 44, 0.68%, 0.61%

LAB 77.24, 1.63, 53.87

 

CMYK 0 / 0 / 61 / 13

HEX #DFDF58

RGB 223 223 88

HSL 60, 0.68%, 0.61%

LAB 86.59, -16.68, 64.15

 

CMYK 16 / 0 / 61 / 13

HEX #BBDF58

RGB 187 223 88

HSL 76, 0.68%, 0.61%

LAB 83.99, -31.05, 60.57

 

CMYK 32 / 0 / 61 / 13

HEX #97DF58

RGB 151 223 88

HSL 92, 0.68%, 0.61%

LAB 81.87, -44.34, 57.63

 

CMYK 1 / 0 / 81 / 25

HEX #BFC025

RGB 191 192 37

HSL 60.39, 0.68%, 0.45%

LAB 75.39, -17.17, 70.3

 

CMYK 1 / 0 / 76 / 15

HEX #D7D935

RGB 215 217 53

HSL 60.73, 0.68%, 0.53%

LAB 84.14, -18.84, 74.25

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 0 / 0 / 47 / 10

HEX #E5E67B

RGB 229 230 123

HSL 60.56, 0.68%, 0.69%

LAB 89.24, -14.97, 51.64

 

CMYK 0 / 0 / 33 / 7

HEX #ECEC9D

RGB 236 236 157

HSL 60, 0.68%, 0.77%

LAB 91.8, -11.68, 38.38

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 61 / 0 / 48 / 13

HEX #58DF73

RGB 88 223 115

HSL 132, 0.68%, 0.61%

LAB 79.66, -59.13, 42.01

 

CMYK 24 / 61 / 0 / 13

HEX #A958DF

RGB 169 88 223

HSL 276, 0.68%, 0.61%

LAB 52.67, 56.05, -55.91

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 61 / 0 / 0 / 13

HEX #58DFDF

RGB 88 223 223

HSL 180, 0.68%, 0.61%

LAB 81.93, -36.13, -10.96

 

CMYK 0 / 61 / 0 / 13

HEX #DF58DF

RGB 223 88 223

HSL 300, 0.68%, 0.61%

LAB 59.88, 68.97, -43.99

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 61 / 0 / 48 / 13

HEX #58DF73

RGB 88 223 115

HSL 132, 0.68%, 0.61%

LAB 79.66, -59.13, 42.01

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 0 / 61 / 12 / 13

HEX #DF58C4

RGB 223 88 196

HSL 312, 0.68%, 0.61%

LAB 58.65, 64.68, -30.63

 

CMYK 0 / 0 / 61 / 13

HEX #DEDF58

RGB 222 223 88

HSL 60.44, 0.68%, 0.61%

LAB 86.51, -17.08, 64.04

 

CMYK 61 / 0 / 30 / 13

HEX #58DF9C

RGB 88 223 156

HSL 150.22, 0.68%, 0.61%

LAB 80.32, -52.03, 22.14

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 0 / 61 / 30 / 13

HEX #DF589C

RGB 223 88 156

HSL 329.78, 0.68%, 0.61%

LAB 57.14, 59.19, -9.83

 

Description

Color code: HEX #DEDF58 | qconv.com Color code: HEX #DEDF58 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 223 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 223 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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